Paula Pell Quotes

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My sister's journal was the romantic one with boys, and mine was talking about my rock tumbler. We were so different and so similar.

I'm a plus-size person, so when I tried to go into the Gap, I used to just walk out of there shaking my head because they have nothing that fits me.

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Commercials used to have such a serious tone to them or a really corny tone.

My sister was three years older than me, and she was like the stone-cold '70s fox. I looked like a short Polish farm woman, and so our journals were wildly different.

I grew up where the repercussion of you having an opinion was being 'cocky,' or people would be mad at you. And I have finally learnt that it is better for them to be mad at you and disagree than...

I have written before, but I was primarily an actor and improvisational performer.

I was half Catskills comedian, half 1800s matron.

If you're hired to be a funny person, you have to trust your judgment but also be open because sometimes you think something's funny, and the next day you read it and go, 'Oh, my God.'

It's easy to trick yourself into thinking something's funnier than it is.

I've always loved the use of the word 'thick' when it comes to heavy because it's always a positive thing.

Starting probably with Janeane Garofalo and that era of stand-up ladies who were starting to be more brainy and strong and clever, guys started noticing those girls as sexy smart. I always called it smarxy.

I'd always be loaning my sister money, knowing full well I wasn't going to get it back. But she had the kids, and that paid me back.

It takes a special kind of family to bathe together in their 40s.

I think women are taking charge of the origins of a production, which is the most important part. Because you can't be a victim of whatever people ask you to do.

All the women I've grown up with at 'SNL' and other areas, and even the women that work with Judd Apatow, all those women are powerful, assertive women that have great material, and they just produce themselves.

I've got my foot in 'Saturday Night Live,' and my heart is there in a lot of ways, but I'm really pushing myself to do these new projects. It's scary as hell, but it's fun to have other things to...

It was really fun to start writing movies because you could actually take characters whose voice you enjoy writing in and have actual things happen to them for more than five minutes. It was really fun to thread it together.

My specialty at 'SNL' was doing triage. There was always a great need for someone to say, 'Make this funnier. Give me an ending for this. What's a better big laugh for this towards the end? What's a better physical...

When I finally finished writing 'Sisters,' I started getting hired for lots of rewrites.

I've always felt, even with sketches, that if you don't care about these people, then it doesn't matter.

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