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Paul W S Anderson Quotes

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I really believe that, as filmmakers, we have a duty, which is, if we're asking people to pay a premium price for a 3D ticket, we have a duty to deliver a premium product.

3D is obviously not as suited to drama and romantic comedies. But for what I do, I felt that 3D was a very, very appropriate technology.

The idea of being able to polish something for nine months - it's the perfect way to hone your film.

I'm a big gamer.

I've always seen myself as a global filmmaker.

A pleased audience member is a pleased audience member, whether they're in New York or Mumbai.

'Pompeii' is definitely a passion project for me.

'Pompeii' is kind of a lifelong obsession for me.

I can't remember who said, 'No film is completed, just abandoned,' but I think most filmmakers will tell you that they could endlessly fiddle with their films for the next couple of decades, you know, changing things, altering things.

I really believe, especially with 3D, you kind of have to approach it as this holistic thing. You have to kind of mount a 3D movie; you can't just add 3D as a kind of a special sauce sprinkled on...

I love 'Death Race.' It's one of my favorite films.

I started doing commercials in 2008 right after we released 'Death Race,' and the reason was that I spent two years prepping Death Race and building all these custom rigs to shoot cars in the most dynamic and exciting way.

The way it works in commercials is they come to you with the script, and then you do the visual, you do the storyboards, and you give your vision of it, but it's very much their baby. You just kind...

When you're writing, it's a very solitary job. It's you and your word processor and a cup of tea.

When I made my first film, 'Shopping,' the reviews were incredibly snooty. They said things like, 'Jude Law is too pretty for the role,' and that's why I don't respect the British press. That kind of small-minded thing doesn't consider...

I don't read reviews anymore.

I don't make films for critics, and I'm not particularly interested in what they have to say, and they don't have a bearing on my audiences.

People see my films, and they cheer and they clap, and they are the kind of movies I like to see myself.

When I started working as a writer-director, that's when he became Paul Thomas Anderson and I became Paul W.S. Anderson. Neither of us can write and direct an American movie under the name Paul Anderson.

Honestly, I don't think anyone confuses me with Wes Anderson. He's in his own terrific universe, but not the kind anyone would mistake for mine.

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