Paul Morrissey Quotes

Most Famous Paul Morrissey Quotes of All Time!

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Andy was a nonverbal person; you couldn't get directions out of him. All he knew was what was modern in art was what wasn't art: The telephone was art, the pizza was art, but what was hanging on walls in...

My films always play better outside of New York, especially to critics.

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There's something about all the films that I have made in that they don't seem old or dated, and some people mention that.

People treat serious subjects so seriously, which is so obvious a way of dealing with them. I'm always thinking that the best way of dealing with them is to show people as human beings.

I've always stayed independent, but I've always felt an obligation to make movies an untutored audience could like.

So many things go on in life that never find their way into the movies because so much of it is unappealing. But that's what I want to show.

I'm not against censorship in principle. Not at all. Some things should be censored.

I'm not anti-Hollywood; not at all. In fact, I'm rather fascinated by everything that goes on here. When I get hold of a copy of 'Variety,' I read it cover to cover; I love to know what people are doing.

It's a debilitating process, working with the studios. With the length of time it takes for drafts and development deals, your enthusiasm is gone before you're ready to make the film.

Nico was peculiar. She was extraordinary.

Andy was not a director and not a writer. He operated the camera a little bit, and he wasn't even so good at that.

Somewhere in the '60s, actors became wimps and basket-case psychotics.

We are always getting photos and publicity from people who want to act in Andy's movies. We always throw them away. They don't seem to realize that the last thing we'd put into a movie is an actor. Because all...

I did say to myself one day, 'I'd love to be a Jewish comedian,' but that's my only memory with any connection to show business.

Very few people took sordid things and made comedies out of them.

My sense is that you can make a film under almost any circumstances. As long as someone has a vague idea of what he's doing, something distinctive will emerge. That, to me, is what film making is all about.

If a person is in front of a camera, they're acting. It's not possible to live in front of a camera.

You can't have the real thing on camera - that's the nature of cinema. When you see people like Daniel Day-Lewis and Ralph Fiennes screaming and hyperventilating, you're seeing the phoniest kind of bad acting. You may as well have...

Every movie I've ever made says the same thing. They all find comedy in people trying to live their lives without any rules.

Actors should be instinctive and spontaneous. If you think about acting, you're not going to be good.

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