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Oneohtrix Point Never Quotes

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The way I think about things or hear things in my head is actually much closer to acoustic instruments. I don't have weird synthesized fantasy of music in my head.

Especially in repetitive music, to make a long piece of music you have to be extremely skilled in your sleight of hand. Just to make long form music it's very difficult and you really have to consider what you're putting...

O.P.N. has always been about reaching for some kind of liminal state in which opposing aesthetic forces become entangled and confused and equal.

I loved Alva Noto's 'Xerrox, Vol. 3' a lot. It might be my favorite of his records. I must admit, I was bummed to see him say he was surprised by how emotional the record came out, as if he...

I've lost so many gigs composing commercial or television music because I can't repress my inclination to work against conventions.

Nothing's ever easy about composing for other people's projects, but I like it. I've been lucky to have worked with adventurous directors who trust me.

Oneohtrix Point Never is total freedom to do what I think is right.

When people talk about how parameters can generate really good work, there's no better example than working within a genre in film. That's like the ultimate parameter.

As a movie fan, I remember Quentin Tarantino and Lawrence Bender and the sort of energy around 'Reservoir Dogs,' and the jump from 'Reservoir Dogs' to 'Pulp Fiction,' and how everybody was stoked on Quentin's career.

The easiest way for me to tell someone what I do is to say that I'm a non-musician who practises and produces music. I don't have a theoretical language for music. I have this abstract dream language.

I love seeing Tim Hecker perform because the experience truly shakes me.

The problem with depicting what's weird and what isn't is that it's got to this point of near total oversaturation. There's definitely a threshold at which that language and experience becomes tedious. How can something be weird if everything is...

I think nostalgia used purely for the sake of emotional reminiscing is extremely boring.

To me everything is a material, and everything is subject to change. When I work with found sounds, I'm trying to figure out how do I make this come from me?

Growing up, I wanted to write films and make films. Even as I took this detour and stayed in the music world, I still think in terms of 'What is in this room? What is the shot? Who are the...

Yeah, I guess generally I don't want things ever to be easy. While there's some danger of doing something that loses your personal stamp on things, I'd rather take the chance of doing that and do something slightly uncomfortable or...

While I absolutely love a great drummer and get tunnel vision listening to drums at a show, a lot of the time I feel like drum machine-driven music tethers you to a genre.

I don't like straightforward drum sounds and hate snares; can't stand them.

If I'm not using something, I tend to sell it and move on, so I'm not too sentimental about hardware synths.

I love Ableton's vocoder and Operator for basic side subs and general low-end.

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