N K Jemisin Quotes

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I don't really understand why so many fantasy writers choose to focus on worlds that just seem strangely denuded. But to them, I guess it doesn't seem strange. And I guess that's their privilege. It isn't mine.

I think most fiction focuses on uncomfortable settings because that's interesting.

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In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really delve into the minutia of an alternate society and its politics; a large cast of characters...

Reconciliations are for after the violence has ended.

Reconciliation is a part of the healing process, but how can there be healing when the wounds are still being inflicted?

Within the sphere of steampunk, there seems to be a rapidly growing subsphere of gadgetless 'neo-Victorian' novels, most of which attempt to recapture the romance of the era without all the sociopolitical ugliness.

Actual Victorian mores and politics were a reaction to a specific series of historical events, technological and scientific developments, and ethical trends in which the commodification of people was de rigueur.

This is magic we're talking about. It's supposed to go places science can't, defy logic, wink at technology, fill us all with the sensawunda that comes of gazing upon a fictional world and seeing something truly different from our own.

Magic is the mysteries into which not everyone is so lucky, or unlucky, as to be initiated. It can be affected by belief, the whims of the unseen, harsh language. And it is not. Supposed. To make. Sense. In fact,...

It's hard out here for a fantasy writer, after all; there's all these 'rules' I'm supposed to follow, or the Fantasy Police might come and make me do hard labor in the Cold Iron Mines.

It's the way the human brain works: when enough events occur in a pattern, we stop thinking and go into macro mode.

A fantasy novel set in something other than medieval Europe, featuring an almost entirely black cast, is considered risky.

To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don't bother me as much. Maybe that's just speculation.

Reactionary movements can't sustain themselves unless they find something new to catch and burn on.

I write what feels real. I write things that are informed both by my own experience and by actual history.

I read a lot of history for fun.

I've always believed that as an artist, as a writer, you need a lot of contact with other people to make your art good.

Fantasy is fantasy. It's fiction. It's not meant to be a textbook. I don't believe in letting research overwhelm the fiction. That's a danger of science fiction in particular, as opposed to fantasy. A lot of writers forget that what...

I tend to like writing characters that are not typical heroes.

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