Myself Quotes
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I devoted myself to writing for years without representation or a promise of anything. And there were times when I felt quite down about my prospects.
Everybody these days wants to be a star, including myself. Don't get me wrong, I'm a chef but you want to market yourself and your projects.
I love hospitality, and I love cooking. The kitchen is where I feel most at ease and where I feel most like myself.
I begin my day online and end my day online. I like to prepare myself for the next day and have a sense of closure before I go to bed.
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
Just about this time, when in imagination I was so great a warrior, I had good use in real life for more strength, as I was no longer taken to school by the nurse, but instead had myself to protect my brother, two years my junior.
When an acquaintance goes by I often step back from my window, not so much to spare him the effort of acknowledging me as to spare myself the embarrassment of seeing that he has not done so.
I realise that in this undertaking I place myself in a certain opposition to views widely held concerning the mathematical infinite and to opinions frequently defended on the nature of numbers.
From the time I was 16 and I had my own checking account, you'd think most young women would run out and buy clothes. No, I ran out and got myself a psychiatrist!
I ask myself: Would I have been any worse off if I had stayed home or lived on a farm instead of shock treatments and medication?
England was very frustrating in the Seventies for anyone who was trying to wake up. It was visible in punk, in clothes, and in the revival of mods and rockers fighting. All kinds of things were going on that just weren't individual to myself.
I really want to keep on opening doors for myself, and others who want to come in.
I'm bicultural, and everyone sees me as a Latina, but in my head I see myself as both Latina and American.
My biggest thing is, I'm learning what it's like to carry myself in a personal way and also a professional way: how I can be a leader and do multitasking.
It really costs me a lot emotionally to watch myself on screen. I think of myself, and feel like I'm quite young, and then I look at this old man with the baggy chins and the tired eyes and the receding hairline and all that.
Writing for myself and writing for another artist are two very different experiences. When I handle both the story and the art, I have full control. I can endlessly tweak every word and every line.
I was really worried that sitting at home by myself in front of a computer was going to make me crazy.
Eventually, I just couldn't imagine myself being in a cubicle for my entire career.
When I first started making comics, I was living with a bunch of guys, old college friends. We had this deal. At the end of each day, they would ask me how far I'd gotten on my comic. And if I hadn't made my goals, they were supposed to make me feel really bad about myself. They happily obliged.
And God is always calling me to open myself to all kinds of people that I've never thought about before and also calling me on this inward spiritual journey.
I remember myself as an asthmatic child, having great difficulties at 7, 8 and 9 years old, falling totally in love with 'Tarzan, Lord of the Jungle' and dreaming of having his strength to leap into trees and throw mighty lions to the ground.
I never thought of myself as a woman leader or Latina leader; I just thought of myself as a leader.
As soon as you become afraid to make a fool of yourself, you're in trouble. I decided I may as well just see if I can live with myself making millions of mistakes and learn something from it.
I was in lots of dodgy bands growing up and I always fancied myself in a band. But, you know, I was rubbish at writing music. So maybe one day I'll play a rock star, or punk rocker.
As a means to an end, modelling was good, but I had to distance myself from it when I started working as an actress, because even though I wasn't high-profile, I found in my first write-ups that I'd be referred to as 'model Gemma Chan.'
As a child, I was a clown. I didn't hesitate to make a fool of myself and I would love to completely take on wacky characters.
I always do make a back story for myself, but I'm not sure how necessary it is. I just like to.
I honestly never considered myself an actor. An actor would be someone like Paul Muni or Spencer Tracy. I was more of a personality.
My friends kidded me about going so far on such modest talent. I always agreed with them. I had no illusions about my films, nor did I consider myself anything special as an actor or a singer.
If the guidance failed or started to stray or went somewhere we didn't like or the ground didn't like, I could flip a switch, and I could control seven, over seven and a half million pounds of thrust with this handle and fly the thing to the Moon myself.
I don't see myself as the boss. I sing and write the songs, and it would feel strange if somebody else wrote the lyrics I sang.
If the project has good writing and is something I get excited about, then I'll do the role. And if it's for TV, I'll ask myself, 'Is it a show that I'd watch?' If it's a play or movie, I'll want to know if there's a good director attached.
I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.
I am pretty hard on myself. But I think that's how it has to be if you want to keep growing as an actor.
At one point, when I didn't make the 2007 World Cup squad, I was very, very frustrated. Then I became very hard on myself. Whenever I used to go to the nets, or when I trained in the gym, I was very hard on myself. I couldn't sleep; I used to think a lot. Very, very desperate to make a comeback.
When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself. Then I said, 'Look what are the options?' Cricket is the only option. Whether I play happily or sadly, it's still all I have. There are not a lot of things I am good at.
I don't see myself as the king of Bitcoin. I don't want to be the king of Bitcoin.
When my grandfather died, I started adopting some of his accents, to sort of remind myself of him. A homage. He was a war hero, and he was really great with his hands.
So I try not to have any actual expectations for myself for any level of success or failure.
The question I ask myself when adapting a book is how do I be true to the spirit and soul of the character? How would I describe this character in my medium? If you asked one person to do a painting of something and another to create a sculpture of it, you'll never ask, 'Why doesn't the painting look like the sculpture?'
I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
I'm like Ann Coulter in a way. I talk in public and on the record the same way I talk to my friends in bars. I don't censor myself.
Even though I'm a hype man myself, I like the practicality of it all. People who understand how to turn a profit. At the end of the day, this is still business so I'm looking for real practical knowledge of how to actually make money, not necessarily raise it.
Here's how I work: It's 2013, and most marketers are operating like it's 2009. I'm always trying to market like it's 2015, but not like it's 2020. A lot of my contemporaries who understand where the world is going, go too far out, and aren't practical. I have always prided myself on being visionary, with a heavy practicality.
I kept hearing about my 54-hole record and I kept telling myself that records are made to be broken.
When I'm doing a photo shoot, I'm not playing a part. I'm just trying to be myself.
I've always considered myself to be fiercely patriotic. I love Britain - its history and the down-to-earth attitude people have.
I drank for about 25 years getting over the loss of my father and I took the anger out on myself. I did a good job at beating myself up at sometimes. I don't drink anymore but my alcoholic head occasionally says different. 'Nil By Mouth' was a love letter to my father because I needed to resolve some issues in order to be able to forgive him.
On set I keep myself to myself; I'd rather the director speak up. I'm not gonna direct a younger actor. I think the power of example works best, actually.
I'm probably a Libertarian, if I had to put myself in any category. But you don't come out and talk about these things, for obvious reasons.
I'm feeling real good and trying to take care of myself and living healthy. As good as I can feel.
I tell myself every offseason I'm not going to say anything crazy. I'm just going to have a peaceful season... Can't do it. I'm cut from a different cloth.
Having been subjected to the pigeonholing of Hollywood myself, I realized that once you become a studio-approved director, your chances of ever making your own film again are zero. You make the films that the studio wants you to make.
I do spend a lot of weekends on the road. I have to pace myself. It can be pretty busy, but I'm not out in the Afghan desert with 70 pounds on my back, away from my family for a year at a time. I keep a good perspective on it.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
I starved and slept on park benches. I wrapped myself in the pages of my manuscript to keep warm. For two and a half years I took odd jobs; nothing was going to deter me.
I'm finding myself really angry over spending and the deficit. I'm finding myself really angry over what's happening in the Middle East, the decision to stay in Afghanistan indefinitely. I'm angry about cap and trade. And I've been on record for a long time on the failed war on drugs.
I've always considered myself a Libertarian. While I was running for governor of New Mexico, the Republicans were totally inclusive of me; the party was open-armed, but they never thought I'd win. I delivered in a really big way; I exceeded their expectations and think I'm still highly regarded by the GOP in New Mexico.
I keep my house tidy, because then I can think clearly. I feel the same about myself. Presenting yourself well is a working-class thing - my dad was a printer, but he wore a tie most days. The ungroomed look belongs more to the middle classes.
With my own cartoon, it was just me being goofy by myself, but when it comes to an animated film, you're working with 45 animators and assistant animators. It's a whole different ballgame.
I was so intrigued by insects and things that crawled or flew - I could spend hours by myself in a vacant lot.
I'm somewhat overwhelmed by the microblogging that takes place in China, and the smartphones and all the people that want to take pictures of myself and my family.
I consider myself a D.I.Y. home improvement guy. In a prior life, I completely gutted a house - redid the plumbing, wiring, moved sewage pipes, knocked down walls, everything.
The first time I played a PGA Tour event at Tucson was 1975. I came off the course on Sunday feeling very good about myself. I'd finished at even par, and I knew I could play even better if I worked at it.
We won the Europa League in 2013 and it was an amazing night, an amazing feeling. I take those memories and think to myself, 'I want to do that again.'
I know that I'm capable of moving around on the guitar. I can express myself the way I want to and feel good about it. But as far as technical chops, I'm not a learned musician.
When I look at myself, I have been - really - a lucky American to end up where I am.
I parody myself every chance I get. I try to make fun of myself and let people know that I'm a human being, and these things that have happened to me are real. I'm not just some cartoon who exists and suddenly doesn't exist.
I have to protect myself because people think that because you come into 25 million homes every week, they know you. I walk the line between being gracious and being rude.
The way I work is I like to immerse myself in the world of the film and in the character's lives, and then from that, I get a lot of ideas of how the film could be made, how it could be told.
It would have shown people that I was prepared to do that kind of work, although I find myself in a position now where I don't really need to and I could pick and choose the kind of characters I'd like to do.
I like to write books that I would have liked as a child, that would have got me thinking and imagining beyond the words on the page. In a way, my audience is always how I remember myself as a child.
With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.
If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
I've never listened to an album once I've finished it. All I hear is what I should've done different. I beat myself up over it.
I grew up in a farm town in Indiana. In the early years I played by myself, because there were no other musicians around.
I remember driving the tractor on our farm, and Tim McGraw would be on the radio. I'd find myself walking out of class, singing his songs. And then Tim ended up playing my father in 'Friday Night Lights.' It was surreal.
You might think the thinner version of yourself is going to be the most positive or confident, but that's not how it is for me. When I'm over 200 pounds, that's when I'm the most confident version of myself.
My biggest thing has always been privacy. With an interview such as this where the questions are about me, I struggle to express myself. I have an immediate answer in my head of what I'd say, but sometimes I feel that it would be too honest. So these wheels of censorship start going around my head.
At one level, an award is an endorsement, a confirmation, but I always find myself looking askance at awards and good reviews, as though another Garry Disher had earned them.
I wouldn't call myself religious. I'm spiritual. Everybody's a bit more so as you get older. I'm a cultural Catholic; it's inescapable, but I think I have to believe.
I'm happy that once again I see myself winning a Grand Slam, something that is so hard to do.
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