Music Quotes
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Shaheed Diwas 2026
I like making all kinds of music, it really depends on the moment. Sometimes I feel like making a weird trap song, and sometimes I can't even attach a track to a genre.
I want to produce more number one hits but not follow trends blindly! What I really hope to achieve in the long-term is to get that cross-over status such as Calvin Harris and Avicii. I'd love to be a household name in pop music.
Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.
Music is really all about experimentation and lots of trial and error. It's just mind-numbingly boring until you hit on something that works well.
Being a woman in music and having kids, it's very hard to do both without neglecting one a bit.
You know, people always ask me how I describe my music. First of all I tell them that's their job and then that also one day I hope to have things referred to as Martha Wainwright -esque.
Films and gramophone records, music, books and buildings show clearly how vigorously a man's life and work go on after his 'death,' whether we feel it or not, whether we are aware of the individual names or not. There is no such thing as death according to our view!
Disco music in the '70s was just a call to go wild and party and dance with no thought or conscience or regard for tomorrow.
I'll see something or hear something. Sometimes, it can be a color. Or a piece of music. Or an image of some kind. I see something, and it has huge emotional weight, although I have no idea why.
I think film is the best medium to inspire people. It's a combination of image, dialogue, and music, which can make for a powerful message or a simple escape.
If I had not had music in my life, I would be the neurasthenic vision of the playwright.
People listen to music with cavemen ears: Is it a bird song or the call of a lion? The audience at a musical is dancing in their hearts.
Music expresses longing and love and joy better than any piece of dialogue you can ever write.
Music is entirely subjective. I was thinking that for myself, for songwriting and what I like to listen to, to help motivate me as a songwriter, as a musician, there are certain things I lean towards and certain things I don't.
God has been my number one inspiration. I also look up to Will Smith and Jamie Fox who are also personal friends of mine. They give me great career advice. I would also include Chris Stokes, as a filmmaker and music producer. I've been working with him since I was eight.
I use Spotify to listen to music when I am taking a shower and when I am doing projects.
Music has always been a part of me and art in general. I love visual art as well.
With film, it's all about the actor being able to feel the things that the character's feeling. It must do some strange things to your mind. Music I find much easier because you're being honest about where you are as a person.
The idea of celebrity has always been very strange to me because it's taking the focus away from the music and attaching it to a person. When we put someone on a pedestal or idolize them, we're giving our own power away.
I would like to be known as an 'artist'. Whether that be music, acting, sketching, cooking, whatever. I'm interested in all of those things.
We've been working hard to have a career in music. We're happy we're having so much success. We don't want to turn anything down. We want to do as much as we can.
One of my favorites is 'The Sound of Music'. When Julie Andrews runs through the hills singing her head off, I always wish that a gust of wind would blow her skirt up.
Music videos were this lucky career opportunity. They were assignments. I was providing a service, and they were meant to be punchy and gimmicky and fun.
Some people only work to recorded music because it's so reliable and exactly the same every time, which is exactly why I don't.
Being queer you're supposed to adore figure skating. It's a sport, not an art. I love the costumes and hate the music and of course I worship Johnny Weir because so does he. Also he's real. It's a full gay thing and it always has been.
I can read music, but I have no technique, and singing was never an option even though I sang a lot growing up.
I teach class. I study music. I rehearse. I coach people. That's it. I'm doing exactly what I want.
Sure, I could give advice; I could, say, travel the world, listen to music. But all I can really say is do something you want to do and do it well. And if you want to be a choreographer, then you have to make dances.
Right now I just finished writing the music for a Rugrats feature film and the third week of September I go to London, and the Orchestra is going to perform the score.
I'm really fed up with all the credibility talk. A lot of times it seems to be more important than the music. Well, I guess for a lot of people it actually is. We don't care for credibility.
You know how it is with drawers and labels in the music business. They don't want anything to be complicated. They just want it simple, as simple as possible.
My idea of heaven is a place where the Tyne meets the Delta, where folk music meets the blues.
While I was into many different types of music, and played with many different local groups, I really didn't have a band to call my own until Dire Straits was formed in 1977.
I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.
Most Americans I play for are clueless as to who Richard Ramirez was, so you can imagine how audiences in Portugal react. I'm not saying they don't enjoy the music; I'm just saying they're a little lost on some references.
Every artist has different priorities. Some artists I know don't make as much music as they used to, because social media has taken over their lives. I work at what I feel is a very normal pace, and things keep clicking. It's rewarding.
If people want to write long, rambling, pathetic articles about how sad they are about song titles, have a blast! I'll be out playing music to a room full of people, having a great time.
I'm just writing less of my own music lately - I go in and out of phases a lot. Sometimes there are these accidents that just sort of happen, that are kind of waiting around the corner. I guess Modest Mouse was one of them.
When you're a touring musician, you're always turning over new rocks, and there's always a certain level of tension in your life. The music business, and the travel that comes with it, is stressful, challenging, redundant, exhausting, exciting, and often very depressing.
I think when people hear your music, sometimes they get deeply attached to it and think they know something about you, that you're kindred spirits or something.
When they're listening to your music all the time, you become part of their life, and some people get obsessed.
I was never super comfortable playing music in front of people anyway. Now I enjoy it, but it wasn't the easiest thing to get past.
Naturally, if I'm singing over really loud music, my approach is gonna be different than if I'm singing over some quiet acoustic music.
When I was a kid in the late '60s and early '70s, my parents and their friends would play the records of Andy Williams, Dean Martin, Frank Sinatra, and Perry Como, music with string arrangements and men singing songs that sounded sad whether they were or not.
My iPod's unbelievable. Seriously. The kids have put most of the music on it, but there's a complete mix of '80s rubbish and current day stuff.
The Undertaker's theme isn't really a single, but in terms of eerie music, you can't beat it.
All I can hope to do is instill great morality in my son and trust him along the way. The music he listens to or how he chooses to wear his hair doesn't define his moral compass, and if he wants to listen to country music and wear a cowboy hat too, that's fine.
I don't want to spend a month and a half in a studio with music I don't like, and fortunately I don't have to.
It's so easy to put music out that it's difficult to sift through stuff that I don't like to find stuff I do like.
There's no doubt that the ready availability of music online has created a thousand more opportunities than it's destroyed.
Music is life. Music defines peoples' experience on this planet. Name one time in your life that wasn't punctuated by the music you listened to at the time. When people are down, they listen to music that commiserates that emotion. When people are amped up, they listen to more upbeat, loud songs.
I had really bad grades in high school and didn't want to go to college, and my dad said, 'Why don't you move to L.A. or New York and pursue music? You've always been good at it.' It was the first thing that made sense to me and... It was the right move.
'I Get Around' came on one day. I'd never heard the Beach Boys before. The sound was so fresh to me. That was the first time when I truly was gripped by the power of music. It opened my eyes to the heights that music can achieve.
In Cleveland, music was always a big part of my life. That's really where I cut my teeth.
I want to make music for everyone. I'm not trying to start a super exclusive group. I don't want a clique of people where you have to wear a certain type of clothes to come to our shows, or you have to be the ages of this and this.
I don't care if it's Dr. Dre or Dr. Luke or Brian Eno. When you're in a studio and making music together, it becomes pretty apparent if you see eye to eye.
It's just like music when you reckon it up. It's like listening to Pavement it's just The Fall in 1985, isn't it? They haven't got an original idea in their heads.
When I was 18, the vision was to make music that didn't exist, because everything else was so unsatisfactory.
I also spend a lot of time on political blogs, and music blogs getting things for my radio show.
In my mid 30's, after a decade or so of giving full time to the music thing and finding myself with about $10 in the bank and no assets other than my musical equipment, I realized I needed to get serious about making a living.
There's nothing remotely interesting to me about marketing music as a product.
I don't know why we, in the art world, cannot unpack things and sort of make hybrid notions of a practice. We're very rigid. It's funny, though; in music, we have no problem sampling, mixing and remixing. But in the art world, why can't we take little parts of history and mix it together?
It's not like since I make comics I only read comics and since I make movies I will only go out and watch movies. Any kind of artistic expression interests me; it goes from literature to music to sculpture, painting; whatever is extremely inspiring for me becomes a reference also for me.
My parents loved music, and my father would come home with cassette tapes of Chic and the Village People and Barbra Streisand. We had all these sounds always going. We never had somber music - always upbeat.
I would say there's always a movement of music and fashion in youth culture - every decade inspires the new one.
I can't satisfy myself with just trying to tie all of my imagination into music, especially when music is not appreciated as an art form as much as it used to be.
I decided to make music again at a time when I couldn't have had more obstacles.
I listen to Bach a great deal. In general I like to listen to hymns and liturgical music.
I criticized the whole American songwriting industry and the pop side of it and I was bitter about it. And I stepped back and thought 'Why are you bitter? You can't just stand there like every other indie musician and criticize this so-called 'generic' music when you're not doing anything to challenge that.'
Lots of narcissistic people have helped lots of other people with their music. That's such a narcissistic thing to say! Ha ha!
I didn't even listen to any music until I was 19, really. I just wanted to be famous. But I didn't say it to anyone because I was really embarrassed at the thought.
Music is my 90% of my life and my biggest passion. I really don't have an interest in anything else.
I could draw up a list of about 30 artists who I apparently sound like. From Lady Gaga, to Katy Perry to Lana Del Rey. I don't know if it's because I'm versatile or because production affects how people judge music. I can't wait for a time I can just be classed as myself.
I think celebrity culture and sexuality in pop music is really important, but I want there to be an alternative for people.
A lot of exercise is mindless; you can have music or the radio on and not be aware. But if you're aware in anything you do - and it doesn't have to be yoga - it changes you. Being present changes you.
First, I was a glacial blonde doing music programmes. Then I was the film kind of sexy bird late at night. It was frustrating like I guess it's frustrating for everyone who is not fully employing their talents.
When I was growing up, I despised Irishness. I felt our music, our television and our books were just poor imitations of what came out of Britain and America. I was all set to abandon it entirely.
I got my interest in Lotte Lenya and the Brecht-Weill canon from my parents. And I love classical music - I got that from my parents. I love Cole Porter - that I got from my dad.
Music is something I couldn't live without. My dad was into music, he played for pleasure - guitar, piano. I started off doing jazz, singing with a lot of fabulous musicians here in London before I went to the States. And I still take piano lessons every Wednesday.
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