Music Quotes
Most Famous Music Quotes of All Time!
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A lot of my music is very roots-oriented, and that's country and soul. I've been in every roadhouse in the South, soaking in all of that... Nashville is like a second home to me, and I'm just gravitating toward the songs.
Fashion intersects a lot with art and film and music, and that was appealing to me. I read a bunch of fashion blogs and wanted to be part of the community.
I am a Justin Bieber fan, but I am also so fascinated by how weird pop music can be and how manipulated it can be, so I enjoy thinking about that side of it too. I feel bad for him. I could never imagine growing up that way.
One thing that I always liked about fashion was that it was tied in with music and art and film.
The whole issue is that everyone would love to do theater, but it doesn't pay enough, so to do music theater on TV, that's the ultimate dream.
I've played music that's terrible in the past, and not everyone likes you, which is fine.
I never necessarily played the music I listen to. I've always liked a lot of soul, roots-reggae, alternative psych-rock, and I feel like, with age, that's kind of come.
I just have this real love and connection with what I'm doing when I play music.
I kind of just got right into playing music because I could kind of stop thinking when I was concentrating on playing the guitar.
I don't really have music goals. It's just a huge field I want to dedicate my life to.
Music is multi-dimensional: it's all in the feeling. Sometimes I feel like looping; sometimes I don't. Sometimes I want to strip it back, play instruments I've never played before.
I reckon I'd be probably, like, in the gutter somewhere if I didn't have music.
I chose busking because I didn't want to be working for someone else. I wanted to work as I am. I feel like you ultimately do have a choice if you have your vision. So, I had a vision forever that I was going to play music. And there was no stopping that.
I love hip-hop; I love Sleigh Bells. I also love classical music and musical theater.
There's something about music that makes me feel like a different person, that feels like an escape.
The origins of Indian classical music, not unlike their western counterparts, lie in the Vedas, the ancient Hindu scriptures of 2,000 years ago.
Indian classical music was born when time barely existed. It developed further within the structures of royal courts and a system of patronage where the ruler or the feudal master determined all.
Advertising, music, atmospheres, subliminal messages and films can have an impact on our emotional life, and we cannot control it because we are not even conscious of it.
By the time I get done with my fans and my music and my kids and my family and my fiance and my horses, well, they suffer too, but, I don't really have much time left to do anything else.
I really like Alan Jackson, in Country Music. I think he's really very, very talented along with George Jones, and Merle Haggard, the same old favorites.
We've got great fans that rock and roll won't have, because you can have a one-hit record and country music used to, not so much anymore and you have a fan forever.
I listen to music almost any time I'm not sleeping, 'hanging out' with specific people, or showering.
I don't have specific music for when I'm writing. I'm usually listening to the same playlist or 'artist' before I arrive at the computer as when I'm walking somewhere after leaving the computer.
I don't think music affects what words I choose to type in what order, within what punctuation, at this point, because I'm rereading and editing each sentence, at this point, in my published books, probably 100-150 times each, on average, and listening to probably 20-60 different songs in that time.
My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
We all sit in front of our mics and our scripts lay on music stands. Then the silliness begins!
I started making music videos in my twenties and made my first feature, 'Guncrazy,' at 29. I then spent the greater part of my thirties directing features.
Sciences were not my favourite subjects at school. I preferred English, drama, music, and history.
I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
The music I love listening to is more of the Jack Johnson, Ben Harper, Dido, Jewel, Nora Jones, Joss Stone, a bit more of that organic live-instrumentation feel.
I grew up listening to most of my parents' music like The Beatles and ABBA and all that stuff.
Music I can discover a part of myself that I haven't been able to for a long time, and acting is the opposite. I'm in love with both of them and I would never choose one over the other.
When Quavo was out doing sports, I was in the studio, what we call the bando, making music, going hard.
Growing up, I was trying to make it in music. I was grinding, which is just what I loved doing. I didn't have nothing else to do. In my spare time, I'd record myself. Find a beat, pulling em up. Just making something and creating for me.
Ain't nobody making music to not be heard and the easiest way to be heard is to be on the radio, but you should never compromise who you are, your values or your morals.
When it comes to acting, I've always had a passion for entertaining and for making people laugh. On the music side, I really want to come out as an artist because I want people to see who I really am... artistically, I tend to be drawn to the darker things. What the music will be able to do is show people that I am an adult now.
I don't like the word 'urban' because I think it's a bit of a generalisation and they use it to class music, but I don't think it's a word that necessarily classes music.
My mother was American, and my father was from the Caribbean, and there was a big open door into the world of humanity and music.
I wanted to keep pushing the musical ideas I had about jazz, music from Africa and the Caribbean.
What you have to understand is that blues... it's in a line from the oldest forms of African music. If you're playing it like it's an echo of the past, it would be a lot less exciting, but this music lives today.
I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
As I got more involved in music, one of the things that made me excited, from the time I was a child, was that clear link between our ancestors and the sounds we hear today.
I'm perceived as someone who goes out and searches for new music, but it was all present in my household.
All the music that I play today, I actually heard either at home or in my neighborhood when I was growing up in the '40s and '50s.
More and more people are finally realizing that in the heart of America, there's all this incredible music that wasn't widely heard before because it wasn't in the interest of those who feel they have to control the taste of the wider public.
As a youngster, my parents made me aware that all that was from the African Diaspora belonged to me. So I came in with Caribbean music, African music, Latin music, gospel music and blues.
My music is really fun music, with some pan-African and pan-American influences.
I've only been on MTV once as one of their 'Closet Classics,' with some bootleg footage of a 1970 tour I did in Holland. They didn't know what to make of my music, but they finally invented a name for it - world beat music.
I just worked my own personal thoughts into my music, and just kept at it until I found a way in.
American music is a powerful ingredient in international music, and as much as it comes from within, it also comes from without.
What the future of the planet and music and art and all of it is sharing; it's diversity.
The song of the blues, the song of the music, was something a lot of people missed out on. They thought they had to swagger a certain way or bark at the mic, and you don't have to do that.
I love playing in Germany. I love playing anywhere where people are going to enjoy the music. Germany is especially nice to play.
I came up not understanding that a lot of people didn't start to hear music until they went to college or were turned on by an older brother or sister.
I base myself in African-derived music. Blues is one of the modern forms of African music.
No matter what went down, music was always going to be a part of my life. What ultimately happened is that, over a period of time, I just kind of looked around and when like, 'Wow! I'm actually making a living doing this.'
It's just like heirloom tomatoes; this is heirloom music. We used to have all kinds of diversity in our poultry, in our vegetables, in our fruits, and slowly but surely the monoculture beast comes in. I'm saying that's not a good idea. And if it means that I gotta do it on my own, then I do it on my own.
If the breaking news story had to do with hard news, politics specifically, I had a lot to do with it. If it had to do with music, Kurt Loder was more involved.
We just love international music. We love the climate of that sound, it's that pulse that we just have to appreciate.
Brazilian music has always been a part of us, but it's even more valuable now because of the sentiment or the theme of the actual song. So I feel like 'Street Livin'' is paying homage to what we started and it's touching on a lot of serious themes to DACA, immigration reform, prison control... all the things we address in the video.
When I went to Standing Rock, it opened my mind, as did going to Indian reservations and speaking to kids about music and arts.
It's powerful when you're able to celebrate your culture, but also bring the arts and music to the masses.
Apl, my bandmate, is from the Philippines. He came to America in 1989, and the first person he met was Will.i.am. And then, I met them when we were 17. Our common ground was music.
I did something that's a no-no in the music industry. I cut my hair. For years, my hair was my stamp. 'Oh, that's the long-haired guy from the Black Eyed Peas.' But when I did it, it was like a breath of fresh air.
Black Eyed Peas music appealed to everybody and that's why we incorporated EDM influences, dance influences, house influences, and we mashed it up with the Black Eyed Pea melodic pop sensibility that still has bounce to it.
I grew up listening to a lot of hiphop music and R'n'B. Bands like A Tribe Called Quest, De La Soul, Big Daddy Kane, Boogie Down Productions, Cypress Hill, New Edition, Bob Marley, Prince, Stevie Wonder, and a lot of Spanish music.
From alternative to Brazilian to hip-hop to old R&B, that's what we listen to. And we don't just listen to it only if somebody plays it. We actually go out and buy these types of things and support different forms of music because we love them.
We grew up with break-dancing and MCing, the old school, that whole era of just having a good time and knowing that the music was good.
There's sketch, improv, writing, acting, music, and badminton. Those are the seven forms of comedy.
There's sketch, improv, writing, acting, music, and badminton. Those are the seven forms of comedy. But I do like the idea of being an auteur in the sense of writing and being in your own stuff.
I'm happy to be on a winning team. My individual success, that lasts for a short period of time. The success of being a part of the South, of Atlanta, which is now the hot bed of music, that's what's gonna last the longest. The fact that I contributed to planting our flag and moving music to my city, that's what I'm most proud of.
Acting in film, you know, I hear all the time, people say 'You did so much better than I thought you would.' So there's an added element of surprise in film, different than in music.
I love loud music. I listen loud, and that's part of how I've learned how to do this. Record softly and play back loud and a whole other thing happens.
You know, the thing that struck me about Civil War music was how bloody it was; it was full of hatred. There was incredible vitriol in it.
I had to make different kinds of music for everybody but still keep it classic T-Pain at the same time.
My dad always told me that anyone's voice is just another instrument added to the music.
I don't know if a song is going to be a hit or it's going to flop. I never know. I just do the music and if people like it, they like it.
As long as someone wants to hear my music, I don't care if it's a ringtone or the album or whatever.
I think the amazing thing about gospel music is that not only does it lift up the death and resurrection of our Lord, which is consistent with the Gospel, but it is uniquely communicated depending upon the generation.
I actually grew up playing the piano in the church and was deeply involved in music ministry.
As I was sitting there, the deejay was playing music and talking over the music, and the kids were going crazy. All of a sudden, something said to me, 'Put something like that on a record, and it will be the biggest thing.' I didn't even know you called it rap.
I saw this DJ playing music and saying things to the kids. They would answer him back, and I say, 'That's a great idea.'
Just based on the primary adage of the necessity breeding innovation, it was just like 'Well, what makes me the guitar player that I am?' and I feel like I listen to so much different music, and I'm a student of so many genres of music, and I feel like it's fun to apply those things and anything super applicable to any type of music.
I don't have a background in music... and I have a short attention span. If you put me in the studio every day, I'm gonna get lost.
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