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I've always been interested in the politics of war. War is one of those things that, the longer I studied it, the more illogical it seemed.
Short fiction isn't my natural form. It's taken a lot of work over the years to finally feel more comfortable writing stories under 80,000 words!
I start with a beat sheet, which is more of an abbreviated outline. It hits all the major plot points. From there, I move to note cards. But the most important part of my process is my inspiration board.
I've always been happy about what's gone on in my career. It's been tremendous: more than I can ever hope for.
Lyrics came quite easy early on in my career. But I always wanted to push it further and stand out a bit more. We were coming from the garage era when lyrics were simplified, purposefully, to work in the club environment. They were about hyping up a crowd or bigging up a DJ. Moving into grime, our lyrics became more in-depth.
My favourite lessons in college were when we would have a professional teach us, or when we went out of the classroom for the day. You take in so much more when someone who's been there and done it is telling you.
I liberate minds with my music. That's more important than liberating a few people from apartheid or whatever.
I'm very happy with where I arrived, both personally and professionally. I can say more so personally, because my career will have to end eventually. I do not know how long it will be, but eventually it will end, and the personal will continue.
Opening acts are hard, really hard. There's more politics involved than music, sometimes.
Cable news is more titillating to talk about who's up and who's down and all that nonsense as opposed to what's actually done.
It is enough if I can be relevant. It is more about me keeping up with youngsters than influencing youngsters. So I just want to stay relevant, really.
I was on Kanye's Yeezus tour as a dancer, but really, I was a Vanessa Beecroft model. I was one of the three 'dancers' who couldn't dance and was more of an accessory than an individual. Vanessa was pretty involved. Her style is about a lot of standing. It's very simple but haunting.
I can say this: You haven't lived until you've had to wear a triplet pregnancy belly. You would be amazed at what a girl can learn based on the different months of pregnancy to make her character more interesting.
When I saw the movie 'Black Swan,' I liked the darker aspect of it, the more dramatics, and that's what I like to do for my programs.
I'm more thoughtful and aware of how my body feels. I've learned the difference of what is just sore from a hard workout or what's sore from a possible injury.
I am really honoured, but if the prize had gone to Mahatma Gandhi before me, I would have been more honoured.
I would have to say that I have to concentrate more when I'm doing comedy. There are so many details that make up any character, but developing a character for a dramatic role seems to come more naturally.
When we have financial struggles, kids are so much more aware of things than we want them to be.
The other advantage is that in conventional manufacturing processes, it takes a long time for a factory to produce an amount of product equal to its own weight. With molecular machines, the time required would be something more like a minute.
I've encountered a lot of people who sound like critics but very few who have substantive criticisms. There is a lot of skepticism, but it seems to be more a matter of inertia than it is of people having some real reason for thinking something else.
Honestly, I'm willing to experiment with far more variety in roles than I'm given. But ultimately, it's the producer's decision. But, I've done a variety of roles - the evil don, the evil husband... I've done villainous roles, supporting roles, etc.
Once I got into pop songwriting, I was kind of just ready to help other people tell their stories... I'm here to facilitate and structure and grow and make things a little more fabulous and a little more urgent.
I'm not going to reduce the choices of Canadians at the ballot box by backroom deals or secret arrangements. I think that's a cause for cynicism more than anything else.
We're asking those who have done well to do a little more for the people who need it.
I used to like cufflinks, but I got too lazy for them. I realized I don't need them for a polished tailoring look, so more times than not, I skip them.
I'm more of a feel pitcher. If something's wrong, I don't watch a video. I go throw in the bull pen until it feels right.
As a civilised society, we have a duty to support those among us who are vulnerable and in need. When times are hard, that duty should be felt more than ever, not disappear or diminish.
We'll probably live 20 more years than our grandparents did. The question is, what are you going to do with those extra 20 years?
I think as we get older, as we get more mature and more experienced, we do realize it's like, 'blah, blah, blah,' oh there's the information I need, and then 'blah, blah, blah,' right? So we do this triage, I feel like, of what people say to us.
When I'm watching television or a movie, I like to see stories that are extraordinary. I don't need it be something that is, 'Well this makes more sense to me because I can see this happening to me, or this happened to me.'
I like graceful and elegant partnering that gives an illusion of ease instead of emphasizing difficulty. I don't want to make something 'contemporary' or 'trendy,' because ballet doesn't progress on one track: it can branch out in many directions, and as Balanchine showed, there's always room for pure classicism and more subtle alterations of it.
I would probably struggle a bit more with a really dramatic serious-intent story. You have to really bring it. My brain is so comically wired, though.
I get way more nervous playing golf in front of 500 people than being on stage in front of 20,000 people.
I love Motown, but I've obviously always been more of a Memphis soul fan. If it's Stax or Motown, I go Stax.
My parents split up when I was about 2. I realize more and more how much I'm like my father. My gentleness comes from my mother.
I think that it's the job of the artist to be in transition and constantly learn more.
I heard Nirvana, and discovered that songs could be like poetry, but a little bit more refined: you didn't have to have 20 verses to get your point across.
And it's not a finger-pointing issue to me; I take as much responsibility as I can. It was more just me not really knowing what I wanted to do and how to get it done.
I mean, the nation in which we live - and the world in which we live - is so extraordinarily more like a future than the futures that we're being sold on the screen and on television.
People are always fascinated by infidelity because, in the end - whether we've had direct experience or not - there's part of you that knows there's absolutely no more piercing betrayal. People are undone by it.
Manhattan... capital of the 20th century, a city that has fascinated me for more than three decades.
I left acting for a couple of years to found my company, Wayfarer, and the first project I did was this documentary series I created called 'My Last Days' to remind us that our time is limited and to inspire us to do more and to be the best selves that we can be.
China is more prosperous than before. The people have better lives but they are not happy and confident because the scars are still there.
While I was writing Wild Swans I thought the famine was the result of economic mismanagement but during the research I realised that it was something more sinister.
I just prefer wood. I like the smell. To me, it's a lot cheaper than electric or gas, and it's more convenient. It's just a better heat to me.
As a rule, men worry more about what they can't see than about what they can.
It was the wont of the immortal gods sometimes to grant prosperity and long impunity to men whose crimes they were minded to punish in order that a complete reverse of fortune might make them suffer more bitterly.
I firmly believe that respect is a lot more important, and a lot greater, than popularity.
There's the typical books, Moby Dick and, I guess in my adult life I began to read biographies more than fiction. I started to want to relate to other people's lives, things that had really happened.
In general, I found that the more that debates can be about facts and data, the more likely government is to make sound decisions that benefit innovators and the American people.
In general, we need America to take its game up a notch when it comes to broadband. It's important to acknowledge the billions and billions of dollars of investment in fiber. But we need more.
Love is not blind - it sees more, not less. But because it sees more, it is willing to see less.
One other fact is significant: the domestic feasts and sacrifices of single families, which in David's time must still have been general, gradually declined and lost their importance as social circles widened and life became more public.
The revision of the books of Judges, Samuel, and Kings, undertaken towards the end of the Babylonian exile, a revision much more thorough than is commonly assumed, condemns as heretical the whole age of the Kings.
I worked with John, but I had enough sense to walk just a little ways behind him. I could have made more records, but I wanted to have a marriage.
Nothing seems to me more doubtful than Aristotle's remark that it is probable the arts and philosophy have several times been discovered and several times lost.
Third person allows a deeper exploration of the relationships between characters. We can see their misunderstandings and hear what they think about each other. We can create a more complex structure with various story threads running parallel.
When you get to the 35-year mark in your career, you make albums for your fans to love you more, so they don't forget about you.
You retire when you are sick and when you can't do it any more or when the public retires you. That's the most painful, because that's the one that leaves you wanting to accomplish more.
I learned more about who I am and how to be a great worker - and a great artistic worker - from doing student theater. I was a stage manager. I was an assistant stage manager. I was on the running crew. I did probably 25 shows at Northwestern - all musicals, of course.
I learned that getting a movie made in Hollywood is a near impossibility, and the process can be a wild adventure. TV is a lot more consistently productive - no offense to the beautiful world of feature film.
Of every movie that I've seen multiple times, of every TV show that I was obsessed with, I don't think I was ever obsessed with anything more than 'Flowers in the Attic,' which I read 13 times between fourth grade and senior year.
Hollywood, Twitter, our friends - they all contribute to a community of snark. The more we engage in the way that everyone else engages, the more followers, likes, and RTs we get. But we can't rail against the cyberbullies without acknowledging what we also contribute to a culture of cruelty.
If you get a no, your best bet is to find out why. The more concrete your business gets, the more you'll get yeses.
My grandmother lived with us for a short time while I was a child. Old people tend to be slightly more eccentric - they can behave the way they want.
I wasn't born an artist. I was really good in science as a kid. I probably shouldn't have been an artist because I'm much more interested in science. But I was raised by artists. I can't really escape it.
There were times when I tried to hide my muscles. When you're a young girl, you hear, 'You're really strong,' or, 'You have really toned arms.' In my head, it wasn't something that should be said about a girl. It should be more, 'You're pretty.'
Cinema and, most of all, films have changed my life much more than theatre or television. And that is the reason why I'm an actress.
Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.
I sound New York. I sound East Coast much more than a blonde person from L.A.
I know authors shouldn't play favorites with books, but 'Release Me' really is right up there for me. The characters truly came alive on the page and drove the story as much as I did from behind the scenes. It was a pleasure to write, and I'm so thrilled that it's the first of a trilogy because I get to spend more time with the characters.
I'm at the point, frankly, where I'd rather deal with a misogynist with a copy of Tucker Max's book in his backpack over someone in sensitive emo-boy clothing, because both are misogynists, only the one with the backpack is more honest about just how scared of women he is.
I wish podcasting was my only job - I have more fun doing that than I have doing absolutely anything else. But my job is that I'm a writer.
I've got more freckles than just about anybody. My children didn't get them, thankfully. They have tiny little freckles.
There is a universal fascination with the living dead. There is more to a zombie story that a bunch of corpses attacking the living. The real power of such a story lies with the undercurrent of hopelessness compounded by a very real instinct to survive.
Greater public recognition will also be critical in encouraging prevention and early intervention, and more generally in building public support to meet the challenges of dementia.
Fame is no sanctuary from the passing of youth... suicide is much easier and more acceptable in Hollywood than growing old gracefully.
Because I was an only, I had more things, and I remember early on the kick I got from giving stuff away. Despite all the myths about only children not being able to share, actually I've never knowingly met a stingy one.
Women, more often than not, do things which aren't remotely relaxing but are all about preening, which is just another sort of work.
I basically put myself into directors' hands and let them tell me what to do, and the more they told me what to do, the more I liked it.
I don't go to church regularly. I wouldn't say I was religious, but more spiritual.
Hedge funds are other hedge funds' toughest competition. And there are just more of them, and it's tougher and tougher all along.
I'm more enthusiastic and excited about work than ever. I know now what I'm about.
I want to be able to do more of my own stunts and really be proficient with my weapons.
I write across genres so I see them, more often, as complementary instead of separated by boundaries.
I try to bring my mascara everywhere because I'm a blonde and you know blondes have really light eyelashes, you always wanna put more and more on 'til they look like spiders, that's just what I do.
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