Me Quotes
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Nobody's perfect, but my dream gal would be intelligent. That's really sexy to me. And kindness is also really, really important. And spontaneity - being open to whatever comes.
It's going to take more than a handslap to keep me from fighting for what I believe.
What you've got to realise is that footballers, and me in particular, have seen everything in the changing room. Everything. I've seen the manager kicking off with the players, the players kicking off with him, players fighting each other, managers fighting, everything.
I've always had people come up to me to say that they admire the way I play, and then they tell me they're not United fans. That's always been nice.
I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way.
I try to play characters who are different from myself, so I feel like this character is someone who is really different. I actually think that if I did what he did in this movie, I would get a restraining order put against me.
I don't think you can discriminate against budgets, you know? I'm an actor, I guess, so I'm just trying to play as many characters as I can. If there's a character I think I can play, and they're going to let me do it, I'll do it whether it's $10 or $1 million or more.
I was a professional fighter for a while, and I trained in martial arts for seven years, so I think that kind of helped form a base for me as far as dancing.
It's weird to think I have fans now, so I appreciate all of the people that follow and support me - and I love them to death. But yeah, when I start looking on Twitter, and I see, 'I want to name my kid after you,' I'm like, 'Whoa!' I'm a little surprised.
Girls come up to me and start crying. Or they're so nervous, they are shaking. Some have tried to sneak grabs of my abs and my butt!
I would love to work with Tom Hardy. Maybe do something crazy or dramatic that is different for me.
I'm a hip-hop kind of guy, but to be honest with you, I could listen to R&B all day. Give me some slow jams, and I'm a happy person.
Physically? If you've got really beautiful eyes, you have me in a trance right from the beginning. As far as personality, I'm attracted to really shy girls. Someone who knows who they are and is very genuine. That is just so sexy to me.
Any Latin dance, whether it be salsa, cha cha, samba, etc., is very sexy for me to see a woman do. Using your hips is the key.
The media has been nice to me so far, but if I get compared to Channing one more time... I'm taking it as a compliment, but it is crazy how many times people have compared me to him. I don't know if 'Magic Mike' is in my future, but we'll see.
Literally, I kissed a girl, and, like, a week later, she broke up with me. I was like, 'Oh my God, was it that bad?!'
The compliment that I like more than anything is when my family tells me I'm the same Ryan. I never want to become a celeb who forgets about anybody or has a big head about himself.
Funny story: I was hanging out with Adam Shankman for Samantha Ronson's birthday, and Lance Bass was there. I don't really know Lance, but he comes over to me and goes, 'Hey, I just wanted to let you know I'm a fan of 'Pretty Little Liars' and I'm rooting for your character.' It was surreal! That's how 'PLL' has changed my life.
Modeling was a way of financing my fighting. My fighter friends definitely made fun of me: 'I've seen you in your underwear, bro!' But once they realized the girls loved it, they asked, 'How do I get into it?'
You dream about the Olympics for so long and you have that one day, then it's over, and when you don't run well there is this huge letdown. It took me years to deal with that. I feel like I almost had to cleanse myself of that experience.
For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.
The difficult thing for me is going to a event and having to be dressed up and being judged for what you wear. People care so much about that these days.
It's a good time for me, but it's only recently I've become comfortable in my job. At the start, it's hard having the nerve to call yourself an actor, let alone doing it. I gave myself two years after drama school, and if I didn't make it, then I'd give it up.
There's always been a religious strain in me. I can't get rid of it. I don't want to get rid of it. I'm not involved in a church, but I understand that impulse to believe in something that's never going to betray you.
No person connected with me by blood or marriage will be appointed to office.
The truth is, this being errand boy to one hundred and fifty thousand people tires me so by night I am ready for bed instead of soirees.
If I have a thought, I say it. If I keep it down, it's because I'm waiting for a good moment for me to say my piece. That's a luxury we have in our society, but parts of the world still don't have it.
Growing up, it was just me and my mom, so we would play games where we'd listen to the radio and sing harmonies to each other.
As Asian-Americans, we just don't often get the chance to tell the story from a leading person's perspective. And so I took jobs where they came, and they were always in the ensemble, and if it required me to play multiple instruments I did that, and if it was as a puppeteer, I did that. That's just how I was cast; that's how I was employed.
Definitely the Korean culture is very strong to me, and I grew up in Hawaii where Asian-Americans are the dominant culture, but I never thought of myself as the minority.
My dad has blond hair, my grandmother has blue eyes. My daughter has blue eyes and blond hair. So it is pretty funny to me that I'm so heavily identified as an Asian person.
I'm in a comic book now. That was cool. That's something that I'm still sorta reeling about, 'cause I read comics as a kid. Someone drew me, and actually did a pretty good job!
I could be ordering ham at the deli, and someone will turn around and look at me and kind of stare. They'll just look at me like, 'I know I know your voice, and I know I know your face.'
I've always loved who I loved, and it never mattered to me where they were from. That's how it should be: wherever your heart tells you to go, you go.
My body is a reflection of how grateful I am for my life and my health; there are a lot of people less fortunate than me.
I like stubborn players. At least they have an opinion. If they are right or wrong, this doesn't matter for me.
Certain things do not effect me anymore, which is not always good. There is always commotion, but I notice that hardly anything affects me or puts me out of balance.
Because people have read those things in the newspapers, they think it is true. Ten years ago all these things I have just mentioned would have upset me.
People say it is part of the game. You win some, you lose some. But not for me.
Of course I have the odd bad game like other players. But I can't accept that. Especially when things don't go right for United. It all means so much to me to be succesful here. It drives me crazy at times.
Most of the pressure comes from myself, not from others. I don't need a manager or a pundit to put pressure on me. I do all that myself before others do it.
I feel very strong as an individual, but as a famous footballer I know I am prone to certain things. All the media have a continuous interest for me. It varies from once a year to every day interest.
Despite living in an increasingly digital world, there are a few things I still like to keep as physical reminders. So every time I see an exhibition, I make a pit stop at the museum gift shop to buy a postcard of something that inspired me.
Before redeye flights, I drink copious amounts of herbal brews to help me relax and fall asleep after takeoff.
I kept being told, 'If you really want to build a start up, you have to be in San Francisco,' so I ended up taking out a suitcase. It did occur to me to do it in London but it's very, very difficult to build a start up in London - so I guess I was being lazy.
In the end, I'd rather wear a nice dress, and if someone is not going to take me seriously, that's so superficial.
People have all sorts of expectations which you can't meet. Me, I'm so reclusive I stay away from such things as much as I can. I never go anywhere.
I toured around for years, but the road was always a drag for me. I never made a dime. In fact, I lost a lot of money - it was horrible.
When I was little, 4 or 5 years old, the first guitar I had was given to me by a blacklisted violinist - a lefty, commie guy, pinko man.
My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.
Music is my thing. It's my thing; it's what I love. It's what I do. It's football to me; it's Christmas to me; religion to me; poetry to me.
Collaboration has become really integral to my process. I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.
Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music.
Rafa Benitez promised me a certain development, but very quickly he took away that promise and it was a totally different situation.
Moving to Liverpool was a new world for me. I had been living with my parents in Holland, and all of a sudden I was living in a foreign country on my own.
Yes, there is a lot of competition for places at Liverpool but that's the same at every top club. It was like that when I was at Ajax and that isn't a problem for me.
If it fits in with my career, it will be a challenge for me to play for a MLS team. If that would be Steven Gerrard's club, that would be very special.
Some people think they do it all by themselves but I believe there is more to it. I believe it is God who has given me the talent and the opportunity to be successful.
If you misuse the things you have been given, God has the ability to take your talent away. That's the way it is for me and that is why a lot of religious people are grateful to their God.
If people want to invade your privacy, they want to invade your privacy. I find it chilling, and I find it awful, and it makes me really nervous. It hasn't happened to me much, but when you have a taste of it, it's bitter.
I am not hugely famous; I am not a name. For me, it's not the size of the role, it's the material and the people you are working with.
What's really important is the people, first of all. I like working with people who are kind, above all else. I don't really want to work with someone who will manipulate me. The idea that you must treat actors a certain way in order to get a performance out of them kind of disturbs me, and it's disregarding what we do. Our job is to do our job.
The American society around me looked at me and saw Japanese. Then, when I was 19, I went to Japan for the first time. And suddenly - what a shock - I realized I wasn't Japanese; they saw me as American. It was an enormous relief. Now I just appreciate being exactly in the middle.
For me, writing is a way of thinking. I write in a journal a lot. I'm a very impatient person, so writing and meditation allow me to slow down and watch my mind; they are containers that keep me in place, hold me still.
When I'm writing a novel, I'm usually just trying to write about things that are interesting to me.
I am really interested in the way we relate to time. In particular, the way readers and writers talk to each other. Casting your voice out into the future is very beautiful to me.
Are you really going to see Lewis? One of the few people it's worth getting excited over, I think. I know he is a good poet. I daresay he never heard of me, but I wish you would tell him that his work is the joy of my life.
It seems to me that in our lifetime we have passed from the wreck of liberal humanism to the beginning of a new recognition of dogma: isn't it rather tremendous?
When I started, there very few women at the managing director level and very few who had families, which is something that was important to me. So it's not like when I looked up I could say, 'Well, that's who I want to be.'
England gave me a language and literature, the basis of what I am as a writer, but when I started writing more directly about my own experience, it wasn't England so much as what went before.
Film, for me, is in two stages. One is when I write the script more or less on my own - that's the nice bit. And then comes for me the unpleasant bit when they all go off, 100 people - actors and camera people and film and sound - and I stay away. When they go into the editing room, I come in again, and that's the bit I like.
England opened up the world of literature for me. Not really having a world of my own, I made up for my disinheritance by absorbing the world of others... I loved them: George Eliot, Thomas Hardy, Charles Dickens... I adopted them passionately.
World War II really fascinated me because it's the only time that everybody in this country sat down at the same table, because eating on rations was your patriotic duty.
I think of fiction as the highest calling. I'm kind of addicted to it. It's the thing that has gotten me through all the hard points in my life.
There is that romanticized idea of what a bookstore can be, what a library can be, what a shop can be. And to me, they are that. These are places that open doors into other worlds if only you're open to them.
My idea of good living is not about eating high on the hog. Rather, to me, good living means understanding how food connects us to the earth.
I loved being at the 'Times,' and they were incredibly good to me. I think it's a wonderful paper, and I was really well edited.
What was so extraordinary to me about going through this box of my mother's letters and diaries was meeting my mother not as my mother, but as a real person. And what breaks my heart is that I had no idea how self-aware she was and how protective of me she was.
One of mom's greatest acts of generosity was that she trained me to be defiant. Her great gift to me was encouraging me to be the person that I wanted to be, not the one that she and my father wished I was.
Nobody would comment on what clothes male conductors wear. Or if they kind of put on some weight or something like that, and maybe their jacket is a little bit too tight. But if that happens to me as a female, then that's immediately pointed out.
I believe that for all of us, there was this one moment in our early life when we started being obsessed about music, somehow feeling how 'big' it is and is what it can give us. For me, this was when I got to be as a 9-year-old on stage, performing in Verdi's Otello in the children's choir.
I think about death every day - what it would be like, why it would happen to me. It would be humiliating to be afraid.
It makes me actually quite angry to think about people writing about torture with a sort of relish. Horrible.
I really enjoy writing about female friendship. It's an endlessly interesting dynamic for me.
Some writers you return to again and again, and for me, Nancy Mitford is one of them.
I never question what to do, it tells me what to do. The photographs make themselves with my help.
I allowed life to give me presents. And everything just sort of happened the way it was supposed to happen. I did not pursue anything. It more or less pursued me.
To me... San Francisco is an ideal city, intellectually stimulating and naturally beautiful. The oceans and forests are close enough to refresh the spirit; the architecture is always exciting.
When I was young, anywhere I would go in Germany, I would see my father's posters. Everyone knew about him. And he had many friends who were artists who were also quite famous. So, for me, it seemed very natural to be an artist and be known.
I always say yes to everything because I always feel that whatever comes my way, life meant for me.
I wouldn't do really gratuitous nudity. When I was in my late teens, you'd read stuff and be like, 'That character serves no purpose except being naked', so that would not be something I'd want to do. It's pointless for me.
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