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My dad had been an ardent amateur photographer, and he taught me to compose a photograph from the back to the front, and then populate the picture.
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation.
Asking what I'd do without Loopt is almost like asking what I would do if I didn't have a smartphone because the feature set has become the norm for me.
Music was in the air when I was growing up. My siblings Katy, Dave and Phil were musical; my dad worked in inner-city New York where a musical revolution was taking place - folk music, rock n' roll, gospel music. My sister taught me to sing. My brothers taught me to play.
I feel like regardless of whether or not I win this award or I win that award or I don't win this award - I'm still Sam at the end of the day. And that's what defines me.
I do realize that God has given me so many blessings in my life. I mean, not only with football, but with the family that He's blessed me with and the opportunity He's given me to grow up in a home that embraces God.
Music really gets me going, so I've always got to make sure I have my iPod to give me energy to work out.
I need to put the right things in my body before and after I work out, so I end every workout with some sort of protein shake to help me get the most out of my training.
A famous actor told me once - I don't want to name names, I hate that sort of thing - but I was at his house and he said, 'Are you on Twitter?' I said, 'Yes, I am.' And he said, 'There'll be one day when you'll have, like, five friends. And in the same day it'll go to five thousand.'
I do just genuinely believe Chris Hemsworth is a 6'3, more muscular version of me. And more handsome, but I try.
Johnny Depp gave me the best advice. He said, 'Keep your feet on the ground. Stay grounded. Remember where you came from.'
Going through the ranks and all the training you do as an actor, you hope you're going to make it. But there's a part of you that's got to be realistic and say: 'Look, it might not happen to me.'
In high school, getting recruited, usually guys have Twitters and Instagrams so that they can talk to coaches. I didn't have Twitter. All I had was Instagram. So someone created a fake Twitter account about me, and it was the most ridiculous stuff that you could ever think about.
On my podcast, I got to interview Will Ferrell, Sam Hunt, Colin Cowherd - all these different names - and it was just really cool to be able to talk to those people about things that weren't everyday life for me, which is football.
For me, and I said this even before the draft, I think being with the same team for my whole career would be something that would be very special to me because, especially at the quarterback position, that means that we won a lot of games, hopefully Super Bowls, 'cause that's the end goal.
I think a lot of people that don't know me would say that I lead by example, which I feel like I do. But at the same time, I'm someone who's always been very up-front with people. I'm gonna get straight to the point.
New York is kind of like L.A. If I walk around, not everyone is going to notice me because not everyone watches football, especially in New York. But I feel like everyone in Jersey is a Jets fan, and I always get recognized here.
In the offseason, sometimes I'll go on Google and see if anything's up about me, if anything's being said about me.
It's really important to me that the public have confidence in their criminal justice system. We don't operate very well if the public doesn't trust us.
For me, I have to say that I like to work a lot too, but I like not working better. The perfect scenario is when you just worked and you know something's coming up, then you have four, five, six months off. But you know you're going to have a job later.
For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
I don't see women and think of them as competition or with judgment. Women really move me. I feel connected to all kinds of women. I am angry because I think we've been mistreated throughout history in different countries, including America. I admire women.
If you give me any problem in America I can trace it down to domestic violence. It is the cradle of most of the problems, economic, psychological, educational.
They offered me that film before I did Frida and I said, no, I'm not capable of directing. Then after seeing Julie direct, I was inspired by it. She motivated me to do it, because we don't have role models as woman for directors.
For me, acting comes straight from the heart. In that sense I don't act at all. I think that to feel the character's pain I have to be myself. Somewhere audiences see that.
If the film is a hit then everyone shares the success. If it is going to be a disaster then it might as well be because of me, not because of somebody else.
The day the producers aren't minting money, or the fans are done with me and, most of all, I as a person get bored of acting, I will stop and pursue my other interests. There is a lot to do: painting, writing, direction.
Doubt, it seems to me, is the central condition of a human being in the twentieth century.
I used to say, 'There is a God-shaped hole in me.' For a long time I stressed the absence, the hole. Now I find it is the shape which has become more important.
What you have said, Mr. President, fully satisfies me that you have given to every proposition which has been made, a kind and candid consideration. And you have now expressed the conclusion to which you have arrived, clearly and distinctly.
In Turkey, butchering was a low-class, degrading job. Now, thanks to me, all the kids want to become butchers.
The shape of the meat and the taste of it starting from the top down is a part of me. All of my feelings are coming from inside of the meat down to when I put the salt onto the meat.
People should not judge me on what they hear. Let them wait and see me in action. Then they will see how I serve my people.
There is only one difference between a madman and me. The madman thinks he is sane. I know I am mad.
I had written my master's thesis on Ezra Pound on 'The Cantos.' And don't ask me about it. I don't remember anything about it.
Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
I couldn't be Susan Sontag. I'm not very good with abstract thought. I always just take to the emotional core of me.
I know who my dad is, I've met him a few times, but I don't even call him dad. I know it sounds horrible, but I don't even see him as part of my family, to be honest. If you want the truth, it doesn't bother me because I don't know any different. I just know that me and my mum, that was my family.
Being at school, being who I am, being an athlete, it was hard to find people like me. There's not many athletes that can be at my level. That was kind of hard finding people who love something so much they want to keep on doing it.
When it becomes hard for me not to eat bad food, I try to think about what I have to do and what is ahead of me and what I want to achieve.
Not a lot of people know me outside of athletics and believe it or not I am actually quite shy. The exhilaration of a win or tears after falling are the extremes. It takes me a while to get to know someone, but once I do I am very loyal to my old friends.
I always carry a pair of scissors around with me to cut things out of magazines.
Getting a new passport took me a stupid amount of time. I had to go back five times with different photographs because they kept saying I was smiling, which is against the rules. I was not smiling.
Funny you mention my dinner parties when I have just suggested that inviting close friends over to share a meal with candlelight and wine at your table could be a form of religious experience for some people. To me it's a form of sacrament.
I was always very interested in science, and I knew that for me, science was a better long-term career than tennis.
The astronauts who came in with me in my astronaut class - my class had 29 men and 6 women - those men were all very used to working with women.
For whatever reason, I didn't succumb to the stereotype that science wasn't for girls. I got encouragement from my parents. I never ran into a teacher or a counselor who told me that science was for boys. A lot of my friends did.
My parents must have done a great job. Anytime I wanted to pursue something that they weren't familiar with, that was not part of their lifestyle, they let me go ahead and do it.
I can't help feeling that I am not a very important person, and being treated like one gives me strange feelings.
For me, watching Mohamed Salah play football is not unlike staring up at the stars and contemplating the vastness of the universe: it makes my own life seem nice and small.
When I'm writing something, everything falls into place. When I'm not writing, stuff keeps happening to me, and there's nowhere to put it all.
The idea for 'Conversations with Friends' - two college students who befriend a married couple - struck me at first as a concept for a short story. I started to write it under the title 'Melissa,' and eventually, it got too long.
In my fiction, I pursue this idea of intimacy, but also - philosophically, politically - I just feel like that's the interesting question for me. How much can we share with other people? I'm not interested in human individuality; I don't even know what that means.
Being shortlisted for the Swansea University International Dylan Thomas Prize is, of course, a real honour for me and my work. When I wrote 'Conversations with Friends,' it was hard for me to imagine the book even finding readers - so it's a huge privilege to find it judged alongside such exciting and innovative new writing. I'm very grateful.
One thing debating did was bring me in contact with a whole social world that I had never experienced before. It's sort of a very international, very niche hobby.
I just feel energized when I am around young, talented people. There is something about these kids that's amazing. I learn as much from them as they do from me.
One minute, it seemed I had more movie offers than I could handle; the next - no one wanted me.
I just really want to do good work and work with some great people, people who challenge me.
I've taken a few public hits in my career, and I never hid the pain of it from my children. Nor did I hide the regrouping and rethinking that occurred after each one. After all, that process allowed me to re-emerge and go on to build a more impactful - and more engaging - career path than the one I had been knocked off of.
I've managed many people in my career. I've managed very diverse teams. And it's interesting because what I've found over time is that when it would come to bonus time or raise time, I would hear from the gentlemen, 'I want to make X.' I don't think I ever heard from a woman who worked for me, 'I want to make X.'
The 'aha' moment came one to me one morning when I was applying my mascara, and I realized that the retirement crisis is actually a woman's crisis: Women live longer than men yet retire with less money.
What is interesting to me about watching a show about the 1% is the world in which the 1% exists, meaning the flaws within the 99% that allow the 1% to exist.
He only seems to me to live, and to make proper use of life, who sets himself some serious work to do, and seeks the credit of a task well and skillfully performed.
But there isn't any second half of myself waiting to plug in and make me whole. It's there. I'm already whole.
I was raised to sense what someone wanted me to be and be that kind of person. It took me a long time not to judge myself through someone else's eyes.
I never really address myself to any image anybody has of me. That's like fighting with ghosts.
I've never had my heart broken. It's a very sad state of affairs. I think everybody should have their heart broken. I don't think it says anything good about me at all.
My last son is leaving to go to college; my grandchildren are being born. My mother is living with me.
There are parts of me that I feel are beautiful, but they don't have anything to do with my nose.
One of the things I love about acting is that I can enter into these other people's lives. But going back to being me at the end of the day is very important, too. That process of remembering who I am.
I first started acting in primary school, just doing little plays. And from the moment I began, something just went 'click' inside me. Suddenly I wasn't shy anymore. Instead I felt confident and happy. I can remember the enormous sense of relief it gave me. I loved the feeling of making people laugh.
You say something, things you would rather forget, and then they are out there. It makes me anxious and I don't know why people are interested in me anyway. If I had my way, I would rather exist in a little hole and not speak to anyone.
A different script calls for different things. It always takes me a long time to get to know the part, and know the logic behind the words. I have to be with the script for quite a long time before things start to fall into place, before they become part of the character.
What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
Well, it was the beginning of my film career. It was amazing to me that I got nominated for an Academy Award.
And he was going to give me a song, because I'm a singer and I wanted to sing in everything.
You wish me to tell you why and how God should be loved. My answer is that God himself is the reason he is to be loved.
So many have come to me that I might serve them, leaving me no time to think of myself. However, I assure you that I do feel deep down within me, God be praised.
It is proper to ask for sorrow with Christ in sorrow, anguish with Christ in anguish, tears and deep grief because of the great affliction Christ endures for me.
In the light of the Divine Goodness, it seems to me, though others may think differently, that ingratitude is the most abominable of sins and that it should be detested in the sight of our Creator and Lord by all of His creatures who are capable of enjoying His divine and everlasting glory.
Sufficient for me is that honour which is not seen of men but is felt in the heart, as faithful is He who hath promised and who never lies.
I see that already in this present world I am exalted above measure by the Lord. And I was not worthy nor such a one as that he should grant this to me, since I know most surely that poverty and affliction become me better than delights and riches.
Before I was humiliated I was like a stone that lies in deep mud, and he who is mighty came and in his compassion raised me up and exalted me very high and placed me on the top of the wall.
Christ beside me, Christ before me, Christ behind me, Christ within me, Christ beneath me, Christ above me.
The Lord discovered to me a sense of my unbelief that, though late, I should remember my transgressions and that I should be converted with my whole heart to the Lord my God.
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