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The more comedic roles come easier to me though because I see myself as a silly, easy-going person.
My family has always supported me completely and kept me grounded. I never got lost in child Hollywood actor weirdness.
I didn't even get a computer till I was 16, so I didn't have Internet when I was in middle school and beginning of high school. I didn't think to be looking things up and looking at message boards saying whether people liked me or not.
I will become an old, wrinkly lady one day and what will matter are my friends and my family and people who love me.
I'm terrified to go in lakes because you can't see the bottom, and not knowing what's there watching you is really scary to me.
I became a fanatic of the architecture of Le Corbusier and I visited almost all his buildings and read all his books. Only later on did I discover that all the things that impressed me in his books, particular his ideology, he had picked up from Auguste Perret.
You could say that I had become possessed, in the classical sense, by the art of the great architects of the past. And that led me to engineering.
To me, I don't think a song's complete unless it's got a great variety of different textures.
I'm terrible at social media, and it sucks for me, because I know I have fans. But if you go by my Instagram, you would think, 'No one listens to her music!' It's not fair. My Instagram is not my music.
I want to continually play characters that speak to me, but also are different than what I've just done.
Acting is my first focus, but at the core, I'm a storyteller, and however that comes out is fine with me.
I've always been quite mature because of the way my parents brought me up. They were very good at talking to me like a person rather than a baby, and I was around so many actors and directors from such a young age because my dad is an actor. I was more comfortable with adults rather than actually being an adult child.
One of the things that would steer me away from a franchise is that I'm playing the same character all the time and I wouldn't want to be known for that.
Fear is there. Anything can happen at an Olympics. I want to use the experience I gained from Athens and Beijing - the fear, too - and build a me that can't lose. I will do everything to make sure I win a third gold medal in London. That target drives me. I'm bulking up and have more power now. I'll be fighting fit to take the gold back home.
Not many people know this about me, but my first passion in life was cricket.
Thank you Sachin Tendulkar. For teaching me and a million others how to be humble, how to keep fighting and above all how to be consistent in life. In whatever he does he is and always will be the man apart from my father who taught me about life. I love you.
Now that I am an actor (if you can call me that) I still watch movies with the same childlike enthusiasm.
I started getting modelling assignments and that's how I became interested in acting. But my father, who last watched Dilip Kumar's ' Devdas,' wanted me to do MBA. I didn't listen to him and gave my audition for Yash Raj films' 'Mujhse Fraaandship Karoge' and got selected for it.
Had I not been an actor, I would have been counting cash at my father's restaurant or supervising activities in the kitchen. I did it for a year when I was in college. I put on 10 kgs and then it hit me that I couldn't do that anymore.
I've never wanted to be like anybody. That's something that my dad taught me growing up: 'Never want to be like someone; be the next you.' But I am a fan of the game, I'm a fan of the position, and I watch everyone.
I'm never gonna be somebody who's gonna fall down from the sky on a trapeze. That's not me. I really want to make sure that my focus stays on connecting with the audience.
I feel like my songs are like diary entries for me. So I usually write about things that have happened to me specifically or sometimes it can be someone who's close to me.
My hairstylist taught me a trick for my hair. You section off your hair and put them up in these crazy little knots and then it looks like you curled your hair. It's saved me so much time 'cause on the road you don't have time or plugs to plug your curling iron in.
I have been very fortunate to be a part of tours with other artists that have exposed me to new places that I've never been before. Once you discover something beautiful, you just want to keep coming back.
My life is so different because of 'Waitress.' The people that I'm close to, the things I do professionally, my colleagues, my best friend and my boyfriend - like, all of these things have come to me because of the show. And it's really beautiful.
I have spent my whole career worrying that the big bad pop monster was going to eat me when I wasn't looking.
I wasn't Britney Spears or Jessica Simpson. I wasn't Tori Amos or Norah Jones. Nobody knew what to do with me.
It is the women who bring the men to this world: men are there because of women. It was my mother who brought me out of a health condition that threatened to usurp me completely. If we still treat women with disrespect, it is utterly shameful.
As a partner, I have learnt so much from Payal Rohatgi. She has taught me the ways of this society and given me unconditional support.
I was very weak in my childhood, and arthritis took a toll on me. But my parents did everything in their might to help me recover. Slowly, I started recovering from the illness, and I made a pact with myself that I would not let my past dwell on my future.
As you grow older, it's harder to stay fit. Every day you wake up with pain, muscle aches which you don't know you had. I have to work harder on me than I used to when I was 18 years old. It takes me longer to recover now.
I'm not a part of the glamour industry. I would like to focus on my game, and there are minimal chances of me getting into films.
A good script and a good brief from the director is enough to let me know what is expected of me.
As an actor, I've grown considerably. It's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I've really opened up a lot.
I know I was very unstable and unhappy all through my life. I lost my mother and then my father. Losing Dad was like losing the bearings of my life. My sisters took it badly, but I took it worse. Throughout my lean phases, Dad was like a solid rock, supporting me, whether it was work, or my jail term.
With the kids around, this is a different world to me. I spend a lot of time with them till they go to their playschool. I wake up early, have breakfast with them. I come back from work and am with them again till they go to bed by 10 P.M. Touch wood, this is what I wanted always.
I work out like a maniac, three times more than anything I did in the past. I am off carbs, salt, sweets, and live on a fish diet. And I promise I am not going to indulge in food again. See, when I was 49 years old, I was fine, but the moment I touched 50, I felt that something within me had changed drastically. My metabolic rate dropped.
As an actor, I've grown considerably. For example, it's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I do it a lot better than I ever did. I've really opened up a lot. And I'm glad I have because I'm being appreciated for it.
What strikes me as most significant is that young people everywhere in India are anxious to do something. But I have also felt they are not quite clear in their mind as to what they should do.
To me, it's really important to drive change through a team because one person, while the buck has to stop with somebody, the company is just too big for one person.
My mother is special to me. She understands me. She has no expectations from me.
I have always chosen subjects which are little different, and not subjects that you see. That challenges me and the actors who work in the project.
I remember during 'Devdas,' people told me that they had seen 'Devdas' before, so what would be so different about this one. But I was convinced with the subject, and that is what drove me.
Many people ask me why I chose to remake 'Devdas.' I wanted to make a film that celebrated grandeur and grace.
'Jhalak' was a wonderful experience, but it was important for me to get back to films, since I am a director too.
All the pain, suffering, love, passion, and conflict have made me what I am.
I write all my scripts with Salman in mind. He understands me perfectly on the sets.
To me, love means being free of your own bondage and connecting to another soul.
Some of the most beautiful people, to me, are those with the wrong geometry. Mother Teresa is extremely beautiful and not because she is a saint. Her characteristics are very strange, and that is what generates the power she had.
People might think that I'm inaccessible, unapproachable, and dark. In many ways, my characters are uncomfortable to interact with, but that's not me.
Show me one director who does not get angry on their assistant for something that has gone wrong. But it is done out of my love. It's just fun when I tell them to face a wall and stand or kneel down in a corner. It's not like I want to punish them harshly. It's not to humiliate; it is to teach.
Shah Rukh made 'Devdas' for me, and I made it for him. He's special to me, and I think I am special for him. We are and will always be good friends.
What upset me was that after 'Saawariya,' which came after the awards and rewards of 'Hum Dil De Chuke Sanam,' 'Devdas' and 'Black,' I was written off, almost hounded out of the industry.
For all the criticism I've been showered with - people calling me a betrayer, a backstabber - frankly, the only criticism I have of Manmohan Singh is that he weakened the office of the prime minister, and he brought down the dignity of the office.
I have not broken any promises, but I have full freedom to say or write about what others have said to me during my tenure in the PMO.
When I was in the PMO, Digvijaya Singh used to call me whenever he wanted to see the PM. He used to go through me. He is under compulsion to criticise me, but I am under no compulsion to criticise him.
I wasn't expecting a proposal from Aamir that night, especially when he had waited long hours for my shoot to get over and I too was drained after giving back-to-back scenes that involved portraying a lot of mental traumas and crying. As I came out of my shot, he stood in front of me, went down on his knees and proposed marriage.
I think the audience expect me to be on saas-bahu dramas - such shows attract me also.
Me and Aamir are like friends. We understand each other so well and it's easier I think as we have same profession.
EHT' did wonders for my career. Earlier, people knew me mostly for my dancing abilities, but this show made them take notice of my acting capabilities as well.
Doing a daily show with Aamir will not make me miss Aamir. So no daily soaps with my husband.
There are songs which even if you listen to repeatedly, you don't end up liking them, but there are some songs which have an instant connection with the listener. 'Ruka Hoon' is that song which instantly clicked with me.
Aamir is a very mature and understanding person. Our relationship has not harmed my career in any way; on the contrary, it has helped me a lot.
For me, the characters I played in each of my shows were important, because I work very hard and always gave my 100 percent.
The most important thing for me is appreciation from the viewers and the love which I get from them. This helps me to work passionately on my projects.
Gehraiyaan' got me excited. I haven't done horror before so, this was a chance to do that.
I have issues with inheritance tax, particularly coming from a migrant family. My dad has worked incredibly hard all his life, so it seems odd to me that someone who has gone through that experience and has managed to save then gets taxed for dying.
Because of my Asian-ness, I couldn't be anonymous - what I said, what I ate, what I did at the weekend were startlingly different to what everyone else did. I was also a performer, quick and chameleon-like, good at accents, so that made me stand out.
I'm sure I went through a stage when I resented being Indian because in every other manner, in terms of cultural reference points and vocabulary and all the rest of it, I was way ahead of everybody else - so the one thing that set me back was being Indian. And I couldn't do anything about it.
I was far too embarrassed to share the experience of Indian food at school. As a kid, you're desperate to fit in, to assimilate in some way, and everything about me stood out.
If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.
Casting me as King Arthur was quite bold of 'Spamalot's producers, although it has been historically proved Arthur was Asian, and that Sunday trading started with Asians in 11th-century Britain.
When we created 'Goodness Gracious Me,' it was quoting 'Python' and Woody Allen lines that really bonded the writers, and the 'Spamalot' material is so utterly, wonderfully surreal that it hasn't dated.
One of the benefits for me of starting late in this business is I realised that if acting was the only thing I could do, I would struggle, so I always wrote as well.
It always interested me that 'Goodness Gracious Me' and 'The Kumars,' when shown around the world, were referred to as British comedy. It was only here that they were referred to as Asian comedy, even though I always felt it was very British in its humour and structure.
My mother had been an English teacher in India before she came to the U.K., and she taught me to read early on - not only in English, but in Hindi, too. My teachers didn't like the fact that I was reading more quickly than they were teaching, and as a consequence, I would sometimes get bored in class.
I love team sports - they give me something to focus on rather than the fact that I can't breathe or my muscles are aching.
They've put skin from my arm on my ankle and from my thigh on my arm. So whenever I get asked what's happened to me, I end up saying it's like a little jigsaw, parts of my body all over the place.
Being able to use both feet was something that came quite naturally to me ever since I started playing. However, it's something I work on all the time to make sure that level never gets any lower.
Malaga were the club that bid the hardest for me, and they were the first, too. When Villarreal told me that they wanted to sell me, I chose them.
There were lots of Spanish teams who didn't want to sign me because of my height when I was 15, 16 years old.
I am shamed to realize that in my marriage, my daughters never heard their father and me fight, which also meant, perhaps, that we didn't truly communicate.
My sister is not my mother, but more than anyone else, she fills that role for me now - like it or not. And indeed, all women I know play that role for somebody - like it or not.
There's something about Brooklyn that reminds me of Toronto. I think because it's so community-minded.
And when we used to play and fight in the streets in Brooklyn and I would get hurt or something, my mother would always come out and save me. So that sort of postponed the inevitable about getting a good beating, without having somebody to come and save you.
I remember the mentoring experiences of some teachers that I had, like a second term home room teacher in public school that really was very helpful to me.
What turned me on then, and turns me on even today - and when the time comes from me to retire from management I think I'd still be interested in it - is that everything that happens in the world affects the price of securities.
I just did what the script demanded from me in 'Uyir.' I felt it was indeed a challenging role for me.
Dhanam' is one of the interesting scripts that I came across. It centers around me.
When I did 'Uyir,' I initially feared to do it. It was a controversial role. But thanks to my friends, they motivated me and helped me come out with aplomb.
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