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The most interesting thing to me is that 'The Walking Dead' is a show that reinvents itself every eight episodes. It's an evolving landscape. There are characters that die. There are characters that stay on. There are characters that go away. I love that.
Lots of shows are written completely in the writer's room. And I wouldn't say 'The Walking Dead' is that way. There are three levels to it. There's us in the room. The writers going off by themselves. And me working with the writers on a finished script.
I remember my mom saying to me that what your friends do is one thing, but what you do could be on the front page of the paper.
There's a very big part of me that just wants to take all of comics history and toss it on the bonfire. I'd sort of like to get on to the future.
My father taught me not to overthink things, that nothing will ever be perfect, so just keep moving and do your best.
My mother taught me to be honest, to be selfless, and to touch people in a positive way.
My dad was always super-active and got me in the gym at a young age. He wanted me to be health-conscious. 'Healthy body, healthy mind'; that's what he preached to me.
You never believe your own hype. As quick as somebody can be 'the guy' in Hollywood, he can be gone the next minute. For me, it's about doing great work. And then hopefully you keep working forever.
To be really in shape, it's dynamic. It's got to be a lot of different everything, always switching it up. So a good day for me would be hit the gym, do some sort of cross training in the gym and then go surfing and then maybe take a jiu-jitsu class at night or go swimming at night or go stand up paddle boarding in the evening.
Any director who comes into a revival owes a great deal to the original director. If I know the backbone works, it gives me, as a director, much more freedom to bring something new to it or try something different.
Casting, to me, is always the same. It's a very important part of a director's job. I pick people that I sense I'd like to be in a room with and will enjoy the rehearsal process with because that's the best part.
Being a twin, and knowing if my twin was gone or lost - that's a part of me. There's no way I could be the same person knowing my brother had passed away.
The best part is it's a dream come true. I've always wanted to be a working actor, and the good part of it... it's all good! I work long hours, but it's amazing. They pay me. That's amazing! I get to kiss Keri Russell, and that ain't too bad.
I don't really have a mantra when it comes to relationships. For me, listening is key. Clarity is so important.
It's amazing, all of the ways that having kids has changed me. I'm a much less selfish person because of them, and compared to who I was before, my patience level seems infinite.
Early on, when I wrote 'Little Man Tate,' I got pigeonholed. Somebody said to me, 'You're not very dark,' and I had trouble getting certain kinds of jobs... and I learned very early that I didn't want to get pigeonholed as anything. And my next script was 'Dead Again.'
Thrillers have become all about technology and using technology. That seemed, to me, not so interesting.
For me, I really like the human drama embedded in a crime story, and I like the way European films do that.
People ask me a question, I'll give them my opinion. I never claimed to have all the answers.
You know, people do call it homophobia, and even that term alone is interesting to me. Because I don't even know how they call it homophobia, because that's a fear of the same. It's more heterophobia. It's a fear of something different from yourself.
Jesus Christ to me, is probably the most compassionate and revolutionary thinker of all time.
I'm literally running up and down stairs all day long. If a constituent comes in to see me, I go downstairs. If a law client comes in, I run up to see him.
Every challenger has come forward and said he's going to challenge me and win because I'm out of touch with the constituents. We run a race, the election comes, and the majority of voters disagree with them.
For me, the first thing that I respond to - whether it's doing a play or movie or television or anything - is just the character. Is this a guy whose shoes I want to walk in for the next 12 days or six months?
Someone asked me what part of the body is the most important to be strong - it's the big toe. The big toe especially, and the inner front-third of your feet, are what give you balance and will make you infinitely better at any sport, any physical activity and, as you get older, will keep you from falling.
As human beings, we anthropomorphize way too much. God's not a person. God, for me, is a power that lies outside the definition of time and space.
Working with film directors helps me grow, but nothing like the incremental jumps I make onstage.
I had the inability to ask for help when I needed it. People offered to help me, but I refused. They'd ask 'How are you?' and I'd answer, 'Better than you.'
Shawn Michaels really helped me a lot. We helped each other. It was a good partnership.
Whether they cheer or whether they boo really doesn't bother me as long as they're paying attention.
Fans in Madison Square Garden are a little bit hipper, but they are more vocal. It's like, 'Hey, you work for me, bro. I bought this ticket. Now get out there and entertain me.'
I started skating and I kind of liked it because I could run circles around the guys that wouldn't pick me to play baseball.
And so figure skating was a great vehicle for me to kind of be competitive at something, without having to be big.
What was really funny is that as I got older all those guys who called me a sissy in junior high school wanted me to be their best friend because they wanted to meet all the girls that I knew in figure skating.
I had a ninth grade teacher who told me I was much smarter and much better than I was allowing myself to be.
So as an amateur Olympic competitor I loved criticism, because it made me better. But now as a professional I don't really know how to channel it or where to take it, so I don't take it quite as well.
The nicest thing that my friends who've known me for 15 or 20 years say to me is, 'Man, it's crazy that you're the same guy.' It's like, 'Which guy did you expect me to be?'
I don't want to worry about someone calling me and going, 'You better find a way to get another Taylor Swift record out this quarter.' When there's that kind of financial pressure dictating your path, it's hard to take creative risks.
I attended College of the Canyons in Santa Clarita, Calif., for a year, but college wasn't for me. I was curious about life beyond Los Angeles.
I grew up in Southern California, so there is just a part of me that is a Hollywood rocker.
I'm very thankful to players like John Stockton and Spud Webb. They've made it possible for someone like me to make it. I think teams are actually looking for one player under 6-feet now, because they make things happen.
I believe this with all my heart: The greatest coach of all time in my eyes is my mom. She's instilled in me a toughness and a perseverance and just a never-quit mentality, and I thank her every day for providing me, for what she sacrificed her life for.
To me, theater is the mecca; if you really love to act, that's where it's the most fun, by a long shot.
Good, bad mediocre or whatever it is, if a director wants me in his movie, I take it as a compliment.
The left side of my brain is telling me I want to sleep with every woman in the world and the other side of my brain is telling me I met this great girl and if I let that go I'm going to regret it.
I just feel like if I do good work, then people should respect me for the work I do.
I personally want to work with great directors and great actors. My thing is about being inspired. You want money to come, but money doesn't always come with great art. At the end of the day, it's about being satisfied with yourself as a human being. It's important to me to try to make that happen.
I love big events. It reminds me of the old days, when I knew everyone on the fight card, and it wasn't just one fight.
A lot of fighters want that freedom to have their own sponsorships. When you think about it, how do you make independent contractors wear a uniform? That just seems strange to me.
QuickBooks - the very fact that we could even dream to make something in the business arena, and that it would then succeed - was a total revolution to me.
People pitch me all the time. But hopefully, you'll just go ahead and do it. We are trying to eliminate the need for pitches. I'd rather sit there and applaud. Customers buy products, not Powerpoint presentations.
For me, there is a basic recognition of horror as the most open doorway where the intersection of philosophical and religious ideas can come tighter.
To me, the horror genre is the genre of non-denial. It's about admitting that there is evil in the world and recognizing that there is evil within us and that we're not in control and that the things that we are afraid of must be confronted in order for us to relinquish that fear.
I'm an orthodox Christian. When people ask me if I'm a Christian, I always want to qualify and know what they mean by that. I'm not a Republican, and I'm not right wing. I'm not a dispensationalist. I don't think the world's about to end.
My faith sometimes burdens me with the responsibility to think very deeply and long and hard about the choices I make creatively. There are projects I turn down because the material is too much a violation of what I believe. But that's true of anybody.
Tennesseans know they can count on me to never compromise on independent, conservative principles and that I will always fight for smaller government, less spending, and more jobs.
I made a very poor decision in my first marriage. I know God's forgiven me.
It might just be me, but it's tough when you get drivers that don't stay where they should be.
I am convinced that life is 10% what happens to me and 96% how I react to it.
I want my career to grow gradually. There's still so much for me to learn. I'm just trying to take these opportunities to get better at what I'm doing.
'Stand By Me' was really great for me and my buddies; we'd all watch that together because that was us - we were down in the creek and hanging out every day and going on little adventures. I had about sixteen friends who are all about the same age as me and lived in a three-block radius. We spent our entire childhood down in that creek.
I've had an amazing run in my career. It could end tomorrow. I have artists who love me, and I love them, but they could call me tomorrow and say, 'I don't wanna work with you.'
I had very big lips growing up, so my brother started to call me Scooter Fish because he decided a scooter fish has big lips.
I said 'no' nine times when Kanye asked me to work with him because I liked being friends with him. Then he put me in a position where I couldn't say no: He just told everyone I was his manager.
Kanye's the best listener I've ever worked with. If I interrupt Kanye, every single time, he'll wait for me to finish before speaking. It's a running joke - sometimes I interrupt him just to see. And he always goes, 'No, no, finish. I want to hear what you have to say.'
You don't have to be a 'person of influence' to be influential. In fact, the most influential people in my life are probably not even aware of the things they've taught me.
I do find violence entertaining, but that doesn't make me a bad person. I grew up watching all these action films when I was a kid. My dad would bring back 'Rambo' and whatever, and we'd watch it together. It's not affected me in any way other than I just appreciate the entertainment value of violence on film.
My bedroom was plastered with pictures of Van Damme. My mother was worried about me. Most teenage boys have half-naked women on their walls, and I had Jean-Claude.
I turned to my mom and said, 'I'm going to be a martial arts movie star.' She didn't believe me, and neither did my dad. They both thought I would grow out of it. That it was a phase. I decided then I was going to do it or die trying.
New York has surprised me a couple of times. I was a snob about pizza, but I've found one or two places that allow me to forget deep dish for a while.
I think it's all the same animal for me. There are actors who sing, and there are actors who direct, and I also improvise. That's one thing I do as part of my acting. I don't really separate the two.
My father suffered from chronic wanderlust. When I was 14, he set out on a yearlong road trip across Europe and Asia - and decided to take me along for company.
The peculiarities of my childhood, of constantly moving through so many different cultures, of always being the outsider, may have made me extraordinarily self-sufficient, but it had also bred a certain detachment, a sense that the world was a place to explore rather than truly inhabit. This manifested as a kind of shyness, even timidity.
The power of podcasting is pretty remarkable. It is such an amazing way to mobilize fans. It's almost like they're part of your family. They probably listen to you more than they listen to their own families. I know that's true for me. So there is a real bond there.
I can work every day of the year. TV is easy. My call's at 8:30 a.m. I'd like to break out of the comedy thing and take a shot at something serious like theater. The off-season allows me to do movies, but I'm not tired of TV yet. There's nothing like it. I've got the best of both worlds.
When I was a baby, my mother tells me I never slept because I never wanted to miss anything.
Family, work, familiarity. Listen, if I had a magic wand and I could make myself really be happy, I'd zap me onto a farm. And I know nothing about farming.
Somebody asked me what do you regret. I said, well I was offered the role of Maverick in 'Top Gun' and I turned it down.
You can tell five minutes into it what a girl is after, when she starts asking how much money I make or tells me, 'I wanna be an actress.'
I've always been a big fan of time travel, and I'm very into the notion that some day we'll be able to do it. Beam me up!
I was already writing poetry, so I transitioned from writing poetry a cappella to writing over beats, and it was way more exciting to me that way.
Me wanting to be an artist never really faded away. I knew that no matter what else I tried to pursue, my passion was always that.
A lot of women reach out to me and tell me my music has given them the courage and confidence to break up with not just any boyfriend, but an unhealthy relationship.
And I get so nervous now when it's not my show, like I'm not the headliner, because I know that those fans are there for another artist. Many people might not know an upcoming artist, but I've grown to like those shows because if I can control a crowd that doesn't know me, I'm doing my job as an entertainer. I have to rise to the occasion.
Let me be clear: There is no stronger advocate for civil liberties in the Senate than myself.
The makers of 'Ushakaal' said that if I don't do the film they would shelve the project. I didn't want a good subject to be shelved because of me so I went ahead and did the film.
According to me, when a filmmaker is writing a role, a certain actor comes to his mind. Now whether that actor resides in Mumbai or in the Malabar is hardly of any consequence.
The truth is, I never travel without cash. I always take a few tens with me in case of an emergency. There's never been an emergency, and in time, I realized that Americans don't want to touch customers' dirty bills. They also don't want to touch your credit card: you have to put it through the machine yourself, with your own fingers.
I once wrote that the first week in Jerusalem was the hardest week of my life. I was different, other; my clothes were different, as was my language. All of the classes were in Hebrew - science, bible, literature. I sat there not understanding one word. When I tried to speak, everyone would laugh at me.
I tell you a joke to have you listen to me, and then maybe I will tell you another joke that we can laugh together and feel equal. And then I will tell you a story hopefully that will make you cry. So I think that's the way that I approach the columns, as a surviving tool in a way.
Somehow, the rare trips to Tel Aviv give me the feeling that I have a career.
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