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When I was 10 years old, that nuclear spark hit me. Whatever it may be, I really don't know what it was about nuclear science, but whatever it was that triggered that interest, it stuck. I went after that one with a passion.
As a kid, I was obsessed with space. Well, I was obsessed with nuclear science too, to a point, but before that, I was obsessed with space, and I was really excited about, you know, being an astronaut and designing rockets, which was something that was always exciting to me.
These days, the scientific community accepts me. But getting to that point was tremendously hard, and I think it required a big perception shift. When people have dedicated their lives to something - and spent eight years in college - they just expect that a kid wouldn't be up to doing it.
Creating a character and living truthfully through her is a whole different ball game. It's all part of the same person but it's a much newer medium for me.
Fans who drive insane amount of hours to come to a show still amazes me. I mean, it can get up to 10 hours! That's loyalty.
Music has always been an important thing to me in my life and understand I've worked in the music business.
In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
Rock will never be dead for me. Do I like a lot of what I hear on rock music radio? No, not for the most part. I'm not a fan of the regurgitated Pearl Jam and Nickelback crap that's the biggest thing in the Midwest. There isn't that big of a market for rock anymore. Every once in a while something happens and you like it.
I don't like guitar solos that are like, 'Look at me, look at me!' I like guitar solos that are little songs within the songs.
The records that I grew up listening to had feel, and the drummers that inspired me - like Stewart Copeland, Neil Peart, Phil Collins and Roger Taylor - all had their own voice and individual style.
A lot of my music is very roots-oriented, and that's country and soul. I've been in every roadhouse in the South, soaking in all of that... Nashville is like a second home to me, and I'm just gravitating toward the songs.
I am a gypsy. I havent' had a home for a long time. Call me a homeless person - I just throw everything in a bag and I'm good to go.
My mum wants me to get married - and have children, of course. She's met Gaga; we've been dating a while. We're in a committed relationship, and I'm really happy in my relationship. I'm a very lucky guy. As far as having more of a domestic life and settling down into my relationship, we have to see what happens.
Being on 'The Vampire Diaries' feels almost like a game you play when you're a kid. When I was a kid, I used to have to take the garbage out at night on Wednesdays. I lived out in the country. I'd take the garbage out, and I used to pretend that I was the only person in the whole world, except for one other person, and he was looking for me.
To me, the most romantic gesture is a quiet night with my girl. I like to cook for her. I'm a meat eater and a griller - I do steaks, I do chicken, I do fish. I have a broad palate!
I would do 'John Carter' again tomorrow. I'm very proud of 'John Carter.' Box office doesn't validate me as a person, or as an actor.
Now, they hold the World Cup every year, so it's like any Super Series. It's boring. To me, it's very boring. I think the players will always attend the World Cup. But for the fans, and also for most players, the Olympics and Asian Games will become more important. Nobody will look forward to the World Cup with anticipation.
My parents told me either I choose badminton, or school has to make the best of me.
Fashion intersects a lot with art and film and music, and that was appealing to me. I read a bunch of fashion blogs and wanted to be part of the community.
The idea that feeling confident and feeling misunderstood are mutually exclusive really bugs me.
I feel lucky in that I don't really have to go to college to study something job-specific. I just want to go to learn about what is interesting to me and learn about the classes that you don't really get to take in high school because you have to take the basics.
I think it was my mom's attitude about art and being part of the narcissistic digital generation or whatever that made me think anyone would care what I had to say about anything!
There are moments when I am really not happy with how I look, or I think it would be an easy way out to try and do the conventionally attractive thing. But part of it is that I don't have the energy to put on, like, makeup. If people want to do that, that's fine. But I've learned that it's not for me.
If the next thing I do is not necessarily filling the role of 'the future of journalism,' it'll probably be whatever is making me happiest, and that's enough for me.
It brings me no joy and not enough comfort to dwell too much on things I've said or written or made or worn in the past.
If I'm extremely bored and I don't have a book with me and I'm being an obnoxious teenager, I'll read 'BuzzFeed' on my phone. But even that just leaves me feeling icky because I think for some reason my comfort zone is to just not really be in the loop about stuff like awards shows or things like that.
My role on television is one of helping people reexamine the assumptions that they hold. I regard Dr. King. You would never hear me get up and speak without in some way, shape or form, referencing, Dr. King.
To be clear, the gap between the have gots and the have nots is widening. In this most multicultural, multiracial, multiethnic America ever, that concerns me.
I want a future where my children feel safe and appreciated and proud to be who they are. My heart is one with all the Arab Spring heroes, no matter how small they think their role is. I know they believe, like me, that we are working for a world whereby an Arab can live with the other in a respectful and dignified way.
I want people to see me as the entrepreneur, the boss, the public figure, the person who motivates.
I used to put like, 'Yo Gotti type beats,' 'Future type beats' on YouTube. And uhh, I started getting paid off YouTube. Like YouTube started giving me Google AdSense checks.
A couple of times, I felt like I was cracking and I couldn't go on, and God would put another person in my place to help me.
I think that God prepared me for Chris's death in some ways, because I've seen other people lose their spouses. I've known for a long time that life isn't fair.
Like I went out to a predominantly black club last night and nobody said anything and I was wishing somebody would so that someone would dance with me.
It's a trip but it hasn't crossed over to the point where women are throwing their panties at me.
The large ensemble cast and the fact that it was being shot in New York, combined with a lot of strong positive images as far as African Americans are concerned, really turned me on to The Best Man.
All my friends from my past would know me as Scott Diggs. Taye Diggs comes from Scott-taye. When I went to college I liked it because it was so different and I have an infatuation with nicknames.
I complained to my mother about wanting to look less like myself and more like my friends. My mother then gave me a lesson in embracing my differences and loving them despite what others said.
I'm going through a stage where the dumbest things make me bawl. I feel like I need to see a shrink.
My mum pushed me to get a normal job when I finished school, and I just wasn't into that at all. So I hit the street and started busking and making my own way.
I do what I believe the Lord did, and that is walk in love with all mankind, which I don't see a lot of Christians doing. Christians can be so judgmental that it can turn off people who are considering converting. It makes me a little embarrassed, to tell you the truth, when I hear Christians criticizing others.
I would rather do surrogacy before adopting. If I can't do it, I'd rather find someone who would do it for me.
I have never felt anchored when it comes to fashion. I've always had to depend on a stylist helping me to figure it out.
My husband taught me so much about being a father. No matter what any of our children do, my husband will always believe in them, love them and accept them.
Sheikh Hasina's government is one of the best Bangladesh has ever had. She is taking action against fundamentalists. But even she refused to let me return. I don't think I can ever return home.
It is unfair to label me anti-Islam. I am an atheist and a secular humanist.
I have had fatwas issued against me, some three in Bangladesh and another five in India. I will not be cowed by these threats and shall fight for my rights.
I was not the pampered baby, no. I'm five years younger, and my parents were actually very strict with me, more strict than with the other ones.
I was on 'The O.C.' and had a small part, which wasn't very challenging. I was a bit bored, so I started shadowing directors and they finally gave me a shot. From there, it led to directing other television shows. I am trying to direct a feature film, so we'll see what happens.
I met this woman who was a hundred, this housekeeper, a hundred years old. I interviewed her. She just told me about her whole life. She's like, 'I can't read, I can't write; I can tell you who I was working for, and I can tell you the year, but who was president?'
People return my phone calls now, which is really interesting. I'll tell you what I've learned that's kind of bittersweet. So many doors have opened up. I've met everybody in the business. I'm fortunate people want to work with me.
I'm incredibly close to my family. I have two younger brothers; they're both artists and actors, and their work and the way they see the world inspires me.
I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
Some of my favorite shows are ones where the characters are vile and human and flawed. That's what makes me want to keep watching a show, not writers telling me how to feel about characters.
I started out as a dancer as a kid; I've been dancing since I was 4. So, performing was always part of what I was. I don't know if it I enjoyed the response I got from people or if I liked having an audience, but there's something in me that wanted to perform.
I transitioned into theater and acting when I was about 9, community theater and musicals, being, like, chorus-kid-number-78 or whatever. But I just loved it. As a kid you just crave attention, and early on I just felt it was so cool and fun to play around and have people clap for me. But eventually I grew up and fell deeper into it.
There's something about music that makes me feel like a different person, that feels like an escape.
Comedy scares me a lot. I feel like it's way harder than drama. I think my safety net is definitely drama, and I would love to kind of be able to be able to push into the comedy world and do something kind of like a Christopher Guest kind of style show. That, to me, is my kind of comedy. Like, Ricky Gervais comedy. That's my kind of thing.
I'm attracted to stories that excite my imagination, stories that, as I'm reading the script, I feel it, I can see it, I can hear the characters. I'm attracted to characters that are real, that tap into something inside me that I haven't explored yet.
I like challenging parts, something I haven't done yet, something that scares me. There's just a feeling I get when I read a script that I love, I feel an attachment to it, a yearning to play that character.
Some models are naturally very thin, but if they aren't naturally like that, then what these girls do to their health to fit in... To be a size zero or a two when you're tall is incredible to me.
I came from the Groundlings Theatre in L.A., and there, you're guaranteed to at least try something out in front of an audience. At 'SNL,' only the best stuff gets picked, and it's taught me a very defined language of comedy. You learn the structure of a joke, which is not something I was very good at beforehand.
I have, like, two and a half years of failed jokes that I know I wouldn't repeat, but I certainly have no comprehension of what definitely works. And the only gauge that I can go by is, 'This makes me laugh,' and is joyful... I like to, if possible, do things that people can enjoy and it doesn't take anybody down.
I founded the 'me too' movement in 2006 because I wanted to find a way to connect with the black and brown girls in the program I ran.
Even when black folks make me angry, I know that the foundation is that I love us. I want us to win, and I want us to have all the things that we deserve in the world. And that's driven by love.
The young girls of color that first encountered the 'me too' movement in community centers and classrooms and church basements were there not only because they needed a safe space, but because they needed their own space.
I think it is selfish for me to try to frame Me Too as something that I own. It is bigger than me and bigger than Alyssa Milano. Neither one of us should be centered in this work. This is about survivors.
We use a term called 'empowerment through empathy.' And 'Me Too' is so powerful, because somebody had said it to me - right? - and it changed the trajectory of my healing process once I heard that.
I'm really a worker and about rolling up my sleeves and doing the work. If that lands me a place in history, then I would be among amazing company.
I founded the Me Too Movement because there was a void in the community that I was in. There were gaps in services. There was dearth in resources, and I saw young people - I saw black and brown girls - who are hurting and who needed something that just wasn't there.
I was in my mid-teens when someone gave me a copy of 'Pears Encyclopaedia of Myth and Legends' as a birthday present. It sat on my shelves for many months before I looked at it. When I did, I couldn't stop reading it.
Of course, everyone would like to play a superhero, but this is by no means me saying I would like to go play Cyclops.
I don't think I'm going to become Brad Pitt overnight, but I presume if walk down Oxford Street, there is a chance someone might clock me.
I applied to drama school when I was about 18 and didn't have any luck anywhere. They basically turned me away and said I had a bit of growing up to do. I went back to Aberystwyth and did my growing up by spending eight months working in Peacocks.
Part of me looks forward to a time when I have a family and a partner and I take less of my nourishment from social occasions. Having a little unit around me will make my working life easier, because it is quite lonely otherwise.
Usually I design the lighting and when I have the physical set there, I'm not good at going out loosely and saying, 'Do you what you want, give it to the editor, and he'll figure it out.' I physically then walk on with the actors and I say, 'Let's walk until you guys feel the space works for you, and tell me when all that happens.'
There are different sides to me; I wanted to make a personal film but I would not want to make any film that does not reflect me in it. At least, not right now. I'm just too young to be doing that.
I do seem to try to make things harder and harder for myself. In some perverse way, obstacles interest me and I'm drawn to projects that end up being incredibly laborious.
I feel like a lot of us have a story to tell, it's just that we don't get the platform or the access or the opportunity. I don't know how the goddesses and gods and the stars aligned. I got the opportunity, and I do have to note that a Hispanic woman gave me that opportunity.
White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.
I was a playwright who was still learning the ropes when Starz took a chance on me to create and showrun 'Vida.' They nurtured and supported me during every step of the strenuous process, and that is a debt that cannot be repaid.
No one guided me through it, but here is how it happened: I was in New York doing a play, and an agent got in touch with me and said he wanted to take me out for lunch. In the theatre, they never want to take you out for lunch, so I thought, 'Yes!' I went, I ordered steak, and he told me he thought I should write for TV.
I don't know what keeps me going. Sometimes I wonder... I think it's just pure perseverance and wanting to succeed and having that burning desire to always have success.
The more people told me that, you know, wow, you should be so blessed. Don't you feel blessed? And you have all this - mansion and all these beautiful things. And I said, you know - the more they told me that, the more depressed I got.
At one point, I didn't get out of bed for, I think, three months, and I went down to the bottom of the hill one day and I had to call somebody to get me to come back up - come pick me up because I couldn't physically walk up the hill.
He does all research now, but he put me on some medication, Zoloft, and, I tell you what, a lot of people have had pros and cons about it, but it was my wonder drug.
Words are not even within me. They're not in my vocabulary to really express the kind of feeling that I had.
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