Me Quotes
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When I started on MySpace, people wanted to support me, but once I rose to fame with the MTV show, they felt like I had abandoned them for some reason, that I was too famous to talk to them anymore.
When I was 20, journalists would ask me what I would do when I retire from waterpolo. For me this is not just a five- or ten-year-period in my life. This is life itself.
Some years ago, I fired my agent, Andrew Wylie, alias The Jackal. I want to stress this wasn't an amicable parting of the ways or a hankering on my part for fresh representation. I fired him because his agency wasn't doing enough for me.
If someone is going to permit me to make a publication that is politically and culturally progressive and not tell me to put their favorite movie stars on the cover, if I get to do what I want in an honest way - as I did in the beginning at 'Colors' - then I'm going to do it.
When you're single, you're very independent. Very independent women raised me. We didn't have a lot of male figures as the head of our household, so I got, and took on, a lot of that strong spirit from the matriarchs in my family.
I remember reading Dr. Seuss books, and he's rhyming so many words together and I just loved the way it sounded. It became a challenge for me, to put words together that nobody would ever think about putting together.
For a long time, I couldn't tell somebody how I felt or I couldn't talk about my problems because I felt like I was complaining. Writing would help me or it would be like, I can't tell you how I feel, but I can play you a song.
My favorite all-time artist... I would say, I think that must be Sigur Ros, I love that band. It's like going to the stars for me. When I put the music from Jonsi or Sigur Ros on, it's so relaxing, it's warm and it never gets boring to listen to, you always hear new things. Yeah, that must be my favorite band.
It doesn't matter if they're famous or not - I just want to meet other creative people who can maybe bring something different to the studio than what I have. I think that's the most important thing for me.
I love to produce a track and then play it for the crowd; that's the biggest kick for me!
I think Coran Capshaw is such a brilliant entrepreneur and he always thinks about new stuff; the biggest stuff you can imagine. I know he's working on a lot of things for me at the moment, and I think it will definitely help my career to go to the next level.
After my touring life, I'd love to be more involved with charity. It gives me a lot of fulfillment, you know? I would love to get people who are into my music more active in charity work. In the future, when I have more time, I'd love to do spend more time on that.
Remixes come very quickly, because you already have the melody and the vocals. I have a great passion for music, so it doesn't matter to me if it's a remix or an original production. I don't think about it as, 'Well, I have to spend three hours on a remix or I have to do something all original.'
I want to make myself and the crowd happy by way of something different, and that makes things difficult. I'm never playing something that hasn't been released or no one has ever heard before because I care to deliver them what they were hoping to see from me. But also I play four or five songs that will definitely surprise them.
I would love to fall in love and get married and have beautiful children. I mean that's one of the goals in life, I think, to have, and it's a beautiful thing. My sister has kids and all my friends have kids. They show me their, you know their report cards. And I can show them my sports car.
My mom always taught me to be sweet and polite and cross my legs because it's what the guys like. Actually, they like a raunchy girl once in a while.
I love being in the kitchen with my daughter right next to me on her step stool. It's sweet; we're connecting.
I think, probably, being a young artist, there were a lot of things I thought I knew and I wanted to do, and I was like, 'Oh! That's what I want to do.' And then it took me in a different direction with 'I Think We're Alone Now,' and then all of a sudden, I was a pop star.
'Dust Off And Dance,' the album, was really all about me being in England.
For the kid in me that had a rockier edge and wanted to be Stevie Nicks, it's been fulfilling that I've met Dave Navarro and Dave Grohl, these amazing artists that have given encouragement.
With 'A Million Miles,' I still was proving myself as a writer and as a vocalist. It gave me the platform to tour again.
My family didn't come from fame. No one was musical in my family except for me.
My mum really depended on me. I'm the eldest of three girls, and she had emotional issues.
I'm real cautious about staying a regular teenager. I've had other friends who hit it big with a record or something, and they changed completely. I don't want that to happen to me.
What I'm hoping is that people in my age group will grow up with me and keep listening.
No, I wasn't really suing my mother. I was just trying to get in control of my finances and my life. My stepfather has only wanted me around for my money, and he threatened to leave my mother if he didn't get the money anymore.
I don't know if it's shocking, but I'm the world's biggest klutz. I have been dancing since I was 3, and I have modeled, and I have good balance, but you wouldn't know it. Hanging out with me, I do everything from spill food on myself to trip up stairs. I'm the queen of that, most definitely.
When my people are dying, that's when you gonna catch me protesting. I'm not gonna protest because somebody got offered not the amount of money they wanted to get offered. If you don't like what they're offering you, just no longer do business with them.
It's nice to know to I have friends that truly support and believe in me, and to go back home and see those that knew me before all this happened.
I'm not Beyonce or Trey Songz or anything, so every now and again, I feel a little like, 'Are they listening to me, or am I just sounding crazy singing to myself?' I feel like that sometimes.
I made Tony a person. For me, Tony was real. I made him become a human being, and that affected the animation and everything.
Whenever anyone finds out that I'm Tony, 'Oh, do it! Do it!' What they mean is they want me to say, 'Put a tiger on your team with Kellogg's Sugar Frosted Flakes. They're great!' That's what everybody wants to hear.
When Kellogg's brought up the idea of the tiger, they sent me a caricature of Tony to see if I could create something for them. After messing around for some time I came up with the 'Great!' roar, and that's how it's been since then.
To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.
The good lord gave me a very unusual voice, and gave me the opportunity to learn how to use it.
It's American Alternative radio stations that bug me. We're considered Alternative, but don't expect us to be played next to Blink 182 and Offspring. We're hardly of that generation.
Lynda Carter played Wonder Woman and was one of the first female superheroes. It gives me more of an encouragement that we can be strong and can do whatever a guy can do.
I was in school studying civil engineering. A guy approached me on the street and said that I had a interesting look-very exotic. He told me I should try to be in the industry.
The kids all knew me from Wayne's World. The grown-ups knew me after True Lies.
I play a female Indiana Jones, a professor who hunts down precious objects, like a bowl that belonged to the Buddha. They tailored the role to me: I wanted to be smart, funny, and to kick some ass.
People want me to do the strangest things. They want me to sign their arms or chests.
I can't stand when people say, 'Don't hate me because I'm beautiful'. OK, how about I hate you because you said that.
The reporter claimed he was going to write the article from my point of view. Instead, he made me sound like a little idiot. It made me never want to do another interview again.
When I first met my agent, I said, If something comes up and it fits my age range and personality, I would like you to send me up for it, even if it specifies blonde or brunette.
For me, romance isn't an over-the-top act. It's someone offering to help and to support me. Or if that person thinks I'm making the wrong decision, he'll tell me. I want him to be honest, because being that honest takes a lot of guts.
I'm really lucky! I'm just cognisant that I wanna move forward, and people will let me or not; who knows.
Until I got married, when I used to go out, my mother said good bye to me as though I was emigrating.
When it comes to the form the narrative will take, whether first person, third person, or Aunt Grace's cat, I usually find that the story tells me which voice it prefers, and that often changes as I go along. And in the end it really doesn't matter as long as the author can rig those voices all in harness to pull the same load.
When I was fifteen, my father gave me a first edition copy of Ray Bradbury's magnificent work, 'The Martian Chronicles.' I had read other science fiction by noted authors, but this book was something else altogether.
Happiness was not made to be boasted, but enjoyed. Therefore tho others count me miserable, I will not believe them if I know and feel myself to be happy; nor fear them.
We had a rule-breaker at Mainz - the club manager Christian Heidel, who had the courage to make me a Bundesliga coach.
Speaking French is good for me and also a mark of respect for the PSG institution.
If you play at Anfield, for me, it's not a tactical game. It's to play with confidence, to trust the players.
It's not easy to go up the steps after a defeat. It's very difficult for me, for everybody, but we have to accept it.
I have won one title, but PSG made me understand they are looking for a leader, a coach with a vision, and I am very happy to have their confidence.
I think Dogme was inspiring for quite a few peoples and sort of started a digital movement. Personally, I found it extremely uplifting and fantastic making Dogme movies, but I felt I completed it with 'The Celebration.' I think that was the end of the road on Dogme for me. It was as far as I could go.
The success of 'The Celebration' was like a hand grenade exploding in my face. It suddenly gave me so many opportunities to explore things I had never done before.
I shot a Metallica video in Hollywood, and there were, like, 100 people on set. There was even a guy there to put antiseptic gel on my hands. Amazing. If I asked for that on a Danish set, they'd probably kick me out of the country.
I love that my fans are cool with me being lovey-dovey about my wife rather than pretending that I'm single and trying to act all sexy onstage.
Any time you're nominated for anything, it's a true blessing and something you should be really excited about, but it's sort of time to not be considered new anymore because I don't really feel like I'm new. I'm just glad people still see me as fresh. I wish there was a 'fresh country artist category' rather than 'new.'
Single Record of the Year and New Vocalist were such a blessing to see, but when I saw that I was up for Album of the Year, that's when I started to be like, 'What in the world, this is crazy!' That one really got me in a pretty different way.
I wanted to be a physical therapist because I had torn up my knee and thought it was interesting with the rehab and whatever. I did kinesiology, and after the first four days of class, I dropped out because I was like, 'This ain't the class for me!'
I played at Sony, Warner Bros., Universal, Big Machine, Capitol... after I played every one of those places, everyone offered me a record deal. I was just like, 'Who am I? Why do I even deserve this?' There are people busting their butts on Broadway doing this hardcore, playing three hours a night for tips, and I didn't even ask for it.
I feel like I get a tweet every other day: 'Can Thomas Rhett's dancing get any more awkward?' Which is hilarious to me. But I like to move, what can I say?
People tell me I'm like the country version of Justin Timberlake. Actually, the other day someone told me I was an unathletic version of Justin Timberlake, and I was like, 'I'll take that.'
I grew up listening to so many different things, and having a dad that also sang, music was innately born into me. Going through high school and college, I'd go see anyone who came to town, it didn't matter the genre.
I wasn't with Joseph, but I believe him. My faith did not come to me through science, and I will not permit so-called science to destroy it.
Working on 'Newsroom' has given me an appreciation of the struggle that you go through on the 24-hour news cycle. The people who are legitimately attempting to deliver honest news are really facing a tough, uphill climb that's a lot harder than any other time in history.
'Survivor' was, to me, an absolute reaction that the audience was having to the sort of staid nature of narrative drama on television.
'Das Kapital,' I think, is very difficult to read, and for me, it was not very influential.
For me, like anyone, you want to go into a movie and have an enjoyable time where you're just involved.
The very contradictions in my life are in some ways signs of God's mercy to me.
Part of me wants a bunch of jocks to go to Comic-Con and call them all dweebs so they can be like, 'Pump the brakes a little bit.' But that said, it's all positive. It's just, of course, I'm going to find some cynicism in it.
I don't want to make some super cliche comment about how much more acceptable gaming is. I think it was always acceptable for me and my peers. But I think it's become more so in pop culture, media, stuff like that - people with money have discovered that they can make money by marketing to us.
I've spoken to people in Silicon Valley, and many times they have said to me, 'X storyline, or that thing that happened in your show - pretty much verbatim has happened to me.' And it's either identical or similar enough to be scary.
The biggest impact I can have for what I want to do, the results I want to have with what God's given me, is to help as many people as possible get to heaven.
When the team's not playing well offensively, it's always a problem for me because I'm not an individualistic player.
I like playing Italian teams. To me, they are the fairest sportsmen of them all. I don't agree with the Italy stereotypes - I trust in what I have experienced and witnessed.
Sometimes a little kid will come up to me and ask me to show him some tricks. I always have to say: 'I can't do any tricks.' They want to see some sort of magic: keepie-uppies, around-the-worlds, that sort of thing. It's not really my strength.
When we talk my biggest influence, I have to say Van Gaal. He threw me in the deep end.
'Space finder' is a phase I used in an interview one time, and it's followed me ever since.
Team spirit is paramount - each of our own egos has to take a back seat. That applies to me as well as everyone else.
You grow year after year with responsibility, and for me, it's not important who has the armband but that everyone on the pitch gives the right signals.
Sometimes I watch past goals, but I don't watch them because I think that it'll help me to score in the next game.
For me, the Bundesliga is a stronger competition than the English and Spanish leagues.
I personally feel that, at Bayern, the sporting aspect, the feeling with the fans in Munich and the appreciation from the fans, is unique here. Those are the most important aspects for me.
I think my family needs me more than anybody else, and tennis doesn't need me anymore. I respect my wife a lot for taking all that in. She said, 'I didn't marry a tennis player; you'd retired.' Now it's time to do something else.
If I were assigned poems I suppose I'd write more of them but it is entirely voluntary and for the most part ignored in the market sense of the word so the language to me is most intimate, most important, most sublime and most satisfying when it gets done.
So I suppose poetry, language, the shaping of it, was and remains for me an effort to make sense out of essentially senseless situations.
Well the themes for me were and remain sex and love and grief and death - the things that make us and undo us, create and destroy, how we breed and disappear and the emotional context that surrounds these events.
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