Me Quotes
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I am huge fan of Lata Mangeshkar, Kishore Kumar, Mohammad Rafi, Ghulam Ali and Mehdi Hassan. Listening to these people inspired me to become a singer.
I am not a known face and a lot of people wouldn't recognise me if I walked into a room. But that's okay with me. I want people to recognize me through my work.
A lot of singers entered the industry with me. A lot of them struggled. Many have not been able to make it but some have sustained.
Until I started performing in public, when at the end of the concert people would come to me with teary eyes and say that my performance took them to a trance zone, I had no idea that I can create an impact with my singing.
It is very important for me to do different things so that people see that my range is more than just comedy.
In 'Mr Shrimati,' I had a long role as a woman. A cabaret number was also picturised on me. I really worked hard in that film and feel that to date, no man has matched my level when playing a woman.
My father did not do a film for me or launched me, he wanted us to do things on our own.
The only thing I can do is act, but it's not something I even feel comfortable doing. It costs me a lot, because I'm a shy person, even if I don't look it.
But don't call me an actor. I'm just a worker. I am an entertainer. Don't say that what I am doing is art.
Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.
We actors always say how difficult and physically demanding a role was. But give me a break, it's only a movie.
Everybody in Spain is sick of me. But in America, there's curiosity about the new kid on the block who doesn't speak English very well. The attention makes me feel vulnerable, which is something I hadn't felt in a while. But I like it.
When I see myself at 14 years old I can put my hands on my head and think: 'How could I have done that?' but at that time it had sense for me. You do the same when you're 20. And now, when you look at people who are 20 years old you ask yourself: 'Was I like that? Was I really like that?'
For me, it's a real shock to see American mainstream films. I can't see these films because it's always the same thing to me. This is very American. Violence is very American, and I can't understand these films. Why do they use violence? To show what? Masculinity? To show fear? Defense? What are you showing with all this violence?
I guess you could say I took the hard route. That doesn't work for everybody, but it's worked out all right for me.
My mom and dad taught me a lot. They kept me out of trouble and told me to go a better route. They taught me how to be a man, basically.
I feel like after my incident, it really made me realize football is not here forever. I'm all the more anxious to come out here and let my teammates know, 'Look, hey, this is the same JPP. Missing fingers aren't going to stop me from playing some ball.'
I don't like people knowing about my business, and my situation, so I try to keep out of people's situations unless they come to me and ask for help.
I have a lot of people depending on me - even people I didn't know depended on me.
If people think I am gay, yeah, hey that doesn't bother me. Not at all. What would people think? To me I am such a heterosexual guy. It doesn't even, I don't even think about it.
I'm very happy to be directing though. It's a challenge, and it's a lot of fun for me to be on set.
Nothing scares me, because I used to think I was indestructible. Now I know I'm indestructible, not to mention my spine is indestructible. It's all titanium.
Well, I've been a professional racer for nine years. And if I could get it to pay me as much as acting, I'd give up all the rest in a second. Working in television, however, has made me accustomed to a certain lifestyle that I'd like to maintain.
No one gave me a cake or a going-away party on my last day of 'Beverly Hills 90210.'
Theater gives me that outlet of being a part of the process from beginning to end, while film is a little more compartmentalized and is more impulse-driven.
I was super shy as a kid, and theater was a way that everything made sense to me.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like, 'Why aren't I happier?' With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
Selfishness, narcissism, being uncomfortable in your own skin, not feeling connected to the world around you, feeling dislocated from family and youth, having a strange relationship with your childhood - all those things feel really true to me.
I really enjoy theater. I just went to see 'Death of a Salesman,' and it knocked me on my ass.
All the academy will tell you that the language that is familiar to you is not appropriate. and that's not to say that there shouldn't be a standard, but when I come to school with my friends' language, my grandmother's language, the language in my mouth - you're going to tell me that's improper?
I believe that every character is a setting, a world with moving parts, and on the other hand, every setting is, in fact, a character - a living breathing thing with personality and backstory. The way stories come to life, at least for me, is when these elements commune in relationship to one another.
Hip-hop saved me. It gave me permission to use language in a certain way. It validated my community and my friends. It gave our slang a certain elegance.
The people who know me do not ask me about the next book or how it's going. They ask, 'Jason, are you sleeping?' because they know my brain will not shut down.
I read tons of books, listen to music non-stop, watch as many movies as possible, catch a play when I can, art shows, concerts, bar talks - I just try to engage in art, which to me is everywhere, as often as I can because narrative lives in it all.
Fake relationships and fake people coming up to me and all of a sudden wanting to be my friend.
I've certainly auditioned for big budget studio films. I don't know if it's because there's so much money involved, but a lot of times the pressure overwhelms me and engulfs me. I end up falling apart in the audition.
A lot of times I would go into a room and audition for whatever sitcom it was and they would expect me to do sort of what my dad was doing and I am not him so they would be disappointed and I would feel nervous and not know exactly how to do it.
There's something about being rejected - when I go out without my friends, I'm reminded of how I'm actually quite antisocial. I don't look like a guy who feels like that, but it's very hard for me to start up a conversation. At a party, I'm lost.
I knew I really made it when my dad saw me in London and after the performance he had no notes to me and just said 'You are doing your own thing and I am proud of you.'
I love the feeling of having as close to a steady job as you can ever have as an actor. I'm not an extravagant spender, so when I work on a TV show for a season or do a bunch of episodes as a reoccurring, I try to spread the money that comes from that out so that I can do these movies that are important to me.
I almost failed one drama course. All the actors talked in phony accents. It shocked me. I went out for track instead.
As much as I can act, I don't have anything in me that yearns to be an actor - that sense of needing to be onstage, in costume, in character; that is utterly not interesting to me.
I am a muso, and I love doing it. I assumed that would be my career for a long time. I always wanted to be a writer, but I didn't think that anyone could actually be that full-time, so I always go back to conducting and arranging and playing. If you scratch me, I'm a musician.
It is scary to write - period - for me, but once you get past the idea that it's scary to write, I still can only be who I am. As a writer, my job, to me, is to expose myself - to really sort of dig in and find out who I am and then put it on the page.
Chris Ferguson brought up a really interesting point that I agree with, and he said science is a human endeavor. The more someone tells me that they're absolutely objective, the less I believe they are. So people need to fact-check things. They need to understand that science is easily damaged by politics and personal opinion.
Why would it matter to anybody if a game developer talks about a project that they worked on ten years ago that was canceled? It really bums me out to think about how many of those games have been lost to time.
I was heartbroken at the end of that, because I thought that was going to be it for me. Somehow I had worked my way into this movie and it had exposed me to people and I had a chance to be an actor, which I loved, but I didn't think it was ever going to happen again.
I didn't have an agent, I didn't have a headshot. I didn't even know if anyone would know where to find me. I just went back to highschool and started playing with my band.
I have a similar issue with people who hire me as I do with women. 'You have to have a particular taste to want to be around me. I have a slightly askew view.
The movies that I love and model after, like 'Annie Hall,' 'When Harry Met Sally,' and in particular for me, 'Broadcast News,' are the tone of life, which isn't a setup punch-line every two minutes.
I always loved watching movies because I loved what certain moments inside of films did to me.
There has always been this narrator in me - I loved ideas, and part of the great love affair I would have with ideas consisted of talking about them.
Once I walked out of my house into to the Puerto Rican Day parade. It was usually a five-minute walk to work, but that day it took me a half-hour to get to 30 Rock.
There are over 170,000 pages of regulations in Washington, D.C. I want to streamline the rules in the federal government to basically allow businesses to grow without fear of burdensome federal regulations. That's a passion to me, regulatory reform.
I want to sit and be less career oriented. Snowboard, dirt bike, mountain bike, surf. Just be human. To me, that's an important part of life.
Looking the way I look, whenever anybody's looking for a light brown funny guy, I get the call... I'm 100 percent Greek, but I look like I could be Indian or Middle Eastern or Hispanic. If it's ethnic, they'll try and put me in it.
I've numerous times heard mothers in stores tell their children not to go near me.
There are girls who find the giant beard 'gross' and 'creepy.' I know because they tell me.
I completely understand social media as a method of promotion and digesting information, but it just seems like a colossal waste of time to me, and there's a million other ways I'd rather waste my time.
On Mallrats, a lot of times they'd have to come find me. I'd be off hanging around. Looking around the stores, hanging out with people. So, he'd have to come find me.
Anybody who knows me knows that I'm just here to put a smile on people's faces.
You can't be Eazy-E and not move a certain way, basically. So, I studied the culture of it, and also, one of my uncles is from L.A., and he's great. He was like my performance coach. He helped me get the lingo down pat. He helped me get a lot of things down pat because I would talk in that accent for 10 hours a day.
I already have two movies in the can, low-key, which are 'Vincent-N-Roxxy' and 'Keanu' with Key and Peele, which is my first comedy, and it's going to be super dope, definitely funny. They're so great, and they've been such life coaches to me.
Growing up in New Orleans helped me live a real life. I experienced so many things.
I didn't know how capable I was until the people around me in acting school would say I was good.
Growing up in New Orleans and just being in a poverty-stricken neighborhood gave me that same fire that Eazy had to separate himself from what could have ended up being such a bad situation.
I'm from a very violent city. I'm from New Orleans, Louisiana, and it's good to see me be able to express my art, have a good opportunity for my life, make history and say something, without being violent.
As a city, Chicago really affords me an environment that I am really happy creating in. It's an easy place to live in a lot of ways; it's a great community to be making music in.
At times, I will get in the studio and force myself to just write an entire front-to-back record, and 'Let Me Go' is one of these.
When I'm by myself, I'm really cool and nice to everyone, but then the whole paparazzi thing? If you see me with my kids, I change.
As far as getting work, no one thought I spoke English. It was absolutely ridiculous. I'd show up at a meeting and they'd be like, 'Oh my God, you speak English! That's so cool.' They didn't really know what to do with me.
I don't think a lot of people are calling me to play doctors and lawyers, which is fine with me. I can put a suit on, but I don't really like to.
My wife's trying to get me into yoga, and it's gonna take me a while, but eventually I'm gonna have to.
I'm an early riser. I work out really hard. I push myself; I get my job done, and at the end of the day, there's a Guinness waiting for me.
There's a lot of things I would definitely go to bat for in Hawaii. I've been all over that stuff. If someone told me to be quiet about that because of my profession, no. That's my people.
I see how people look at me, all around the world. They see something because of the race I belong to. I have to understand that and put it into my music.
I'm totally into new age and self-help books. I used to work in a bookstore and that's the section they gave me, and I got way into it. I just loved the power of positive thinking, letting yourself go.
It was a very bizarre experience for me, to get the songs together, go in there, and try to deliver them as I would perhaps in a live setting. But I realized that I couldn't take on that coffeehouse style that I came from and go in there and burn it up.
But my strength was in singing and songwriting, which was a new discovery for me when I was 18. And I decided if I pursued songwriting, which is what was closest to my heart, then there would be no competition. I would just live my life being myself and living my dream.
I'm not a virtuoso on an instrument. You know, I'm not always singing in pitch. I laugh sometimes my way through the shows, but I'm an honest songwriter who's always tried to bring the audience with me on my journey in hopes that they see their own lives reflected in the work.
Well, for me, what I've learned at the very end of this, love is sharing, and I think that really is, for me, the best place to go to experience love, is sharing.
A couple years ago I was going to back off and actually thought about retiring, but it keeps calling me back, and I'm going to keep going back as long as it calls me. I really think it has something to do with the good vibes that I feel I've spread through my performance and through the time that I've spent with fans.
I really tried to make movies I wanted to see. I thought that if I was good enough, somebody would always need me.
'Ice Age 4' came totally out of nowhere for me. I was told Fox Animation was interested in hiring me as a story supervisor or something or other that sounded way too professional for me.
Reading scripts or commercial copy isn't a problem for me, so I can really focus on the acting instead of it being secondary.
I convinced my parents to let me see an agent, but because I had been taught never to speak to strangers, I was so quiet during the interview, they said to bring me back when I was older.
Eventually, I want to be a creative producer that isn't in things. The acting is more of a secondary thing for me now.
British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.
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