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I went to 'Godspell' when I was 10 - my mother took me, and that was the first play I ever saw. That was it for me.
I have been all over the world. I have met some wonderful people, lots of them very simple, whom nobody will ever hear about, but who have been fabulous to me.
I thought I should go to New York because it was the place to go to study. I went and tried to get an application from the Juilliard School but they wouldn't even give me one because I didn't have my high school graduation.
When I started to sing, my mother would have me engaged to perform at the Women's Christian Temperance Union national or annual meetings. I would hate doing this because I wanted to play baseball or go off skiing.
When I worked in theater, I was always writing things on Post-it Notes and sticking them on screens or desks. Twitter has given me a way of continuing to post those notes, only a lot of other people see them, too.
Being a producer, I deal with a lot of different directors, and some of them would drive me insane with all the different histrionics, and the mystique that they carry.
When I give lectures, people will wait behind until there is no one around and then tell me quietly, 'I seem to be one of those people who need eight or nine hours' sleep.' It's embarrassing to say it in public.
Midnight is the time when we think, 'Well, we should probably send our last email; let me just check Facebook one more time.'
Identity is part of drama to me. Who am I, why am I behaving this way, and am I aware of it?
Louise Wilson told me she wanted to see more of the 1997 show. And so I needed to reissue that.
I got my fair share of stick. But I surrounded myself with fabulous girls, and they all loved me because I made them clothes. I remember making them all leopard print tops and tartan skirts for a party we went to once. It's scary to think about it now, actually.
My mum has always been a huge inspiration for me and my work. She loves fashion and has always been so supportive.
The environmental movement's focus on the Keystone XL pipeline issue really used to baffle me.
I do fear death. But what I actually fear is not dying. I mean, true, it will be sad. But I know that there is a better place waiting for me.
I would not have lasted a minute, literally a minute, on this Earth without God and angels by my side, because I was born. And right as I was born, I went into a respiratory arrest. So, big things that keep me going are friends and family, God. And another thing is looking forward to what's going to happen tomorrow.
I've gotten books published. I've met famous people that are very nice. I look back and I say, 'Wow. Thank you, God, for giving me this gift. And thank you for helping me to keep going.'
God gives me hope that there is something greater than us, something better and bigger than the here and now, that can help us live.
I feel that God has given me a very special opportunity that I should not let go to waste. I use the gift he has given me.
I never question God. Sometimes I say, 'Why me? Why do I have such a hard life? Why do I have this disease? Why do I have siblings who died?' But then I think and say, 'Why not me?'
Sometimes my body wakes me up and says 'Hey, you haven't had pain in a while. How about pain?' And sometimes I can't breathe, and that's hard to live with. But I still celebrate life and don't give up.
Remember to look at your glass half full and not half empty. A lot of my strength comes from God. God has given me a gift - the gift of life - and it's amazing that I live each day.
People will come up to me everywhere and say, 'Ah, I saw you on 'Larry King,' and, 'Ah, I saw you on 'Oprah.' And it's really nice, and a lot of people say, 'Is it a pain?' And I say 'No.' And it's not annoying.
I think that someone is watching out for me, God, my guardian angel, I'm not sure who that is, but they really work hard.
I had gone through a really rough patch in my life, struggling with anxiety and depression for the first time ever, and it was totally new to me. I really had no idea what was going on, and it was all I could think about, so it was all I could write about.
I was pretty sheltered growing up. I just started getting into heavier music with the Tooth & Nail/Solid State era, which really kind of brought this whole thing to life for me, so I am really thankful for that label.
It was a great thing for the Blues boys to do in terms of shaving their hair off for me. The whole squad did it. At first I thought it was only going to be a handful of boys, but fair play, they all did it, and a few of the coaches as well.
I've been truly overwhelmed by the good luck messages I have received from the rugby world and the fantastic support I've had from my friends, family, my team-mates and staff at Cardiff Blues and the WRU throughout my treatment. It has meant a huge amount to me.
I was overwhelmed with messages of support I received from people around the rugby world. Sometimes you take it for granted, but I can't thank people enough for how much they supported me.
I write about all manner of things: a guy fighting aliens in the New York State Library, Antarctica, Inca civilization in Peru, the Great Pyramid at Giza, and people often ask me, where do I get these ideas from? They come from reading widely, watching a lot of documentaries, and increasingly ,as I was able to, travelling around the world.
Zoos have always fascinated me. What child hasn't wondered what would happen if all the animals escaped from the zoo? Or what would happen if they got caught in an enclosure?
Fantasy enabled me to break the shackles and create a whole new level of 'the world is in danger' stakes.
Well, it's a little harder in New York. It's not as forgiving to a film crew. You hold up a bunch of New Yorkers who can't cross the street, they're not going to take it well. Southern California? They'll wait. It's cool man. In New York, they're like, 'Are you kidding me? I gotta get to work.'
I still dream about that one opportunity where the Welsh Rugby Union call me up and say, 'We need you.' There is an incredibly talented Welsh hooker called Matthew Rees, so maybe some incredible quirk of misfortune for him would mean I get called up instead.
I have very fond memories of the '80s; they were very formative years for me. I certainly remember the Cold War. It was a closer doorstep for the Brits than the Americans, so it was a very real and palpable threat at the time.
I absolutely loved my time at 'Brothers & Sisters,' what I learned and everything that went with it. It was an incredibly formative time for me.
I lost a dear friend of mine from a rugby injury at 26. We don't usually deal with mortality at that early age and it's given me an appreciation of time, of trying to fit everything in.
I just think that for a lot of people - not to take the focus off of myself - that feeling of imminent dread, like a cloak of black dust, was always around me.
If I know that I shall be as an angel, and more; if I shall behold all God has made; if he shall own me for his son and exalt me to honor in his presence, I shall not fear to die, nor shall I dread the grave where Christ once lay.
He wanted to play accordion on something of mine and I said you can play accordion, but I want you to play piano and organ on some stuff. He came over a couple times a week for two weeks and gave me therapy as to whether I should do The Thorns or not.
So it helped me to just let go of all my tensions and feelings about that world and say 'OK, this is for my fans in Japan. They'll be nice and get into it and have fun.' And it was the first record I made at my home studio.
The openness of rural Nebraska certainly influenced me. That openness, in a way, fosters the imagination. But growing up, Lincoln wasn't a small town. It was a college town. It had record stores and was a liberal place.
They said, 'If we put you in first class with Brian, will you do it?' So I flew after not having flown in eight years. If there's one person who doesn't like flying as much as me, it's Brian.
When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me.
Older teens tend to write to me and say, 'Thank you for not writing down to teenagers.'
It must be odd, being recognisable. I would hate to lose that anonymity. It happened for a while with 'Spooks.' No one notices me now.
I think it sits quite happily with me, the condition of being an actor. I see some people getting quite eaten up with it, with the insecurities. There are times when I long for continuity and stability, but I also love the idea of not knowing what I'll be doing next - or even if I'm going to work.
The actor in me would always like to be more dashing, or slimmer, or have nicer hair.
I would hate not to do a play every couple of years. I think it's not me.
I can't throw books away. My wife is always telling me to get rid of some.
I say to the paparazzi, 'Fellas, take your shot and go.' It's just they usually find me on a beach.
I love having my hands in the dirt. It is never a science and always an art. There are no rules. And if it comes down to me versus that weed I'm trying to pull out of the ground that doesn't want to come out? I know I'll win.
I don't dabble and spend much mind or time dealing with, I don't know, people's perceptions of me. I truly don't.
Whether I'm running on the beach without my shirt or whether I'm going out with my kids or going to church or going out to dinner - I don't choose to insulate myself in engaging in real life. Hence, the public kind of almost knows me as much through my real life that they see through the rag mags.
Yeah, what happened was Universal wanted one of the characters to be nice so they chose me so there was a scene where the girl was tied to the bed and I let her go.
The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.
I just like to take it as it comes, go where the wind blows me. I'm not going to plan.
Actually, that's one of the things I was thinking about writing a story about me, loosely based or autobiographical. I just don't want to be like some people that are in their twenties and writing autobiographies.
For a lot of people, 'Dungeons & Dragons' has been a hard thing to describe. I can't tell you how many social environments I've been in where I say, 'I play 'D&D,'' and a bunch of normies will be like, 'How does the game even work? What's that like?' I didn't have anything to really describe it that didn't make me sound like a crazy person.
For me, the very first video game I ever played would have been 'Return of the Jedi' on the Atari 2600.
I bought all the stuff, but nothing was as satisfying to me as using the Rolleiflex because it was one shot.
I grew up singing and dancing, so people have been calling me gay since fifth grade. I've heard everything you could possibly hear about it. But I do love gay people, so I'm not going to act like I was insulted or angry about it.
More people saw the pilot of 'Glee' than saw me in my entire 10-year career on Broadway.
I'd like someone who challenges me, someone who is more beautiful in the inside than they are on the outside.
The comedy on '2 Broke Girls' always comes from a place of love - it's never mean. We're a comedy, and we often go right to the edge. It doesn't bother me. I've encountered this all my life. I've been made fun of all my life.
'iCarly' was one of my first major jobs, actually. I went into that audition and completely failed at it. I completely bombed... I forgot my lines. When I forget my lines, I kind of get angry. They had me do it again; I remembered them, and I booked it.
Every now and then, people will recognize me at restaurants or Universal Studios or something. I'll always take a picture with them if they want. I mean, that's what telling stories and acting for a living are for - for the people.
I tend to keep things that bother me clandestine... well-hidden. I'm also not very good at recognising the reasons that change my moods - they just seem to happen, which is not great for those around me.
Exposing characters and their shortcomings gives me great comfort. It's always great to write about someone more mixed up than yourself.
Writing is a very easy way for me to express myself. When I was still at school, I would write for no reason other than I wanted to write.
By the time I was 23 or 24 and had written the first manuscript of 'The Final Winter', I knew I wanted to make it a career but didn't know how. It took me a long time to grow into myself, but when my love of writing returned, it did so with an enormous amount of venom. It is now a mainstay in my life.
My week at school would be good or bad depending on whether Balmain won. I have such fond memories of those suburban grounds, and everything was so undiluted. The players weren't censored, and for me it was a wonderful period of my life when everything was simple and pure. For me, that resonated with rugby league.
I don't like my birthday. I don't like things that are directed towards me. It took me a long time to get over people asking me to write my name in the book.
I can tell if someone is talking to me because I'm on 'Friends' or cause they just think I'm neat. You know I don't think I've ever spent more than five or ten minutes with somebody who was ogling me because they recognized me from the show.
The goal is to have to do the shot again because the camera guy shook a little bit as he was laughing. Without that happening, I'm not happy because there's nothing better for me than a world that everybody's just trying to make each other laugh.
I would like you all to give me a round of applause as I have not crashed my car in over 15 months.
When I wrote 'Silver Linings,' I thought I was writing a book about the Philadelphia Eagles and male bonding, but when the book came out, it was surprising to me that the mental health community embraced it.
The mental health conversation is very important to me. I have friends that struggle with various mental illnesses. I've struggled with depression and anxiety. I'm very interested in how we deal with that.
When I was in high school, I used to have breakfast with my grandpa every morning. He instilled a lot of values in me: hard work, loyalty. He grew up during the Great Depression in Philly in poverty - he didn't have enough to eat as a kid. Sometimes his family would get kicked out of their apartment because they couldn't pay the rent.
The important thing for me as an artist is to keep going back to the page and doing what I do.
When Taylor Swift was first beginning to really take off, a couple of guys I knew in her band called and offered me a job on her tour playing acoustic guitar and singing background vocals, and they thought I would be a really good fit for it.
I enjoy a four-seasonal climate and wide-open spaces, so being on an island 2,500 miles into the South Pacific made me feel a little claustrophobic.
Some actors go, 'Bing!' and suddenly they're being paid huge sums. Me, I seem to get screwed every time.
I like the fact that Hogan's shoes all have this sporty sole that is great even for an older man with a bad back like me.
My favorite way of making films - and what has allowed me to get key scenes in 'Cartel Land' and 'City of Ghosts' - has been when I've been able to operate alone.
For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.
My dad sent me a clipping about the self-defence militias in Mexico. Immediately, when I read it, I knew I wanted to create a parallel story about vigilantes on both sides of the border.
I suffered a bout of depression that pushed me to reevalute things in my life, and I learned a lot about myself and the world and my spirituality. I sat at a piano, and the ideas fell into my head. I started playing, and I felt comfortable with my music for the first time.
I loved 'Matilda.' The kids are so brilliant and uninhibited. They were inspiring. Seeing them onstage, just going wild, reminded me of when I was that age. I was excited for them and completely taken by their innocence and hard work.
Many of you might already recognize me as the guy in the question-mark suits appearing in the late night TV commercials and on the cover of educational books and CDs.
The great thing as an actor is that I don't know what my agent is going to call me with next.
I get recognized now and again, but the paparazzi aren't following me around.
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