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I said if I have a No. 1, I'll do a naked photo shoot! I'm not sure a lot of people would like to see that, but it was more to the fans, really. Every gig I do, they try to get me to take my clothes off, so it's a promise to them - if I get a No. 1, I'll happily do a naked shoot.
Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
Trevor Horn has worked with some of the biggest stars there is. And he was happy to do a record with me. He's worked with some amazing people, and then there's little old me walking in.
If people are paying money to see me, then I want them to walk away from the show knowing they had a really great time. I want it to be very energetic and to have fun, sad, emotional and uplifting moments. I want it to have everything!
I think when you're a TV presenter, you have to have a reason for doing it, and a lot of them have been around a long time and grafted for that. The reason why it works with me on 'The Xtra Factor' is because I was a contestant on it, and I have a relationship with the viewers at home.
My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
I didn't even know I could sing or write songs. I didn't have that education. But people shouldn't think they can look down on someone like me, because I've had the same success as others, sold the same amount of records, if not more. They shouldn't think that because I'm just from 'The X Factor,' I'm not credible or respected as much.
I'm a big fan of Justin Timberlake and Bruno Mars - that's my next level. You've got to dream. People have always tried to shoot me down for wanting to be a big worldwide star. But why not? You have to broaden your horizons and put yourself out there.
It would have been easy for me to bring out a real cheesy pop song, but 'Please Don't Let Me Go' isn't your typical 'X Factor' single, and it's a grower, not a shower.
There's always going to be someone out there who doesn't like what you do, doesn't like your style, your face. That's part of life. But I feed off that. I don't think I'd be where I am today if it wasn't for that. It puts a little fire in the belly, keeps me going so I can prove so many people wrong.
I'm a straight guy and I date women, but I get on really well with gay guys. I'm very comfortable with my sexuality. The weirdest thing for me is when straight guys get really freaked out by gay guys. It's almost like they're insecure in their own sexuality. For me, I can be in a room full of gay men and have fun.
When I was 23, I went backpacking around Australia for three months. I saved up a few grand, quit my job and flew to Sydney, then went to Melbourne and up the East Coast, which was an incredible experience. I remember running out of money and getting my mum to send me a few hundred quid, which helped me get by.
My sleep is very important, and I have to have at least eight hours every night in order to function properly the next day. Unfortunately, flying through several time zones makes me disorientated, and it takes several days to readjust.
I take my mobile phone and iPad wherever I go. I like to switch off when I'm on holiday, but I always check emails in case someone at home is trying to get hold of me.
Let me make a solemn pledge before all of you, before the whole world and before God, that I will devote all my energy and all I possess in my power to serve the people of Nigeria and humanity.
My gut feelings and my faith tell me that until God shuts a door, no human can shut it.
I am a black man inside and outside and you are white men on the outside, but inside, you are Africans like me.
My joy knows no bounds... I will devote all my energy and all the powers available to me to the service of Nigeria and humanity.
Thankfully, it became clear to me that when I compete, I lose my connection to the passion I have for my work.
Sometimes I feel as if four thousand years of silencing women, of the fear of women who were burned in oil or eviscerated in front of their daughters, is imprinted deep within me and has altered my DNA.
I sometimes truly despair at ever being meaningfully altered and affected by the things I claim are so important to me.
Its definition can be a bit murky, but to me, native advertising is a sales pitch that fits right into the flow of the information being shown. It doesn't interrupt - native ads don't pop up or dance across the screen - and its content is actually valuable to the person viewing it.
I don't think I had a role model. I just was very inspired by an article which I read in Forbes magazine around the information superhighway and the Arpanet and stuff like that. To me, that intuitively made sense, and when I decided to come to the U.S., I knew exactly what I wanted to go and write about.
For me, stories are like Lego blocks. If I don't put one down, I can't put the next one down.
Everybody has a different interpretation of immigration problems, and it's a highly personal experience. If anyone tells you there is a uniform solution to it, there isn't. As far as I'm concerned, it worked for me. And I don't know how to fix the problem.
It is my first preference to do films with social significance. Art cinema has given me credibility and status as an actor, but commercial cinema has given me a comfortable living.
When Nandita expressed a desire to write about me, I couldn't stop her because she's my wife, but she has forgotten who she is.
I was very sensitive to the environment around, and this disparity in people, seeing beggars and laborers not paid well, used to disturb me. So these emotions in these roles came very naturally to me.
I am grateful to theatre for making me what I am today. But it's not like theatre is my first love. I am equally attached to cinema, which is, actually, a child of theatre, since it borrows heavily from it.
I started since 1996. From that time, whenever there is an opportunity, I would tell the people it is time for me to go and live as peaceful as possible a life as a normal citizen of the country.
I'm looking forward to the time they describe me as the former president. And, of course, there are pressures from my own party and other Sudanese parties also, and I succumb to those pressures, but I hope as soon as possible I can find an exit out of this.
I just broke up with my boyfriend, so I'm officially single. But one thing I find unbelievably annoying is all these guys in my life who want to save me.
I love my career right now, and I won't be with anybody until they make my life as satisfying and as happy as my work makes me.
I'm very open about the fact that it's nice when someone says you're pretty. Especially for someone like me.
I love that quiet time when nobody's up and the animals are all happy to see me.
I had this totally impossible dream of being an actress. Trust me, just because I'm lucky enough to be doing this doesn't make any of this less of a pipe dream. And nothing gets my juices flowing like a really great performance. To see someone on stage, I get really excited.
I'd always wanted to be an action heroine. That's a chick dream, getting to wear a leather bodysuit and be blonde and kick ass. But, what really attracted me to 'Dredd' was the script. It was fantastic! It was about people and characters, and not just about explosions and fighting.
I do, I kick major butt in 'Dredd.' I get to kill people. I break a guy's neck by roundhouse kicking him in the face. It was me, I did it. I learned how to roundhouse kick. I also do it with my hands cuffed behind my back so it's pretty cool I have to say. Yeah, leather body suit, blonde hair, the whole thing.
Once I took a bus from my home in Maryland to Philadelphia to live on the streets with some musicians for a few weeks, and then my parents sent me to boarding school at Andover to shape me up.
So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.
I'm opening up my heart to the idea of dating. It's funny - my friends would always come to me for romantic advice. I know nothing, and things have changed since I was dating in high school! I'm really trying hard to spend this time working on myself.
I'm a natural blonde, but I feel like a brunette. I feel like people treat me now how I should be treated. People used to be shocked, when I was blond, that I wasn't stupid.
My skin may have wrinkles but it's because I'm smiling so much. That might sound like some terrible American greetings card, but I feel it's immoral for me to castigate my body for getting older, when it does everything I ask of it.
My husband Rhashan reminds me of my father because he's got great strength of character.
The way I miss my daughter Esme is to worry about her. It is not a pleasurable longing. It contorts my body and scrambles my brain, makes me stop breathing, clench my jaw and my fists, it makes me frown, and makes me blind and deaf, in fact entirely without sensory perception.
Starting games with the French national team helped me bounce back when it was getting difficult with Arsenal.
I wanted to stay in the Premier League, and Chelsea was a great opportunity for me.
I know when I am good and when I am not good. I don't need anyone to tell me.
The main thing is to work hard. When you work hard, you'll be in the team. It's as simple as that. And that's what I'm going to do, put my head down, work hard, and see where it takes me.
I know too well how much I am going to miss football after my career for me to put up my own barriers.
If you compare me to an actor, I'm probably one of the best boxers in the profession. But if you compare me as a boxer, I'm probably one of the best actors.
I've admired historical clothes like Victorian gowns since I was a child, and it's what motivated me to go into fashion.
When I was very young, I wanted to be a girl. I was jealous that girls got to be princesses and wear skirts. It tormented me. When I was 6, I even heard that you could change your sex, and I was very intrigued until the moment I realized that if I changed into a girl, I would be an ugly girl, and this is the last thing I wanted to be.
When I was young, watching historical movies made me feel absolutely sublime. But the first few times I visited costume museums, I was really disappointed because it was not at the level I saw in movies. It was not the level of the image I'd imagined.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
I found myself reading about this 16-year-old kid inventing a micro-organism to save the ocean. It made me realise that we can do anything if we put our minds to it. Even with all the damage and destruction, things can heal if we let them.
When I was 17, death metal and extreme hardcore was the best music in the world to me. But as I got older, my palette changed and my thirst for melody and emotion just got bigger and bigger.
The key to me recovering from drug addiction was figuring out why I was so upset and why I hated myself so much. I realised it was all to do with the way I was viewed by other people.
I can see quite clearly that if there was a single event that launched me on the road to ultimate involvement at the heart of South African politics, it was an assault on an African woman by her white employer in a kitchen in Fort Hare.
You make me chuckle when you say that you are no longer young, that you have turned twenty-four. A man is or may be young to after sixty, and not old before eighty.
I have no respect for the passion of equality, which seems to me merely idealizing envy - I don't disparage envy, but I don't accept it as legitimately my master.
It seems to me that at this time we need education in the obvious more than investigation of the obscure.
Everything with me is pretty close to the surface, but having kids has completely ruined my emotional equilibrium.
If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.
I do sometimes wonder if people think, 'Oh we'll have her because she cries well.' The odd thing is I don't really know where it comes from. If the script is good, I find I can usually cry without too much trouble - in fact, the hard thing is trying to get me to stop. But I'm not really a crier in real life. I'm not a dramatic person, you see.
I've always done drama, but I suppose 'Tyrannosaur' was a bit of a watershed moment for me. It was like when Kathy Burke did 'Nil By Mouth' - suddenly, people were saying, 'Oh, she can do that, too.'
I remember doing one of those computer careers tests. It told me I'd make an ideal HGV lorry driver because I've got 100 per cent spatial awareness. I'd be able to back them into tight parking spots.
If something touches me, I cry. That's it. I'm a bit raw, a bit rubbish, really. Often, a director will say to me, 'I don't think this is a scene where your character cries.' And all I can say is, good luck with that!
I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak - they've always got steel in them.
I was never one of those surly teenagers who doesn't smile. My lovely godfather said it was always lovely to see me because I was the only teenager who smiled. And I was so in awe of him, I thought it was one of the best things anyone had ever said to me. So it made me want to live up to what he said.
If people still trust me with a funny line, then that is fine. If that is what gets me work.
When I was filming 'Ouija,' there were some elements in that that really creeped me out.
If I love the character, then that's all that matters to me. It doesn't really matter what genre it is.
We have little bags we pack specifically for touch-up makeup if you're chosen for the top 16. I knew I had to sneak in my banana because nothing calms my nerves like it! I don't know if it's the potassium, but I need it before I get on stage because it always calms me down.
I had a very big crush on Errol Flynn during 'Captain Blood.' I thought he was absolutely smashing for three solid years, but he never guessed. Then he had one on me but nothing came of it. I'm not going to regret that; it could have ruined my life.
I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise longue, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.
When I was five, I discovered a secret box that contained Mummy's stage makeup. It was like finding buried treasure. I tried the rouge, the eye shadow, the lipstick. But I couldn't get the rouge off. Mummy spanked me terribly.
I have, indeed, lived most of my life overseas, but I've returned repeatedly to work in film, special television productions, and the New York theater. There have also been tributes and similar occasions that have called me back to Hollywood. I've returned so often, I almost feel that I've never left.
What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
I can't even remember when I first went, 'I want to be an actress.' It's always been inside of me.
I've done more than 70 auditions in about four years. Early on, it was hard for me because I'd become so attached to these characters, and then you'd be told, 'No.' I'd get very upset when I was younger. But now it comes with the territory.
I would love to learn how to dance. I can pick up choreography pretty well. But when you're dancing with your friends, I can't do that. I'm not a freestyler. It just doesn't come naturally to me. Clapping is my go-to dance.
Working with Disney is really and truly like working with a family. Everyone is so supportive and so wonderful. I've worked with Disney since I was twelve, and they've given me so many opportunities that I'll forever be grateful for.
My family loves to take me out, and we do regular things like go to the movies. My friends do that as well. At the same time, I love work and I want to be busy all the time!
I am ketchup conscious, so I do carry ketchup around with me. The best one is the Heinz Organic Ketchup Opens a New Window.
Every time I attend a We Day event, I learn something new, and I always feel way more perspective not just for the world I live in, but also the world that's happening around me.
There is nothing about me that I wouldn't want anyone to know, but there is a part of me that I do want to keep private and personal just because that is what's going to keep me sane in the long run - making sure people don't know my every move.
Doing regular things and not just working all the time, as much as I love the work I do, it's nice to take a break and really have perspective on things and go on road trips or go hiking or travel. It keeps me alive and curious.
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