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Maya Lin Quotes

Most Famous Maya Lin Quotes of All Time!

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I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a...

I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them.

The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it's magical.

All my work is much more peaceful than I am.

I really enjoyed hanging out with some of the teachers. This one chemistry teacher, she liked hanging out. I liked making explosives. We would stay after school and blow things up.

Some of your teachers are actually closer in age to you than you think.

I was probably the first kid in my high school to go to Yale. I applied almost as a lark. Then, when I got there, I was the dumbest person in your class.

In art or architecture your project is only done when you say it's done. If you want to rip it apart at the eleventh hour and start all over again, you never finish. I was one of those crazy creatures.

You should be having more fun in high school, exploring things because you want to explore them and learning because you love learning-not worrying about competition.

I was always making things. Even though art was what I did every day, it didn't even occur to me that I would be an artist.

I loved logic, math, computer programming. I loved systems and logic approaches. And so I just figured architecture is this perfect combination.

Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.

I started studying what the nature of a monument is and what a monument should be. And for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere.

Every memorial in its time has a different goal.

It was a requirement by the veterans to list the 57,000 names. We're reaching a time that we'll acknowledge the individual in a war on a national level.

The definition of a modern approach to war is the acknowledgement of individual lives lost.

If we can't face death, we'll never overcome it. You have to look it straight in the eye. Then you can turn around and walk back out into the light.

I deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.

A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.

For the most part things never get built the way they were drawn.

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