Marianne Elliott Quotes

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The less subsidy we have, the more the 'producers' take over, and the 'bottom line' becomes the raison d'etre. That's quite an unappealing landscape for artists.

When I was a kid, I never spoke. I would sit under a table and not speak to anybody. No words for years.

With everything I do, there always seems to be a massive risk involved.

I felt like that growing up - that I didn't have a voice.

My dad had a big influence on me, and although I was never very bright at school, I used to love philosophising with him about big universal things - and I think that's what directing is.

I'm quite unusual in directing terms: I'm a woman. I'm quite a girly girl. I was never academic.

I didn't want to just be remembered for 'War Horse.'

It's difficult to find an actress prepared to play a fading star.

There's a certain type of theatre that I haven't got any time for at all - established, boring, same-old stuff without any reason or passion. There's quite a lot of it about, and it motivates me to try to do something different, something risky, raw, ugly, and challenging.

I hope that subsidised theatres continue to be rewarded for the wonder of talent they provide to this industry, on stage and off.

I believe that theater has to be utterly life-changing for the people watching it.

I think theater is so undervalued. I have seen things there that have been far more vivid than things that actually have happened.

I never wanted anything to do with the theatre as a child. I was dragged there under duress.

Directors have this mask of being in control and in charge, but underneath, I'm terrified.

We're always steered towards what is good in the canon by a male perspective. I like to do plays with a female protagonist who finds her way through. My way is unusual.

I always wanted to beat my own path.

It would be quite interesting to use Kermit the Frog to act like a real frog. But it wouldn't produce captivating theatre.

I suppose that I'm excited by exciting theater. It takes a risk to show us the world in a new way.

Horses are wild animals, essentially, and they're not there to do what humans want them to - they can be browbeaten or cajoled or trained, but they don't hear English; they're not obedient most of the time.

'War Horse' is just an extraordinary being.

I'm interested in teasing out the contemporary issues in what I'm working on, however old the piece might be, whenever I'm working on it.

If you are working in a publicly subsidized building, then you have a responsibility to deliver truly interesting, risky, innovative, even provocative work. Work that speaks to your audience in many resonant ways. The priority is less about the financial rewards.

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