Makoto Shinkai Quotes

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Miyazaki is a genius. He is the legend.

People who draw tend to think they're craftsmen, so they really want to hang onto their pens and papers, but it's not terribly productive. To be honest with you, it's faster and easier to start with the computer.

My life has had a lot of fun moments, but I tend to feel sadness more often.

I don't think anybody can replace Mr. Miyazaki.

When I was young as a teenager, that was the biggest mystery in the world to me: Why don't people connect?

In daily or everyday life, I am so impressed with tiny details, like when I look up at a street lamp falling on the street, it seems to have meaning or so much information in it.

I pay attention to the things that nobody else is looking at.

You learn a lot more from stories about getting rejected than stories about becoming happy.

Of course I'm happy when people mention his name and mine in the same breath. It's like a dream. But I know they are overpraising 'Your Name' because I am absolutely not at Miyazaki's level. Honestly, I really don't want Miyazaki to see it because he will see all its flaws.

I think that's a universal theme, you know: we don't know who we're going to meet tomorrow. And that person might change your life entirely. There's always that possibility, and while you're not necessarily actively seeking it, you have that desire deep down.

When we have a disaster in Japan, I wonder, how can we prevent our lives and traditions and history from the disaster?

I grew up in the countryside and wanted to go to Tokyo. I had Tokyo complex.

Some people say, 'Well you're a man; how do you write about women or girls when you don't know about them?' Well, I've got my imagination, and I can write about women. Yes, I'll never be pregnant and give birth to children, but I can imagine a bit of what it's like. When you create characters, it's just about making them really real to people.

I have never really sensed any of Miyazaki's artistic influence on Ando. If there is an influence, it's more in his attitude to his work.

When Ando arrives in the studio, he picks up his pen even before he gets a cup of tea, and he stays seated until the very last train at night. He hardly eats, just nibbles at little balls of rice at his desk.

I do receive some offers for live-action, but I'm not really that interested. It's not something you can just try out and give it a go.

There are loads of novels that I really love, like Haruki Murakami's books, and when I read them, I do think about how they would work as an anime. But I do believe that those are great books because they work best as novels, or great manga work best in that form.

I feel the best scripts are those that are originally written to be films: that is film in its purest sense.

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