Luca Guadagnino Quotes

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I personally don't think that blood ties should be something that signifies so much more than anything else. I understand perfectly when somebody leaves their family for good.

I am a Hitchcockian - I still believe that 'Psycho' sets the standard for mother/son relations.

I don't like post-modernism. It's cynical, and takes no discipline - you just copy. It doesn't allow a film to be open to reality.

I'm one of those directors who read reviews, even if they're bad, because I started as a film critic as a cinema student. I indulge in the art of criticism in general.

I only cast the actors and actresses I fall in love with - truly having an emotion for them, an anticipation and enthusiasm when seeing them - and I believe that my emotional confidence in them blends into chemistry. It's always been like that, and I hope I won't be wrong in the future.

As a director, what matters is how you penetrate the soul of the person in front of the camera and let the actor blur the boundaries between the character and the person themselves. In order to achieve that, I try to make people feel at ease, to be mindless of problems and be skinless and give everything to the camera.

I'm a very eclectic person, and I enjoy multiple tastes; I'm like a bee who jumps from flower to flower. Before I die, I have to make a war movie, a Western, and a movie like Mike Nichols, because I love him.

I love to tell stories, but the making is less comfortable. I like to be private, and being in the middle of a film crew with the least amount of privacy is the discomfort of shooting a movie. For me, the editing is the great moment when I can bring back ideas and realize the movie for the last time before I hand it to the audience.

Making movies is about control. You need to control your narcissism in the first place, and you need to be disciplined enough to understand the reason for the film. You need to follow the agenda of the film, not a personal agenda or that of the studio. Or, worst of all, of the actors.

Everything that goes outside the rules of Italian cinema has always been cursed.

My father is a teacher; my mother was a telecom employee. I come from Palermo; I was raised in Ethiopia. I am homosexual. I didn't go to film school.

I am more interested in revolutionary beauty than in the great beauty, to be honest. Italian cinema is now mostly a bureau for tourism. We have given up that revolution of the contemporary.

I don't much like post-modernism, because post-modernist has become the basket in which every mediocre person can shuffle things and pretend to do something significant, and we could also mention who use post-modernism in this way - maybe we shouldn't.

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