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While novels are fiction, mine are usually very close to my heart. Like my other books, 'The Lemon Orchard' is inspired by something I care about. I care so deeply. The stories are my dreams, and I want to do a lot of research. Roberto is based on a real live friend of mine named Armando who worked in my garden.

What it takes is to actually write: not to think about it, not to imagine it, not to talk about it, but to actually want to sit down and write. I'm lucky I learned that habit a really long time ago. I credit my mother with that. She was an English teacher, but she was a writer.

I am a close friend of Robert Loggia. And I just love how, with actors, there's the screen persona. Here is Robert, known for his portrayal of many characters, including gangsters. But in real life, he is elegant and erudite. He sits in the garden reading the sonnets of William Shakespeare.

Several of my favorite cousins and some of my best friends are lawyers, and I find the profession endlessly fascinating.

I was married to a law student, and I used to attend classes with him at Georgetown University Law Center. Being of dramatic bent, I was drawn mainly to Criminal law and Evidence classes. A just-beginning writer, I would find an empty chair and listen, mesmerized, to the lectures.

'Safe Harbor' is a state of mind... it's the place - in reality or metaphor - to which one goes in times of trouble or worry. It can be a friendship, marriage, church, garden, beach, poem, prayer, or song.

One of my earliest memories is of seeing my mother in her beach chair, reading a book under an umbrella by the water's edge while my sisters and I played beside her. Of all the life lessons she taught me, that is one of my favorites: to take time at a place I love, restore my spirit with books and the beach.

My first three-sisters novel in a while, 'Sandcastles' tells the story of the Sullivan family - two passionate artists and their three wildly different daughters. There's also a renegade nun and a mystery man, but I don't want to give too much away!

I traveled to Ireland to research 'Sandcastles,' to visit the coastline where my ancestors looked toward America, the tiny town they once loved so much, and the docks from which they sailed toward their dreams of building a better life for their family. The answers I found on that journey are woven through the novel.

A lot of writers dream of feature films, but television - by way of TNT, CBS, Lifetime, and Hallmark Hall of Fame - has always called my name. And after seeing 'True Detective,' can there be any doubt that the storytelling on TV is as genius as it gets?

Here are a few of the actors who have brought my novels to TV life: Bill Pullman, Holly Hunter, Frances McDormand, Julian Sands, Gena Rowlands, Rob Lowe, Julia Ormond, Chelsea Hobbs, Tate Donovan, Anne Heche, Max Martini, Campbell Scott, Kimberly Paisley-Williams, Alexa Vega, and the late legends Richard Kiley and Kim Hunter.

Hallmark makes beautiful films that feel as if they should be watched in a theater. The Hall family knows the power of stories, and they give us unforgettable movies with heart and depth and the resonance of classics.

I am honored to have had two Hallmark Hall of Fame Productions made from my novels - 'Silver Bells' and 'Follow the Stars Home.'

When I was married to an abuser, he'd tell me he wouldn't have to get so angry if only I'd be less demanding, more supportive, more understanding. I hid the truth from everyone, especially myself.

During one new moon at perigee, I stood on high ground, watching salt ponds overflow, cover the beach, and meet the ocean. Because the moon was invisible, the water was black as it drowned the sand, and the event felt primal - which in fact it was, because it was nature.

After 30 novels, release day is still a thrill. It's always a little bittersweet, too.

'Little Night' has layers of meaning. There's something enchanted about night. All those heavenly bodies, shooting stars, the crescent moon, celestial phenomenon. Owls fly at night, and first kisses happen. Night is romantic. Alternately, darkness hides the worst of human behavior.

'Little Night' comes from deep in my heart, and tells about the lengths people will go for love.

My mother painted and wrote. She always had a painting in progress on an easel in the kitchen, so our house always smelled like oil paint. At night, she wrote after she'd put my sisters and me to bed, and the sound of her typing was our lullaby.

My father gave me an old Olympia portable when I was in fourth grade. Our ancestors came from Ireland. Our family stories of immigration helped me understand more about my characters in 'The Lemon Orchard.'

Anyone with a heart, with a family, has experienced loss. No one escapes unscathed. Every story of separation is different, but I think we all understand that basic, wrenching emotion that comes from saying goodbye, not knowing if we'll see that person again - or perhaps knowing that we won't.

I went to Cork, Ireland, and stood on the dock some of my ancestors had left from. I felt their ghosts gather round me, and I cried to imagine what it must have felt like - leaving that beautiful land and those beloved people, knowing it was forever.

When my father died, I was 21, and he'd been sick for a few years. He changed during his illness. He kind of softened during it.

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