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Little girls and little boys need to have role models to look up to and know that, 'I'm not the first one. I'm not having to do this for the first time ever. Others have blazed the trail before me, and I can follow in their footsteps and do the same thing.'
In my general meetings, I certainly tell producers and executives that I'm interested in writing action films, but I think there's still a very specific set of writers they look at. And I don't think there's a lot of female writers on that list.
I do find that when I see women who flesh out the television or film world and make it look more like the world I actually live in, I gravitate towards those characters.
I'm drawn to what I'm drawn to. I wear jeans and loafers everyday, mostly casual, but when I really turn it on, I like a classic, simple look.
Maybe it's the buildings, maybe it's the weather, but you can see it affects us - that Scottish gallows humour; our tendency towards bleakness, to look at things in a negative way. Those definitely come out in my writing.
People think of science as rolling back the mystery of God. I look at science as slowly creeping toward the mystery of God.
I look at 'Love Child' and it's as if it was written by someone else - someone who knew what they were doing.
If you look at my professional history as a goalkeeper, I'm not somebody who makes many.
Triathlon is a sport where the legacy is obvious. Anyone can do it; there are loads you can do. It is a massive participation sport. You can do it as a challenge, for charity or whatever. I believe it will continue to grow, and I will look forward to that happening.
These doomsday warriors look no more like soldiers than the soldiers of the Second World War looked like conquistadors. The more expert they become the more they look like lab assistants in small colleges.
Following 9/11, intelligence indicated numerous links between al-Qa'eda and Algeria. It began to look as though the roots of jihad could be traced back to the war in Algeria that began 50 years ago.
I'd like a telescope, but I probably wouldn't look at the stars that often. I'd definitely be looking into people's flats most of the time.
I'm one of those people that, if I'm in the country, I will have a look inside an old church.
No one ever recognises me. Everyone says, 'You don't look like your pictures.'
If you just casually look at a baby, it doesn't look like there's very much going on there, but they know more and learn more than we would ever have thought. Every single minute is incredibly full of thought and novelty. It's easy as adults to take for granted everything it took to arrive at the state where we are.
A lot of people who look at my photographs think it is an easy joke, but it does take a bit of thinking about.
It's always difficult to see yourself as other people do, but I'm realistic about my appearance. I wasn't born with one of those pretty, pretty faces, so I've never been absorbed with the way I look. I just try to make the most of what I've got.
Celebrities do look different in real life from our images of them - there is a big gap. And that is what my work is about: the gap between the image and the celebrity themselves.
Now celebrity has taken on a holy status all of its own, and we look to the stars to provide us with the transcendental experience that was once achieved through religion.
I don't get recognised in London or at home either - very seldom anyway. Either that or I look so crazy no one wants to come up to me.
It's very cool to be short, very cool. When I was in eighth grade, and the height I am now, I would just look at the cute little short girls and think, 'If only, if only.'
Record covers still inspire me in terms of clothes, some bands just look sharp. But I still wear stuff I owned when I was 16.
I think we choose gear by the way that it looks. We choose lots of things by the way that it looks. I don't like bands that look like roadies. I don't like when I can't tell who's the guitar tech and who's the guitar player.
If you look back on professions, when they became undervalued and paid less, women tended to do better in them.
I'll have wine or a piece of cake once in a while, but I don't look at it as sliding backwards, even if I go a whole week without working out. I don't dwell on it and beat myself up - I just try to have a healthier day tomorrow.
It's not weird to look at yourself in the mirror at the gym - that's why they're there! You have to make sure that you're doing things right.
It's funny because I'm a sucker for glitz and glitter when it comes to clothes and nail polish, but with my makeup, I'm more comfortable with a natural look. It feels more like me.
It should be natural, and that's how I like women to look. I like them to feel comfortable and look organic.
Red carpet dressing all depends on the climate. I think richer, deeper colours are more flattering on the body, but the opposite is true if you are in Cannes or St. Tropez where the light makes deep colours look heavy and unflattering.
I think that wealthy white people would like to have a country that resembles the Fifties, when all the minorities were tucked away in ghettos and paid in very low wages but on the surface it was very bright and shiny and free and the rest of the world would look on it longingly.
I think there is a sense of being forced at this time to look at America's really large shadow and that's not all that bad.
I grew up in the South under segregation. So, I know what terrorism feels like - when your father could be taken out in the middle of the night and lynched just because he didn't look like he was in an obeying frame of mind when a white person said something he must do. I mean, that's terrorism, too.
If I don't watch the news in a day, I think the potential for humanity is incredible. But anytime I look at the news, I'm like, 'We're in really big trouble.'
I was worried that one day, 40 years from now, I would look back and wouldn't be able to remember the details of my life, so I've written them all down.
Well I guess I always look at other people who have maybe more traditional jobs and I think gosh their weeks are so much more stressful and busy than mine.
When I moved to London I couldn't afford to rent anywhere. So I housesat for a friend of my mum and dad's - and had to look after her sickly cat. That was the only way I could survive on a meagre intern wage.
The thing that fiction can do is look from the inside out rather than from the outside in. Even memoir leaves me somewhat frustrated. I think now we need a poet to uncover what isn't on the surface.
I know Irish-American people. I know what their homes look like. I know what they have for dinner. I know how they turn a phrase.
I think it's handy for a dramatist of any sort, if I can call myself that, to make use of weddings and wakes, to make use of those moments and those rituals that cause us to pause and look back or look forward and understand that life has changed.
If there is a look of human eyes that tells of perpetual loneliness, so there is also the familiar look that is the sign of perpetual crowds.
Wherever I look, I see signs of the commandment to honor one's parents and nowhere of a commandment that calls for the respect of a child.
Why do I like to write short stories? Well, I certainly didn't intend to. I was going to write a novel. And still! I still come up with ideas for novels. And I even start novels. But something happens to them. They break up. I look at what I really want to do with the material, and it never turns out to be a novel.
The important thing is when you look at areas like physics and you realise that only one in five A-level students is a girl. We know it isn’t about aptitude.
Look what consumer power has done with organic food; we can do the same with clothes.
Embryology reveals surprising similarities between early embryos of seemingly quite different animals. And it also shows that some structures that may look very different later on have fundamental similarities in the way they form.
I'm learning how to live in the present and be grateful for what's working rather than look for the 'what's not working' piece.
I think we live in a time where people are just insane on the subject of how they look.
The photographers are always around. Wherever I go, they start clicking incessantly. I am always like, 'At least give me a heads-up, as, many times, I look so disheveled. What will people think?'
Even though I try not to overthink and dress the way I want to, I admit that there's way too much pressure on female actors to look good. I'm well aware that I don't have the perfect body type. I'm constantly struggling with myself to achieve the perfect body.
I do weight training and follow strict diet. It is very important to look a certain way. I don't think being extra skinny and thin is desirable, but you have to be fit.
There are times I try to look older. And then there are times I look too young.
For me, changing my physical appearance for a character is never a problem. If I have to look a certain way for a role, I just do it.
In difficult times, it's so hard to look around and to see what to be grateful for.
I think it's good to do your own thing and want to be different, and not look like everyone else.
I like bags that are easy to wear and are pretty to look at. But I don't like them when they have no space and you can't put anything in them.
You adapt your look to places you live, where you are and what you are doing.
I've always loved fantasy. I think it's a great way to look at issues that we have in our own lives with a little bit of the pressure off, you know.
It's no secret that beauty starts with water. It's just a basic thing - you look better if you drink loads of water. When I'm working, that's definitely the main thing I do.
From the first I became convinced that what I must look for was lead dust and lead fumes, that men were poisoned by breathing poisoned air, not by handling their food with unwashed hands.
One doesn't need a particular height or body to be a villain in movies. He needs the brain and the look.
As we look to the future, we cannot improve our living standards while simultaneously degrading the natural environment around us.
I was offered a role in the series 'Homeland,' which I couldn't do because the dates clashed with my film with the Bhatts - 'Khamoshiyan.' But I wish I had done it. Look at how much notice the series got Nimrat Kaur.
In general, taking soccer out of the picture, as an American living overseas, it's so cool, and I've grown so much. Now I can look at my life from a different perspective.
If we practiced medicine like we practice education, we'd look for the liver on the right side and left side in alternate years.
When I look back on my career - if that's what it is - it looks a bit like a crazy quilt, and I think it's just really because, when one job has finished, I've never really been in a position where I had three or four options.
But naturalists are now beginning to look beyond this, and to see that there must be some other principle regulating the infinitely varied forms of animal life.
To expect the world to receive a new truth, or even an old truth, without challenging it, is to look for one of those miracles which do not occur.
Photographers must learn not to be ashamed to have their photographs look like photographs.
When I was, like, 10, I decided it would look really cool, so I pretended I was British. And I've been doing that ever since.
But if, if you take a look at what would have happened, I mean, do we need to see soup lines down the street to figure out what would have happened? We avoided - and all economists will tell you that millions of jobs were saved because of the Recovery Act, and we avoided a second Great Depression. That, that is a reality.
Look, the, the - this country has not lived within its means for a very long time, and, and the truth is we're going to have to take our medicine.
I always have looked for the best challenge, I guess, that I could take on. I haven't been producing my own work or anything like that, so I've taken the jobs that look most interesting that come my way.
I'd like to see the word 'entrepreneur' knocked off its pedestal. Being 'entrepreneurial' is something I look for not only in founders to invest in, but also employees to hire.
I look up to Gigi Hadid. I love where she's taken herself, I love what brands she's working on. I respect her because I understand... I mean, girls like her open the doors for girls like me. So all I can do is thank her.
We have to think big. We have to imagine big, and that's part of the problem. We're letting other people imagine and lead us down what paths they want to take us. Sometimes they're very limited in the way their ideas are constructed. We need to imagine much more broadly. That's the work of a writer, and more writers should look at it.
I'm so computer illiterate, I barely know how to send an e-mail. I mean, I have a laptop and Gmail, but I don't really look at it much.
It is possible to assemble a narrative for yourself, brokenly, on social media, only seeing what you want to look at.
Yale students want to impress you with what they're doing. Harvard students want to impress you with how cool they look while doing it.
When I was in high school, I didn't feel like I had to pile on the APs in order to look good to colleges. High-achieving classmates didn't use private tutors.
I watch quite a lot of my matches with Arsenal, and when I look back and see what I didn't do right, I try to learn from it, which hopefully facilitates my progression.
I like the emotion in the English league. You look at the TV, and you see the stadium and the fans.
We absolutely do need to make sure that our borders are secure. But what we need to realize and remember is that ICE was established in 2003 right at the same time as the Patriot Act, the AUMF, the Iraq War - and we look back at a lot of that time and legislation as a mistake now. And I think that ICE is right there as a part of it.
I've accentuated the look over the years. As a comic, you try something and if it works you go with it and grind it to death.
I have a lot of nice Italian winter clothes that make me look like a sophisticated Lebanese professor, so my friend Robert and I go around pretending to be experts in Arabic politics. It doesn't work in the summer though. I don't have the right clothes.
I never really did sports growing up. Maybe that's why they intrigue me. The technology that goes into that clothing is steps ahead, so it's always been something I look towards.
It might be the history major in me, but I look to the past when I try to construct my fictional futures.
I look around and pay attention to what around me is not being talked about, and then I talk about it with as much humour and honesty as I can. All my books have been that way.
Similar to the telescope or the telephone, television enables us to see or hear things we never dreamed of. When you look at the details, a concrete scene between people is really something incredibly unlikely, something subtle that requires extended description.
I would certainly never consider myself a Renaissance Man; I'm not fit to look at the dust from the chariot wheels of many of those who have gone before me.
As a writer, I have readers who will have a range of political views. I don't think they look to me for political guidance.
Some couture collections have everything including the kitchen sink! Everything gets thrown on to make it look expensive. I find it grotesque when clothes hit you in the face and there's no room for fault. But I don't expect to turn things around all by myself. I'm not a saint.
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