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What I got, unconsciously, from admiring Fred Astaire was that he didn't want what he was doing to look difficult. What was difficult, in my opinion, was making it look so genuine, so effortless. I equally have tried to remain unseen on the screen.
I carry Marc Jacobs Magic Marc'er eyeliner and Christian Dior red lipstick to amp up my look in a flash.
I really love doing period pieces. I don't feel I've gotten a chance yet in my career to explore it as much as I'd like to. So I'll constantly look for opportunities to play in those worlds and hopefully be able to express those characters as well someday.
I remember there were days when - and this is kind of gross - I would sleep in my uniform to save time in the morning and then get up and go to school... it didn't matter because I didn't have to impress anyone, and I didn't have to look cute in class.
I was surprised by the attention and visibility on me as a black woman CEO. I look forward to the day when this is the norm and not the exception.
You can't fit your clothes well and look your best if you don't know what you're working with.
Whether you're as healthy as you should be or not, that doesn't disallow you to look your best. Style is only possible from a place of self-acceptance.
You have to look in the mirror and see that what you're wearing looks good on the body you have now. Wearing a larger size is just... wearing a larger size.
I think it is very important that films make people look at what they've forgotten.
Casey knew his baseball. He only made it look like he was fooling around. He knew every move that was ever invented and some that we haven't even caught on to yet.
I look back at that time fondly. It's something I never thought I'd get the chance to do, be in a soap. Working with Barbara Windsor and Steve McFadden - they're legends in their own lifetimes aren't they?
I will be able to look back on my teen years as spent on a television set just having the biggest bunch of fun.
Some days I want to look like a hipster kid, and then other days I want to be prim and proper. I really wish I had, like, seven lives so I could go from being a hipster one day to a punk the next. But that's the great thing about fashion. In a way, it's like acting, because you can try on all these different roles.
I'm not one of those girls who can think, 'Right, I'll put a scarf with that and a little brooch there and maybe a vintage jacket.' I'm so impressed with girls who look terrific in a little thing they picked up at the local charity shop. I just look scruffy when I try to do vintage.
Old age realizes the dreams of youth: look at Dean Swift; in his youth he built an asylum for the insane, in his old age he was himself an inmate.
If we don't do our job well, then there's no doubt that big, strong companies like Amazon will look into whether they can do better themselves.
A lot of people don't think I'm English. I've lived in France, and people do think I'm French, but I don't see myself as having a glamorous look.
I don't think anyone sits down and thinks, 'I know, I'll be a chick-lit writer.' You write the book that you want to write and then other people say, 'Oh, that's chick-lit.' You say, 'Okay.' But it's not like you look around and go to a careers fair and there will be someone at the chick-lit author stand.
When I wrote my first book, 'The Tennis Party', my overriding concern was that I didn't write the autobiographical first novel. I was so, so determined not to write about a 24-year-old journalist. It was going to have male characters, and middle-aged people, so I could say, 'Look, I'm not just writing about my life, I'm a real author.'
It is something actresses need to go through and I think they look forward to being naked in a movie. I don't know why, but it is something you need to exhaust from yourself.
It's so rewarding being on radio, especially because it's not about what you look like at all. And I love comedy, so it's very exciting.
If I wear bright colors or something, I'll tie all my hair back. I don't want to look too like 'Girls Next Door.'
All my success seems to come straight away, and it's not until later that I get to appreciate it. Like with 'Popstars,' I won the competition, and now I look back and go, 'God, I was lucky to have number-one singles and albums.'
I realise having work done makes you look older - and everyone's starting to look the same, which is a problem. I've admitted that I had a cyst removed from my lip and had it filled - I had to; the lip was half gone. And I've tried Botox, but I don't do it any more. I'd tell anyone who's going to have it done not to do it.
The photo shoot I always feel a bit embarrassed about because I don't really know what to do with myself, but they usually don't use a bad photo, so you can't worry too much. So my main concern is that I just look a bit more like myself.
Being a character actor, I can go on until I'm 70 or 80; I'm not bound to the way I look.
I think I just have one of those faces that can look like lots of different people.
Fashion should be about making clothes that make all women look beautiful, not making women starve so that they can fit in a size 8.
For every person that says I'm the new Audrey Hepburn, someone else says that I look like an alien.
When I first started out, I got criticism for the way I looked. I think, now, it's a good thing because, why would you want to look like everyone else?
On my wedding day. I didn't want a natural, blushing-bride look - I had a full-on hairdo and red lips. I thought it would be disingenuous to do the whole virginal look, so even though I had the white dress, I had pink net underneath.
Humans need to touch each other. We need to look at each other… We are human creatures, meant to be linked… So, yes, it's a gift for me to be able to look at somebody that I know or don't know, that I love or maybe not love, and to be able to connect.
I've got lots of favourite authors, but I would say Nicci French because I look more forward to reading her next new book than any other author.
Some writers, I'm told, look for their characters' surnames in telephone directories. I don't - it seems too obvious. Or too deliberate: if you go looking for names, you're bound to find them, of course, but I've always had a superstitious hunch that the names you find by accident are always going to be better and more satisfying somehow.
Since ballet has such a solid classical framework, everything is supposed to be a very specific way, so you learn to look at things with an eye towards perfection. But in acting, it isn't always necessarily good to be like that - really magical things can happen when it's unexpected and messy.
The ugly is very appealing to man. It's instinct. One shrinks from the ugly, yet wants to look at it. There's a devilish fascination in it. We extract pleasure from horror.
Newspapermen ask dumb questions. They look up at the sun and ask if it is shining.
I want the USDA to look like America, and I want it to be the best, most effectively managed agency in the U.S. That starts with good people.
If you look at these bands like The Beatles, they did something that was new for that time, whether it was shocking or just a new direction that they were going.
You got to look the part. You have to look like all the successful rock bands look. This is what they do. That's never been us. You know, it's a hard game to play: at the end of the day, we are just a rock band and have so many different cultures of music that we have grown up on, because we are fans of all different kinds of music.
At the organisational level, our party has to really develop a new style of connecting with the people. We have to also look at the way we project our programmes, our policies.
Women should look at themselves and decide for themselves what color or length they should wear.
I have never, ever focused on the negative of things. I always look at the positive.
I'm able to look the person acting across from me and respond to that. There are times when it becomes so lonely and painful, but I think I'm able to overcome them because I realize that the more fiercely you prepare for a role, the more the audience can feel it.
I've done two remakes, 'Rowdy Rathore' and 'Son of Sardaar,' and I see nothing wrong with it. The originals were in a language that not everyone understands, so when you're making it in another language, you can reach a much wider audience. That's how I look at it.
I was over-confident while growing up. I think when you look a certain way, you try and compensate by something else. I was always a strong child, was always confident, but looks never mattered to me.
I know people have always seen me in very fitted clothes because that is required and so is done, but personally, I like the deconstructed look.
For a formal look, I wear saris, and certain occasions require a dressed up look. But wherever I can, I like being in something easy and casual.
I'm honest. If someone asks about my weight loss, I tell them I have five people working on me, plus there's Photoshop. I tell them I can't eat everything and look good. I was unhealthy when I was fat, and now I'm a normal body type. I'm not special; I'm just an actress, and boys and girls are intelligent enough to recognise that.
I used to always look forward to my school summer holidays where Saba and I would go and meet bhai. It was exciting spending those two months with him. I always thought he was cool, with his long hair. We would watch him play cricket at his boarding school. He would take us out for dinner with his friends. Exciting times for a kid!
Those are the same stars, and that is the same moon, that look down upon your brothers and sisters, and which they see as they look up to them, though they are ever so far away from us, and each other.
Take everything that's bad in your life and look at the positive within it. Don't ever see your glass as half-empty.
If I have a voice to shine light on things or draw attention or provoke, as an artist people look to - I should do that.
Community and families are what we're neglecting. This is what's holding us back as people, and instead, we want to look at everything else.
When I am older, I don't want to look at my films and not be happy about my choices.
What's the classical moment that every actor or actress deals with? A tragic thing. They get that blank, faraway look in their eyes. But in life, it's not that way.
The whole Indian thing, I always say it's really the American holocaust. It's something we need to look at.
All the other rappers around me aren't saying anything worthwhile. They're lost in rap: all they do is tell you they're a sick MC and they're better than you. I don't want to look like all these other little punk, dress-up, fake, manufactured artists. I'm not a rapper. I'm an activist.
While there used to be one or two Pops orchestras, now there are all kinds of European orchestras that suddenly look upon this as a golden wand that can enable them to make money recording this music.
I like doing things in a very minimal, unconventional way as a personal way of saying, 'Look, I made a career out of carefully and craftfully, though unconventionally, making records on laptops and blown speakers.'
I'm a boots girl. I always wear boots. They only look better when they get dirty.
I suppose you always look back at how easier things were being young. There's always a shame that you're not as naive as you were.
When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read.
I'm lucky that I'm inside the fashion industry and see clothes from a different perspective than the traditional consumer. Being able to curate, edit, and style product to make my own look is a privilege, but something I think men are becoming more aware of how to do.
If you look at the great Westerns, and at Greek, Roman, and Norse mythology, they all contain elements in common: a harsh landscape; demons or outlaws trying to stop or kill the protagonist; and there are mythical legends at their core, innate in all cultures.
Sometimes in England, people look down at the Europa League, but being from the continent, I've always realised what an important competition it is.
You look at shows like The Simpsons or Larry Sanders or Curb Your Enthusiasm or Seinfeld, they're really sophisticated shows that we all love back home.
I wanted to look at the upper-middle-class scene since the war, and in particular my generation's part in it. We had spent our early years as privileged members of a privileged class. How were we faring in the Age of the Common Man? How ought we to be faring?
If I said to most of the people who auditioned, 'Good job, awesome, well done,' it would have made me actually look and feel ridiculous. It's quite obvious most of the people who turned up for this audition were hopeless.
We're going to do a natural birth. At first she was like, 'We should do it at home,' and I said, 'Look, either way, when you go into labor, I will be checking into a hospital... so if you want to come along, come along.
Getting to know where we come from is a really profound way of getting to look at who we are.
Gluttony might be innocuous were it not for the fact that gluttons tend to disregard whether their self-serving behaviors harm anyone else. We don't need to look far and wide to find examples of gluttonous behavior, as they are numerous throughout the history of capitalism.
In the theatre, because you're all looking at the same thing in the same space, consciousness is no longer individual. There is a unified consciousness. Until you look and project what is happening, it doesn't exist; the audience are the ones making the theatre, not the players.
In times of trial, for inspiration, people want to look to real people rather than to fiction.
I like to dress up and look nice. I'm not quite at the stage yet financially to do that too often, but it's nice to push the boat out a little bit for award ceremonies and stuff.
Every story I write starts with a dilemma or a theme. Once I am convinced that this is the issue that is perturbing my thoughts, I start to look for characters capable of representing it.
All actors are naughty. We're all troublemakers - horrible, attention-seeking children. 'Me, me, look at me!'
I don't normally look like a twig and I do eat like a pig but the weight has just dropped off me.
I wanted to look at them because I feel, internally, that I am an ordinary person who has had an extraordinary life.
All I know is that when you look over at the coaches on the other sideline, and all you see are guys who either coached with you or played for you, then you know it's time to get out.
On the surface, being a musician can look pretty glamorous. But so much work goes into it.
Look at the man go, its like trying to stop a water-buffalo with a pea-shooter.
Cell culture is a little like gardening. You sit and you look at cells, and then you see something and say, 'You know, that doesn't look right'.
I'd like to have a different look for every film. As an actor, I think I should put more emphasis on my performance than on my looks.
Beauty contests are only a mirage where all you have to do is look pretty all the time.
A story and character are most important for me, not how I look, what clothes I wear, or what nail paint has been chosen for me.
I look in the mirror every morning, okay. What is going on here? You know, I just say, 'Look, it's sheer insanity.'
The pressure in Hollywood is bigger to look good than in Germany. In Germany, we are more forgiving. Having a personal coach in Germany is not nearly as common as in Hollywood. In Hollywood, I think everyone has a personal trainer.
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