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I'm very nerdy about my music, and I like interrogating people about what they put on playlists.
I used to have the most visceral response to having my photo taken. I felt like instantly bursting into tears and running out of the room. I hated all the attention, which is such a stupid thing for an actor to say.
I like being on the floor, listening in on the huddles. It makes me feel like a player again.
If you want to be a cop, it's not for everybody, no question about it, but there's no place like New York City.
I don't stretch enough. I know I should do it more, and I'd like to do yoga, but I just don't have time.
In my view, statutory ambiguities are less like dandelions on an unmowed lawn than they are like manufacturing defects in a modern automobile: they happen, but they are pretty rare, given the number of parts involved.
The world is filled with archaic objects - mailboxes which look like alarm boxes, banks which look like places to break out of rather than places to enter.
In every phase of the automotive industry, certain factors have been more important than all others in relation to the way the automobile has looked. Phase One is really the Ford story. Function and production were the most important considerations. The automobile was an invention, and it looked like one.
Dying, we tell ourselves, is like going to sleep. This figure of speech occurs very commonly in everyday thought and language, as well as in the literature of many cultures and many ages. It was apparently quite common even in the time of the ancient Greeks.
Each day it's like: 'How many more days am I going to feel young and vibrant? I feel young and vibrant now, but I also feel the aches and pains a little bit.
If it's not in New York, let's say it's in St. Louis, then they've got to find a place or get with someone who knows about the work... they've got to find a place like that and do scenes, and then try to get in plays.
If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.
But I would like to think that it's the actor that makes the difference in these cases. Not the director, not the guy that wrote the book, not the guy that adapted it for the screen, but the actor.
Human beings don't want to just enjoy something by themselves. They want to share that emotion - they want everyone around them to enjoy it like they enjoy it or hate it like they hate it. That's what makes a video spread.
I like to see honesty out of people. People who are trustworthy. I like to see people who are involved with The Lord.
A 'For Sale' sign in your yard during the holidays is like a 'kick me' sign. You are telling buyers you are a distressed seller.
I'm just saying that if you understand how the economic machine works, it just works like a machine. There are cause-effect relationships.
I still like to keep tapes of the few minutes before the final take, things that happen before the session. Maybe it's superstitious, but I believe if I had done things differently - if I had walked around the studio or gone out - it wouldn't have turned out that way.
I'd like to meet someone. I'm not scouring the streets, but I'll keep an eye out.
Growing up, I didn't have many comics, but I grew to love these characters through their film and television universes. I've been geeking out about these superheroes ever since I could tie a towel around my neck like a cape and jump off my grandmother's porch.
Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.
Everybody takes breaks, and I decided to take mine. I wanted a chance to wake up at two in the afternoon and not be a subject of entertainment. I wanted to be a human being. At certain times and certain years, I felt like the Energizer bunny. That gets old very quickly.
The music that I have learned and want to give is like worshipping God. It's absolutely like a prayer.
In our culture we have such respect for musical instruments, they are like part of God.
Pop changes week to week, month to month. But great music is like literature.
My music has a very spiritual background, a sanctity that is almost like worship.
In a tournament like the World Cup, you have got to be on top of your game every game.
An 'A' grade cricketer like Pujara should get a massive amount where he is not bothered whether he plays IPL or not.
When you are playing a Test match, you would like to be playing with your strongest side.
In fiction, if people like one of your books, they tend to pick up your other books as well.
I do not think I will ever write screenplays based on my books. I would not know what to cut out and what portions to keep. I like all the characters I have created. I cannot imagine chopping them off.
We all do films believing in them completely, but sometimes, the audiences like what we like, and other times, they don't.
I'm shy by nature and don't like talking about myself, and would let my films do the talking.
I experimented with different roles, but they didn't work, despite being fantastic films like 'Naa Autograph,' 'Sambo Siva Sambo,' 'Neninthe'... etc. I was very satisfied doing those roles. Had those films worked for me, I perhaps would not have tried anything different further. I like to experiment once in a while if it works.
I cannot handle dull, lazy, morose people. I have been like that since childhood.
I did a fantastic emotional film, 'Autograph.' But the audiences rejected me in it. They like to see me laughing and fighting.
It's not fair that people wrote that all of my films had not done well. There were a few films like 'Nippu,' 'Devudu Chesina Manushulu' and 'Sarostaru' which were really bad. But, 'Veera' and 'Dharuvu' had done well. Strangely, people have added them to my 'flop list.'
When I came to the industry, many directors like Krishna Vamsi and Puri Jagannath had encouraged me a lot. Krishna Vamsi is my mentor, and I admire him. That's why I give chances to new directors.
I like patterns, anything fun. I think as we get older, we tend to get boring with our clothes.
I try to stay away from any genre. I like to just make music, and it just is what it is.
I like very funky stuff - I tend to be attracted to flare pants and anything that has glitter.
A lot of people like structure, so there's definitely a risk with being an artist that a lot of people aren't really willing to take.
I want kids to believe that I was just like they were, and to believe that they, too, can aspire to great things.
Either you're for ending Citizens United, or you're not. So, if you're for ending Citizens United, then act like you are against corporations influencing our democratic process.
It is exciting to see the different genres that audiences want to watch. The response to a show like 'Mirzapur' last year and to Delhi Crime earlier this year was so encouraging and a proof that good content is the new formula.
I like a sensitive script, interesting and respectful directors and co-actors, producers who understand the creative needs of a project. A happy unit in which everyone collaborates to try and make something compelling.
I like to watch actors while they are acting, how they hold their attention when so many people around are there to distract them. It’s difficult.
What I would like to do is to leave behind a sustainable entity of a set of companies that operate in an exemplary manner in terms of ethics, values and continue what our ancestors left behind.
I remember I was like five or six years old; I played the devil. That was my first role.
'Agnivarsha' is not a costume drama like Shashi Kapoor's 'Utsav' or Sanjay Leela Bhansali's 'Devdas.' This one has no elaborate jewellery and clothes. It is sparse and stark.
The purpose of an actress is not to just look beautiful and strut around like a peacock but act, too.
I like to say jiu-jitsu is like mathematics. It has to be exact otherwise you don't have it.
It seemed like a wonderful honor to have the Film Society of Lincoln Center screen 'The Films of Raquel Welch.' It shows a lot of a variety in what they've chosen; it kind of runs the gamut of my film career.
When I first came along in the business, they didn't really like the idea of my name being Raquel.
Not everybody is comfortable with my ethnicity. When I first came along in the business, they didn't really like the idea of my name being Raquel.
I'm the antidote to Lindsay Lohan. I know she misbehaves terribly, but sometimes it just seems like it's open season on her.
People pass a lot of judgment about each other in India, and that is a tendency I don't like.
Just like in medicine, when the normal medicine no longer works, one resorts to surgery. And the revolutions is like the surgery: It's painful, and it's the last resort for nations.
Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They want to be told how you want it done. You have to then decide if you want to be the teller or if you want to give them agency.
Comedy is like music, and the way to make the best music is to have skilled musicians in your band.
For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.
I wasn't good-looking like the heroes. But I had a good physique having been a goalkeeper. I was like a panther.
Woodcuts have a really timeless sort of feel, and they feel like a book that's a couple hundred years old.
I try to imagine the scenes as I'm writing them as if I were watching them play like a film.
I think 'Hollow City' only took a year and a half to write... but it felt like two and a half!
Some days, I would find what seemed like entire family trees, torn from once-treasured albums and dumped in disorganized bins, selling 10 for a dollar. I wondered how people could give up pictures of their great-grandparents for complete strangers to paw through - or why complete strangers would want them.
Like a musician expresses himself through music and a writer's expression is in his writings, cooking is my mode of expression.
I just stick to my job, which is acting. Things like posters, publicity material, and promotions are entirely the film-maker's prerogative. I don't get into all of that.
I've worked with a band, and it's nice to have someone to travel around with, but I didn't like it as well on stage.
The older I get and the harder it is to maintain a six pack, the more I wish I wore a tactical vest and cargo pants like Roman Reigns.
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