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Old reference books are like tree rings. Without them, there'd be no way to know what a tree had lived through.
Building a dollhouse is a lot like writing a novel because you are God of the Universe.
I've always enjoyed shows like 'The X-Files,' where you're on the edge of your seat and you're so invested in these characters.
I don't have a Madonna-sized fan base, so I can actually e-mail and talk to everyone that e-mails me, because I am totally appreciative and I like my fans!
I think I'm different from a lot of singer-songwriters because some of my favorite singer-songwriters told stories. Like John Prine.
When I write songs, I like to write lyrics first, and I think that's different from a lot of singer-songwriters. But I heard Sammy Cahn was asked what comes first, the lyrics or the music, and he said, 'The paycheck.'
I not only play at the prestigious classical concert halls like Carnegie Hall and Kennedy Center, but also hospitals, churches, prisons, and restricted facilities for leprosy patients, just to mention a few.
When I meet a good actor, I would like to be a director. When I meet a good director, I would like to be an actor. When there is a good script, I would like to be both a director and an actor. The switch is very natural, not intentional.
All across this world, especially within the African diaspora, we feel like there is a constant devaluing of our culture and our livelihood.
People thought 'Classic Man' was processed. But then they realized, 'Oh, this guy actually is that man, and he actually dresses like that.'
When I was a boy, I was sagging my pants like everyone else. Some boys become men and continue to sag their pants because that's their form of rebellion.
A great tailor is like a great personal trainer - they tailor that suit to your natural physique.
I've learned a lot from Dave Stewart; he's a serial collaborator. He's co-written songs with more people than anybody I know - like the most incredible people too.
The market is like a language, and you have to be able to understand what they're saying.
I like the immediacy of blogs and the democratizing effects of letting millions of voices bloom on the Web.
I have an older sister who sounds, unfortunately, exactly like me, and we sound like our mother did.
I don't like sitting around in my dressing room very much. It feels a lot like theater.
I feel like my objective in music is to take a hammer and nail and chip away a piece of my heart and give it to someone, so I feel, with merch, it's a tangible parallel of that.
I feel like I'm really grateful that my parents chose Canada, and I feel like there's open arms here, and it's very apparent.
You just need to create and be open with that energy. The second that you are precious with it, it's almost like you showing the world you have a limited amount.
I don't know if I should say this, but I feel more like a singer than an artist.
Any show that includes guns or machinery or stuff like that, you need to trust who's around you because blanks are flying.
As for my voice, it cannot be categorised - and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.
I like so many different kinds of music that I've never allowed myself the limitations of one particular range.
Like every player, I want to start more matches rather than be used as a substitute.
I like the way football is played in England: the speed, the style of play, the high rhythm.
I really like Manchester City. They have put everything into trying to sign me so that I can be there and that is welcome.
I spend time with my little baby and my wife. We like the water place at the Trafford Centre.
I'm fairly specific about what I like to wear and looks are important to me, just like they are to everybody.
I'm a Gemini and I have a lot of different moods. Sometimes I'm very serious and introspective and pensive, but other times I'm completely goofy and girlie. So, I like my songs to cover all my moods.
I actually have a young readers' series that I wanna do, kind of in the same lane as a Harry Potter or Narnia or Twilight. I want to write stuff like that.
Why does this person who is sitting behind a desk and never watches cartoons is arguing about what cartoons should be like. Its so creepy realizing that this person is a lunatic.
All the power to them but I'm not interested in making yet another show that looks like some other show.
In pre-school, I was drawing dinosaurs - I was huge into dinosaurs. I wanted to be a paleontologist, not a cartoonist or a filmmaker or anything like that - just a paleontologist. So I would draw dinosaurs.
I don't like it when people dress up like Zim, because they look like Hulks.
I know I might sound a little bit picky, but someone like a muse who can inspire me is my ideal type.
I was a part of that Beanie Babies generation. I had, like, 400 of them... OK, maybe not that many, but I had a lot of little stuffed animals that I liked to make talk. I was a big dork, and I still am.
For meals, I'm big into quinoa or rocket salad with a protein like shrimp of chicken added to it.
I was in, like, nine schools by ninth grade, so I moved a ton of times when I was younger.
I revisit old favorites like 'Buffy' and 'Battlestar Galactica' when I'm bored. I am obsessed with 'Scandal.' I love TV.
I'd like to give people the hope and help I didn't have and that I had to learn by myself.
I don't like to get too complacent. I like to give myself five panic attacks per project.
I grew up with 'Roseanne'; I kind of adore her and stuff like' Home Improvement', really traditional American stuff.
Getting a role in 'Harry Potter' was like winning the lottery. But no one deserves an acting job.
There are a lot of people holding on to the old Jessie J - whatever that means - but I think there's a lot more people realizing what I'm about. I think people like it.
I watch Renee Fleming a lot. I listen to Renee Fleming a lot. She was like my built-in master class.
When we play games online, it's always so fun because that's something that we genuinely connect with because they usually like the same stuff that I like, so connecting with them there is amazing.
Nobody should feel like they can force themselves into your life how it suits them when it's toxic and unwanted.
The '90s is my favourite era of music, especially the girl-bands like Babes in Toyland.
My parents made me finish high school before I started acting, and I did, like, two weeks of fine arts college before I was like, 'This sucks. I'm going!' I got a few small jobs, and then I booked a big-for-Canada feature.
I would like to explore comedy more. It's not something that I've done a lot of. Obviously, I'm very at home in drama. I like everything.
I like timeless and classic pieces with an interesting and modern twist. And I love a little funk!
I like when a man has a positive self-image, no matter what he looks like. I'm not into rock-hard abs.
I would like to explore comedy, I want to do more theatre, and I definitely want a future in film.
Schedules on TV are so tight, and it feels like they get tighter and tighter with every passing year. The idea of asking where your character's come from or where they grew up - you would just get a little bit laughed at.
I have a lot of Breton striped top and silk shirts that always feel good. I also like things with a masculine edge and dislike anything too girly.
I, in middle school, started really, really liking country music because it tells a story. It's really dramatic; I'm really dramatic. There's a lot of emotion. It was like, 'This is a perfect fit,' and I was teased mercilessly for it.
I grew up loving, like, 'Pretty Woman,' 'How to Lose a Guy in 10 Days' - which is one of my favorites - 'Head Over Heels.'
The idea of stardom was difficult to grasp. It was like being schizophrenic; there was her, the woman on television, and the real me.
My parents sold my childhood home, and I literally was 35 years old, but I cried for, like, two and a half weeks. Like, openly wailed.
We all had jobs that were just fronts. I felt like I was in the mob. I had a job, but that wasn't my real job. My real job was to be an actor. I always knew that and never forgot that.
The very formal, beautiful, composed order that I make with paint and color is freighted with objects, but like leaves falling from a tree onto a lawnmower below, the edges of this 'thing' have a certain serendipity.
When I'm traveling, I like extremes. It's nice for me to go to Canada in the mountains where it's snowing or to Cambodia where it's stifling.
I don't like my lipstick to be too perfect, so what I do is put color in the middle and then dab it with my fingertip.
My aesthetic is pretty classic. I like to keep things simple but appreciate the details.
For Blanc & Eclare, we go by the motto 'modern classic,' and that kind of comes from me because I don't like to overdo things and I try to be as natural as possible.
I really looked up to Grace Kelly when I was growing up. I thought she was just so beautiful and elegant. I wanted to grow up to be like her.
I never felt like I belonged in Minnesota when I was growing up there. That's why I was out the door as soon as I turned 18.
When I am home for like a two-year stretch, I get antsy, because I want to work.
I like playing characters who are out there on the edge, where they can explode at any moment or fall off the precipice.
I like guys who are honest and funny. Looks come and go; I want to be 65 years old and laughing with my husband.
I definitely love the smoky eye, and when I do that, I like to do a nude lip so it draws attention to your eyes.
As much as I like watching horror films, I never thought I would act in them.
I don't come from a rich family - it's not like we lived in a cardboard box, but we didn't have a ton of money.
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