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If I don't feel like writing today or for a few days, I don't. And I don't think about it. It is not an obligation-it is the greatest privilege.
Though it's impossible for us to legislate one's thoughts and feelings, we still need things like affirmative action in place because without measures like it, people in charge would not have, sadly, enough impetus to do, as cliched as it sounds, the right thing.
I feel like what we've done in 'Homecoming' is really scratching the surface with Spider-Man.
The main difference between liberals and conservatives is that conservatives are honest about it. We're kind of dorks about it. We are kind of like Dungeons and Dragons geeks.
I'm sure a bunch of 15-year-old kids would way rather I do 'Superbad 2' than 'Moneyball.' But I would love to do movies like 'Superbad' and movies like 'Moneyball.'
I just like to act and write and produce. To me, making movies is the ultimate goal.
Every creative story is different. And yet every creative story is the same: There was nothing, now there is something. It's almost like magic.
When you do a meet and greet, every single girl wants something special from you - an extra little hug or something. And that takes something out of you, almost - like, emotionally, you know.
To be honest, I'm like a sponge so my inspiration and influences really can come from anywhere.
I'm really not one of those deejays who go, 'I play music that I like.' I play it for the crowd. I believe that's what a deejay should do.
'Dirt on My Boots' was pegged as the second single from 'California Sunrise' from the get-go, and we felt like it was just a fun song to go with.
I've really been studying lyrics, printing out lyrics to songs I love and reading them like a letter.
Corporate documents, like football game plans, are not easily drafted in a stadium, with thousands of very interested fans participating, each with their own red pencil, trying to reach a consensus on every word.
I really like stews: everything in a bowl boiled down right to its essence.
When I'm filming a documentary, I feel like I should be the straight man, watching with a raised eyebrow.
There are things I wouldn't do when hosting, like get people up on stage or get the audience doing a sing-song or something like that.
I did feel like they were telling me that something like that was going to happen. Not specifically - not that planes were going to be flown into the World Trade Center or anything like that - but in the general sense.
Of course there are people who would like to eat breakfast without the screams of toddlers all around them, but those people should get over themselves and stop being stuck up and idiotic.
Obviously, I like to write stories that are page-turners. But I always try my very, very hardest to be as factually true as possible.
Film is like a casserole. Everybody is thrown into a pot, and we're all in it together.
When we watch courtroom dramas, we tend to identify with the kindhearted defense attorney, but give us the power, and we become like hanging judges.
Oh, yeah, I've always thought of covering some of my influences like Billy Joel, Elton John, Stevie Wonder.
If you watch the news and don't like it, then this is your counter program to the news.
I toured around the country and met all these Broadway producers who put me in all these Neil Simon plays like 'Brighton Beach Memoirs' and 'Biloxi Blues.'
I experience a high on stage that I get nowhere else. I feel its like going to the gym so I won't lose my skills.
Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss.
Antarctica has this mythic weight. It resides in the collective unconscious of so many people, and it makes this huge impact, just like outer space. It's like going to the moon.
It is true that, when an entitlement begins to be enjoyed by people, they like to keep it.
Joni Mitchell seems destined to remain in a state of permanent dissatisfaction - always knowing what she would like to do, always more depressed when it's done.
I worked on one speech about the financial system that caused the Dow to drop, like, 200 points.
Part of my job as a presidential speechwriter (along with great writers like Jon Favreau and David Axelrod) was finding that sliver where 'presidential' and 'actually funny' overlap.
I would love to have a part opposite a great actor - like, say, Pacino or De Niro or Hoffman. And to work with a top director. That's my dream.
When I was growing up, Asians weren't known for dancing. I knew all my older aunts and uncles did, like, ballroom dancing and stuff. And then you saw all those dance crews, like Quest and Jabbawockeez, and now they're, like, known for dance.
I've gotten scholarships from the Asian-American Directors Guild of America society and things like that, and those things helped me, even if I didn't realize how much.
I don't own a helicopter because I want someone to bring me places quickly. I own it because it's an incredible machine that I like to fly and learn about. I like the complexity of it.
One of the rules of running for Congress is no matter where you go, you speak like you're speaking to the whole district.
I mean people have compared us to like the Grateful Dead and all these like psychedelic sixties bands.
Nirvana was like that- Nirvana was like the only band to come out of that- it was like the same thing, Seattle was like this whole scene and it was like this big scene that was thrust upon America.
We like where we live and we wanna participate in our neighbourhoods and communities and stuff and try to- we're not like benevolent- it's pretty basic.
Where we're living we have a certain amount of our profit every year it's like a percentage 5 or 7% or something like that that we set aside specifically for charity things.
Actually, it seems like every time I'm about to pack it in, that's when I get a job.
Nobody talks about Shaq Thompson. I don't know what he is. He's like a nickel corner/linebacker.
I came in the Dawson's Creek era; it was all about tiny guys who looked like teenagers, and I haven't looked like a teenager ever. So I was, like, auditioning to be their dads. At 25.
I like kids but I also like the option to close the door. Becoming a parent is a whole other life, and it doesn't stop.
No, I'm a quite big believer in not being in the studio if I don't feel like being in there.
I was always fascinated particularly with synths: how they looked and stuff that when you're a kid you're like this is the most incredible thing in the world just to play.
I like to have an album arc that comes from an experience rather than a story.
I'm more akin to things like Sigur Ros, Mogwai, possibly. But when I'm making solo electronic music, techno stuff is just the most exciting form of rhythm.
Sometimes I hear records that are being recorded at the absolute highest quality, and I just don't like the sound of it.
When I was 23, I felt like I was further back than when I was 21. After two solo albums for this small indie label Just Music, they'd gotten no real profile. So I kind of turned away from the solo thing a bit.
I'd watch Pixar movies for, like, six hours, back-to-back. I'd watch 'Finding Nemo' twice a week, back-to-back-to-back, three times in a row.
I'd like to think that most of what I do is self-evident if you're listening to it or seeing it. But I don't mind the fact that it's hard to describe.
Music looks very formidable to people outside of it and it looks like it's this realm of spooky genius.
We're so used to everything being properly manicured, like you can hear every footstep in a movie, you can hear every bit of dialogue, and everything is in its place.
There are a lot of producers who basically have their sound, and if the artist works with them, you almost know what the record's going to sound like before it comes out.
It definitely seems like we are connecting with people, which is nice, because I've had a lot of music do the same for me. It's not like I don't I understand why we get the reactions we do.
It doesn't really seem any different anywhere. I'd say it seems like we're biggest in Australia. It's just that we've always been this underground band and for some reason in the last month has been starting to go overground.
We were number one most added at radio, when the single came out and that's much different. It took like eight months for any radio to happen on the first record, so a lot more support has happened right out of the box.
I feel like I could dominate the origami field. I think I have enormous potential in that area.
I didn't enjoy fighting. All I cared about was trying to beat the scale. Once that got to a point where I couldn't compete with the scale anymore, I was like, 'I'm done.'
Fans and reporters, they don't get that ever since I was five, all I've done is competed against something. I always had a goal. Then, whenever you hit a point, there's a point in an athlete's life where it's like, 'Is it still worth it?'
I still like fighting, it just got to a point in MMA where it was just another day.
I considered myself one of the boys. My brothers didn't spoil me at all, not at all. I was very tomboyish. It wasn't as if I was like a princess or anything like that.
One day, I can come up with 50 content ideas, and I'm like, 'Boom, I want to do this idea, this idea, this idea.' I have a YouTube notebook, and I write them all down. Then other days, I'm like, 'I have no clue what I want to do today.' I rarely have days like that.
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
As far as film goes, I enjoy all Hollywood films and all Horror films like The Bride of Frankenstein, which also might be my favorite. I like 60's and 70's Italian and Spanish Horror films.
If I didn't like someone, I wouldn't want him calling me up when I was dying. I wouldn't want them having regrets that they didn't talk to me.
Guys like Otis Blackwell and Bobby Darin, and all the guys who were writing songs for Elvis at the time, just hanging around, writing songs, talking about music.
Every time I get a role, I'm surprised. It's like, 'Alright, when am I going to stop fooling them?'
If people want to own a rifle or something like that for hunting purposes only, I tend to agree with that. But semi-automatic weapons and handguns, that's just unreal. I mean, what good are handguns?
We go to Europe, and they think we're totally prejudiced 'cause we hang the bars and stripes. But for us, the bars and stripes doesn't mean we want to see anybody in slavery or anything like that. It's just our heritage. To us, the bars and stripes means grits, 'y'all,' and the beauty of the South. There's no prejudice at all in that with us.
They look outside the windows of their apartment in town and realize they're not living in a terrace anymore. This is a room full of dreamers who like to go to London for a day.
I always feel like an interloper when I do serious drama. It's my own paranoia.
I definitely feel like I'm more of an artist than an athlete. But I'm good at both.
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