Leslie Odom Jr Quotes

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I'm addicted to growth.

The only reason to keep talking about history is if you are juxtaposing it with the world that we live in today, if you are learning something about our world by looking at the way they shaped their world.

I studied at Carnegie Mellon. I went there with a bunch of really, really talented kids.

Josh Gad was in my class. Katy Mixon. Griffin Matthews. Josh Groban - he ended up leaving to become a huge star, but he was in our class in freshman year. I remember Josh was this nerdy kid in a turtleneck with a voice from heaven.

I got my Equity Card with my Broadway debut when I did 'Rent.' I was in high school, and I came to New York to do that show.

I think art, at its best, happens on a conscious and a subconscious level.

If you're an open channel when you're onstage, if you're just a vessel, things are going to come out that are stored away deep in your DNA.

At 14, 15 years old, I started reading 'Backstage' regularly. Eventually, I got enough courage to look at the auditions section.

Making $1,260 a week at 17 years old? That was a million dollars a week to me!

It's about polarization. You're trying to stir up something in your audience.

I was a good student; I was a good boy. I got A's, and I did all the papers right.

I think I spent most of my childhood, and my early years as a performer, in student mode. And I think that's OK - I mean, it led me to where I am.

I have a great foundation, a great training foundation. But it took me a long time to let the training go.

None of us wants to be judged by our worst act on our worst day, and we consistently judge Burr for that. He was not a perfect man, but he's not a villain. He's a dude, just a guy.

I know what it's like to be ignored; when I got to L.A., I longed for somebody who looked like me to show me the ropes.

That was the bat signal for me - 'Rent' changed my life. It took me years before I got beyond that show.

I don't have any control over the offers that are going to come to me or not come to me. But I can't go backward, and so that's what's tricky.

For most of your career, what you're trying to do is to step into other people's shoes.

Until you make a name for yourself, they're like, 'Be a little more Denzel,' 'Be a little more Wesley Snipes.'

What goes up must come down; I'm not going to be in 'Hamilton' forever. Everything I work on won't have this kind of success.

I think it was, my parents got me a karaoke machine when I was about 9 years old. Even before that, they got me a tape recorder that I used to walk around my life with. And there was something about recording and then hearing myself back.

Sometimes I think of creativity or art as this well that we all draw from.

None of us get to divorce ourselves from the world. We walk into the theater and bring all of our grief and our pain and our joy with us.

We don't get to get swept up, because we have to start over every day at 8 o'clock.

I feel like every night, when you see a really good production of 'Romeo and Juliet' or something, you should hope that it ends differently. That's why we watch our favorite movies again and again.

Nothing lasts forever in my profession.

I've been involved with 'Hamilton' for about two and a half years. I've learned so much. I came into it a young man. Now I've dropped the 'young.'

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