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There are so many projects on my Dream List. I have so many things in the works, just like little ideas or collections of things or things I write or even just a title of something.

There have been times where you do the red carpet in a certain shoe, and you go into the bathroom, you take that shoe off, you put the other shoe on from your purse, and then you walk around for the rest of the night.

I like my body, I like to have fun with what I put on, but I also want to remain classic. So I guess my signature is sexy and eclectic but classic.

I have this necklace I always wear. I collect pendants from people I love; my best friends and members of my family have all given me one, and I put them on this chain so no matter where I am they're always with me.

You have to keep hobbies in L.A. Otherwise, it's sad.

I love fashion. I always have. When I was a kid, I was in almost full-on costumes when I went to school, and I've retained a bit of that in my adulthood.

There are a lot of funny people and a lot of unfunny people. Some of them are women and some of them are dudes.

I find the female tragedy of insecurity to be hilarious. We get obsessed over issues like the tiny skin tags on our backs or that we're fat. You read one line in a magazine and it sends you into a tailspin.

Actually, in my own life I think I probably feign neuroses to be more interesting than I am.

I think coming to work and being absurd and neurotic and thoughtful at the same time is far more interesting.

I'm vegan on home base, but when I travel to other countries, I throw it all into the garbage.

I am lactose intolerant, and I always thought it was really funny how people who are lactose intolerant continue to eat dairy, because they like it so much. And I find it not acceptable.

But I'd say 'How to Make It in America' is the most accurate depiction of the New York hipster community on television for sure.

Filmmaking is a huge privilege; it's not brain surgery. It's art, and art is supposed to be an enjoyable process, and it is an enjoyable experience for me.

My dad's a Jew, and my mom's a WASP, so that should pretty much say it all. It was a comically dysfunctional family.

I did accents and funny voices for the family when I was growing up.

The two things that hit you when you meet someone are, first, how they're visually put together and then, what they tell you with the tone of their voice - whether or not they're to be taken seriously.

When you write and direct your own film, you basically know exactly what you want. Or you hope to. For the studio, it actually can make life a little easier, because if you have a bunch of questions, they only need to call one person.

When you have a little one, you realize that your only mission in life is to protect this helpless, very sensitive creature. That is your charge. That's primal. I relate to that deeply.

My happy place is holding my daughter and my husband in the same hug. It really is. I'm getting emotional just thinking about it. I consider it such a privilege, and I know that I'm lucky. I never want to take it for granted.

I'm super and very openly obsessed with voice-over. 'In a World...' was my love letter to the industry of voice-over. And in a way, I sometimes think of it as a 93-minute audition to the voice-over industry to say, 'Hey. Consider me!'

I am somebody who is constantly hungry to nibble on something.

I was a commercial girl. In drama school, I was a mediocre model occasionally to pick up some extra cash, and because clearly I'm not six feet tall, and I had baby weight, I would mainly just would do promotional stuff.

I certainly felt like my life had been enriched and had also changed forever when I took 'In A World...' to Sundance.

My brother and I had many games. We were inseparable. We had a little team going on between us. We had even a language that was kind of like pig latin. So we'd speak in the language. It's called Op.

I collect handkerchiefs. I know that's sort of old-timey, but my mom started the collection for me, and now I have a bunch. Basically, I have a myriad of beautiful handkerchiefs, and I carry them like a grandmother in my purse. And I opt for hankies in any situation.

I consider myself a good layman's cook. Ninety percent of the time, I'm successful with what I set out to make, and I can improvise. Yes, I own a mandoline. Yes, we have a Vitamix.

At the end of the week, my husband and I do a leftovers dinner, where we have to use whatever's in the fridge. It's sort of a game.

When I was pregnant, I was like, 'I'm pregnant, so I'm allowed to eat everything: bagels with cream cheese for breakfast, lunch, and dinner, and I can have pizza for dessert.'

I hate bell peppers, which is annoying because they technically have my name all over them.

'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.

At a time when every series we're supposed to be DVR-ing is very important, very serious, has to do with heavy, heavy matters, I think 'Wet Hot' provides a respite to that DVR homework. It's totally the gummy bears of your programming.

I lean into all things that are a little off. I will always wear overalls. At this point, I find a way in most of my life to wear a jumpsuit or an overall, anything that's sort of like an all-in-one situation. I do that on the red carpet a lot.

My mother is a beautiful writer. Writing letters back and forth with her was an athletic endeavor, and it became something I really looked forward to.

If I write something, and I'm going to put in all that love and energy, I want to direct it.

Marriage is traditionally old-school in many respects. It is highly antiquated, and, that being said, beautiful.

Before you have kids, you're like, 'I hope I don't die on this plane,' or, 'I hope I don't die crossing the street.' It's all me, me, me. 'What do I want to eat? What do I want to do?' But when you have a baby, and you would just happily stand in front of a bus to save her, it's a ferocious commitment to protecting your charge.

Having children is not for everyone, but I think it's a beautiful lesson in it not being all about me anymore. It's a relief, in a way. It's like, this is her story now, and I'm her mom. It's a nice shift.

'In A World...' changed my life a thousand per cent. I feel thankful that something I believed in so much - I love dialect, so I dedicated five years of my life to making a film about it - yielded such rewards. It led to 'Man Up,' as well as 'No Escape,' which comes out later this year... two movies where I am the female lead.

I think the key to a great romcom is to not fight against the genre. The trend more recently has been to apologise or be snarky, so it's an anti-romcom. Just lean in and embrace the fact it's a love story, and it's funny, and it's light. It can still be uber-smart and deal with zeitgeist issues.

I'm forever writing, forever looking for something to direct or produce, and always on the hunt for a great role.

I think part of what I love about being an actor is getting to take on different worlds and investigate different genres and travel to different lands.

I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.

You can't live in a dialect without tremendous work. Like any muscle, accents and voices and languages are all formed out of the muscles that we have in our mouths and faces and tongues.

I feel very lucky that when I'm burnt out of acting, I take to the pen, and I write something I want to direct. And then, when I'm tired of taking on too much responsibility as a director, I then look for an acting gig. And I've made it very clear that I'm interested in voiceover work. I mean, I'm always looking for voiceover gigs. I love that.

I'll be totally honest in that I feel tremendously lucky that I am offered incredible jobs all the time to direct, but the problem that I have just personally is that there are only so many years in my life to dedicate to certain projects.

I think of myself as a content creator and, hopefully one day, a content enabler and supporter of others, so that's what my immediate and hopefully future journey is.

I think, in general, when you're doing comedy, you're having a good time regardless of the comedy table tennis that you're playing. I think you want that, too: you're rooting for two characters to be together, and you should feel that even when they're angry at each other, they're still in synch with each other.

I don't really enjoy working in TV, to be completely honest. Even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways.

Anything that is profoundly energy-shifting - like having a child - is fodder for creative thought. So for me, I welcome it and look straight into it as something to learn from.

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