Kevin Reilly Quotes

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The resilience of narrative storytelling and people's love affair with television is impressive.

Creating more direct relationships with consumers, utilizing the resulting data and insights, is increasingly more valuable - and an evolution of the traditional competency of ad-supported television networks.

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Some of the greatest shows in history - 'Seinfeld,' 'Everybody Loves Raymond' and 'House' - had puny starts but the benefit of schedule protection, increasingly scarce in today's DVR world. Cable nets can tolerate small ratings, building hits in progress...

The way television is done, you're kind of set on a certain path, and then episodic directors come in every week to try to recreate that.

I do believe that the audience is capable of embracing quality. But a lot of times, they'll be like, 'Why isn't there ever anything good on TV? Put something good on.' 'Uh, if you watched this, it would help.'

I always believe that if you stick with quality and give people a chance at the time, that people eventually get on board with it. It's been my experience more than not. Once in a while, there's a show that...

Pilots are useful. You just learn things during a pilot - the piece of casting that just wasn't right or things about the storytelling nature.

Producing a drama is particularly difficult.

Producing a one-hour show that has to reinvent musical numbers, and interpret those musical numbers with a large cast, is difficult.

'Glee' is produced with three people and written by three people. In my mind, I don't believe there's any other show on television that was written by three people. The fact is there are shows that have 14, 15, or...

Is The 'X Factor' the mother of all shows? Absolutely!

It used to be a given that the talent and the talent agencies would line up around the broadcast pitch season first and then take whatever was still available out to cable. I hate to say it, but it's just...

Creative content is challenging, no matter what, and animation is particularly challenging.

'Fringe' has been a point of pride. I share the passion for the show that the fans have.

As an industry, when you're in the talent business, we are way too obsessed on the competition with each other and not enough with the consumer.

It's really the rare creator who can tell you where he's going to end the season of 22 episodes. That's not bad. That's part of the creative exploration.

NBC, for me, is like the crazy ex-wife that I can't get away from.

TV has so many access points, so many availabilities. DVR, binge viewing.

I love TV. Always have. Since my mother told me to stop sitting so close and watching so much.

I remember coming up in the business and seeing how the grind turned some executives into grizzled cynics. And I vowed to never become that guy. I have always believed it's incumbent upon network brass to bring a wide-eyed optimism...

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