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I have always been interested in abandoned cars. I can't tell you how many times I've been in a car, driving, and there's a car sitting in a pasture, totally abandoned. Or on the edge of a creek or something. I always wonder: why did somebody park it in the pasture and leave?

I always wanted to write a raccoon story. I don't know why. It's not like I want to own a raccoon or anything like that. I'm just fascinated by them.

I had tried writing novels for many years, and they always escaped me. For a long time, I thought, 'It's just not in me to write a novel. It's not something I'm able to do.' It seemed like everything I wrote naturally ended at the bottom of page three. A picture book, three pages; an essay, three pages.

I'm fully conscious of the fact that I wouldn't be the writer that I am without this place, without Vermont College.

Obsidian was caused by volcanoes, an eruption of steam and gas so furious that it melted the earth itself into this hard, shiny object.

For cats, a hound is a natural enemy. This is the order of things.

There is nothing lonelier than a cat who has been loved, at least for a while, and then abandoned on the side of the road.

My favorite was the one about 'Snow White'. Those funky little guys with the beards. The poisonous apple. And that cool mirror the evil stepmother used to talk to. You know, she'd ask it all these questions: Who's the nicest? Who's the sweetest... Who's the fairest of them all? And for a while, everything was hunky-dory.

Magic happens, see. It's just like on those bumper stickers, the ones that say, 'Miracles Happen', or 'Jesus Happens'. I never really took those too seriously. I mean, they're bumper stickers. Yeah, yeah, I know what you're thinking. Miracles? Right. Jesus? Maybe. But magic?

One afternoon, I was playing this new video game, 'Blood and Guts.' I was controlling Gruesome Gus versus the Crimson Menace, and I had totally waxed the guy. It was this really complex sequence of moves, and I was so excited about conquering the game that I wanted to show it to someone. Unfortunately, the only one home at the time was Mom.

Many of the original New Deal programs required heavy manual labor. WPA workers built hundreds of schools, health clinics, roads, park facilities, and community centers. Much of what we now call our 'infrastructure' - highways, buildings, power plants, etc. - is here thanks to thousands of WPA workers.

An entire nation, it seemed, was standing in one long breadline, desperate for even the barest essentials. It was a crisis of monumental proportions. It was known as the Great Depression.

President Franklin D. Roosevelt had to find a way to help the American people. In 1933, he created a relief program known as the New Deal. Two years later, he expanded the New Deal by adding the Works Progress Administration, which was renamed the Work Projects Administration in 1939.

They were the darkest of times, the years following the crash of the stock market in 1929. Thousands of people across the United States were cast out of their Jobs, off their farms, out of their homes and apartments, and into the crushing depths of poverty.

At any given time, all of us have an empty spot: one that is calling for companionship, for example, or for justice, love, romance, or a belly laugh. When I sit down to write, I look to see what hole needs filling at that particular moment.

Flat or uninteresting writing often signals something deeper that is being covered up.

The moments that I feel the most imbued with a sense of awe are always the moments when I am outdoors. I can't help but feel a certain sense of wonder - I become almost filled with it.

On the craft level, writing for children is not so different from writing for adults. You still have to have a story that moves forward. You still have to have the tools of the trade down. The difference arises in the knowledge of who you're writing for. This isn't necessary true of writing for adults.

Telling stories and having them received is so important. That dialogue is everything. I tell my students all the time that what separates us as human beings is our ability to hold stories. Our narrative history. There is so much power in that. Storytelling is our human industry.

We underestimate children and the people who work with them. I swear - so often, I tell people I am a children's author, and it's like they want to pat me on the head: 'Aw, isn't that sweet.'

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