Katharine Viner Quotes

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Our movements and feelings are constantly monitored, because surveillance is the business model of the digital age.

Facebook has become the richest and most powerful publisher in history by replacing editors with algorithms - shattering the public square into millions of personalised news feeds, shifting entire societies away from the open terrain of genuine debate and argument...

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Journalists must work to earn the trust of those they aim to serve.

If people long to create a better world, then we must use our platform to nurture imagination - hopeful ideas, fresh alternatives, belief that the way things are isn't the way things need to be.

When a fact begins to resemble whatever you feel is true, it becomes very difficult for anyone to tell the difference between facts that are true and 'facts' that are not.

For 500 years after Gutenberg, the dominant form of information was the printed page: knowledge was primarily delivered in a fixed format, one that encouraged readers to believe in stable and settled truths.

In the digital age, it is easier than ever to publish false information, which is quickly shared and taken to be true - as we often see in emergency situations, when news is breaking in real time.

In the news feed on your phone, all stories look the same - whether they come from a credible source or not.

At the 'Guardian,' we have a special relationship with our readers. This relationship is not just about the news; it's about a shared sense of purpose and a commitment to understand and illuminate our times.

We have thought carefully about how our use of typography, colour, and images can support and enhance 'Guardian' journalism. We have introduced a font called Guardian Headline that is simple, confident, and impactful.

'Guardian' journalism itself will remain what it has always been: thoughtful, progressive, fiercely independent and challenging, and also witty, stylish, and fun.

After working at the 'Guardian' for two decades, I feel I know instinctively why it exists. Most of our journalists and our readers do, too - it's something to do with holding power to account and upholding liberal values.

During the Second Boer War, from 1899 to 1902, Britain was rampantly jingoistic: anyone who opposed the war was cast as a traitor. The 'Guardian' stood against it and ran a campaign for peace while the brilliant 'Guardian' reporter Emily...

Making sense of a political moment when you're in the midst of it is difficult: even if you avoid commercial and personal conflicts, it can still be hard to see it and understand it.

At a moment when people are losing faith in their ability to participate in politics and make themselves heard, the media can play a critical role in reversing that sense of alienation.

Being editor-in-chief of the 'Guardian' and 'Observer' is an enormous privilege and responsibility, leading a first-class team of journalists revered around the world for outstanding reporting, independent thinking, incisive analysis, and digital innovation.

My friendship with the great actor and director Alan Rickman did not have a particularly auspicious start.

The web has changed the way we organise information in a very clear way: from the boundaried, solid format of books and newspapers to something liquid and free-flowing, with limitless possibilities.

A newspaper is complete. It is finished, sure of itself, certain. By contrast, digital news is constantly updated, improved upon, changed, moved, developed - an ongoing conversation and collaboration. It is living, evolving, limitless, relentless.

Digital is not about putting up your story on the web. It's about a fundamental redrawing of journalists' relationship with our audience, how we think about our readers, our perception of our role in society, our status.

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