Juan Pablo Di Pace Quotes

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Religious or biblical can sometimes be a little soft, but 'A.D.' doesn't shy away from the violence of the time, the political intrigue. The story is really about the resurrection of faith, which is how the disciples went about keeping the word of Christ. So, they found all kinds of trouble and problems and torture and persecution.

I think everything's fair in art and how you perceive a character.

After 2012, there's been a shift in humanity, society and economics. We're witnessing a transition: everything is changing really fast - with that comes a wanting to see and believe, and faith and spirituality come into play. I think the world is now more spiritual than it ever was because people are searching for answers.

The beginning of my acting career was in London, England.

I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.

Every time I stepped onto the stage as Jesus, it felt like someone was pouring some honey into my body. It was amazing, an amazing feeling. And then when I had to let go of it, it was hard.

Sometimes I feel that in religious content, religious drama, it's almost told like a tale, like an account of facts, and in 'A.D. The Bible Continues,' it's drama, it's real drama that we like to see on TV today, seeing the characters struggle and doubt and be completely in conflict with each other, kind of like 'House of Cards.'

I have five, six, seven things I do before those lines are in my brain. I say them like I'm a robot; I sing them. I put a pencil in my mouth, and I say them. I cook. I play with a cushion and say them - so they really are inside of me.

I struggled in London for a very long time. 'Be prepared to struggle a lot' - it's a European mentality. The American mentality is positive and 'You can do it' and 'Everything's possible.' In Europe it's an older, more realistic way of thinking. You feel like you're having to prove that you can do it.

The stage is that immediate rush of energy you get from the audience. Also, doing something in chronology - something that starts and finishes the same night. In television, you work toward the one scene, you shoot it, and then you have to forget about it because you have to worry about the next scene.

Everyone thinks they know Jesus because they've got a personal relationship with him.

I'm like the black sheep of my family.

For 'A.D.,' when I got the script, I was really moved, because even though it told a story that I knew all my life, it was told in a different way. It was told from a very personal point of view.

I wanted Jesus in 'A.D.' to be very, very, very human - to have those qualities of vulnerability and doubt and pain and sadness and loneliness. Once the resurrection happens and we see that Jesus has risen, it's almost complete, right? It's all about the joy and the smile and the happiness and the closeness to the disciples.

I remember watching Robert Powell many years ago. He did 'Jesus of Nazareth,' and I remember thinking that was probably my favorite. Once I got the role, I didn't want to watch anything, because it only influences what you do.

There's a lot of actors that I admire because they can just switch one second into the character. Then, they go back to jokes, and then they're doing something really dramatic. I can't do that. I have to really focus.

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