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Joyce Maynard Quotes

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Some literary types subscribe to the notion that being a writer like Salinger entitles a person to remain free of the standards that might apply to mere mortals.

The painter who feels obligated to depict his subjects as uniformly beautiful or handsome and without flaws will fall short of making art.

The portrait of my parents is a complicated one, but lovingly drawn.

The silence was part of the story I wanted to tell.

To share our stories is not only a worthwhile endeavor for the storyteller, but for those who hear our stories and feel less alone because of it.

Women writers have been told, forever, that our stories were not valuable. Not as valuable as men's stories about wars, business, power.

Teach a child to play solitaire, and she'll be able to entertain herself when there's no one around. Teach her tennis, and she'll know what to do when she's on a court. But raise her to feel comfortable in nature,...

It troubles me that people speak about writing for money as ugly and distasteful.

A good home must be made, not bought. In the end, it's not track lighting or a sun room that brings light into a kitchen.

If people choose to live their life in a way that does not confront the more troubling aspects of their experience, that's fine, if it works for them. But it will probably make them uncomfortable if they come up against...

I was giving a speech one time, and the woman who introduced me said, 'Well, she used to be J. D. Salinger's girlfriend. I thought, 'God, is that all I've been?' I didn't want to be reduced to that.

When people ask what I write about, that's what I tell them: 'The drama of human relationships.' I'm not even close to running out of material.

Growing up in the fifties and sixties, I can only remember knowing one child, ever, whose parents got a divorce, and hardly any whose mother 'worked' at anything besides raising her children.

I think of myself as a realistic writer, not a creator of soap opera or melodrama.

More than any other setting - more than battlefields or boardrooms or a spaceship headed for intergalactic travel - I'll put my money on the family to provide an endless source of comedy, tragedy and intrigue.

Those who rhapsodize about the ease and joy of childhood have perhaps forgotten what it's like to be 12 years old.

You write about what you know, and you write about what you want to know.

I had known there had been a serial killer on Mount Tamalpais, and it felt so incongruous in such a beautiful, peaceful spot.

There is a theme that runs through my work, and that is: the toxic property of keeping secrets.

The process of writing has always started for me when I put myself in a place where no one distracts me.

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