Jon Hopkins Quotes

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For me, the score is one of the main characters of a film.

I'm not keen on interfering with nature; I don't want to edit my genome.

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I love starting a track in one place and not knowing where it's going to end up.

Whenever I've improved, gone up a level in sound-making, it's been because I've done an album.

Nothing competes with the buzz of making your own record.

When you sit there doing a film score for three months there's no time to experiment.

I would never advocate anyone doing anything without educating themselves and finding out exactly what they're in for.

As a teenager, you don't really have restraint.

I do believe there's a human right to experiment with your consciousness, as long as you're harming no one else.

Writing music - particularly music without lyrics - calls almost exclusively on the subconscious.

I'm an example of someone who got a bit more focused as I got older.

When I did 'Immunity,' even though I did a film score at the beginning and also at the end, I was left uninterrupted during the middle bit. I got a good year of just writing and focusing. That, to me,...

Transcendental meditation in particular is very useful in terms of unlocking those deeper parts of the subconscious where ideas are floating.

Meditation gives you back one or two sleep cycles every time you do it. Do it every day and it goes quite a long way towards helping insomnia.

I don't want to make an album which is full of brutal and jarring techno.

That's the thing with electronic music, you set up systems to bring in an accident, to bring in quirks you didn't choose, but you still will have had to set up systems.

I was guided into piano lessons and 'guided' is a nice way of saying 'forced.' I don't regret it, but I think music theory as a concept doesn't work.

Music is an expression, a deep-seated feeling.

It's really important for me to have a record which has a strong narrative feel to it.

The track 'Open Eye Signal,' when you hear that choir sound come in, that's actually me singing but sped up and with huge reverb and overlayered harmonies.

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