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I spent a good amount of time with David Bowie, and I was talking about getting the band back together. He said, 'Does it make you uncomfortable?' I said 'Yeah,', and he said, 'Good. It should. You should be uncomfortable.'

If there was a direct influence on a song, I never hid it.

Punk rock, to me, was always outsiderness. When I first saw large-group-scene punk rock, I was repelled by it, because there were way too many people who agreed with each other.

Making people dance has another function that has nothing to do with art, and I mean that in the most positive way possible. It's like food - if you're not eating it, you're doing something wrong. If they're not dancing, something is wrong.

The plan is to keep on putting out records until someone shows up and tells us to stop.

When I do a remix, I try to think about what I don't have in my bag and create something to fill that gap.

One of the things that I think is special about DJing is creating this atmosphere of collectiveness, as if to say, 'We're all in this together.'

I wouldn't say I'm a friend of David Byrne, but I guess I'm an acquaintance. I'm obviously an admirer, and we've met, but we don't call and chat about 'Breaking Bad' or anything.

Those early years in New Jersey were amazing. We lived in a really small town with tons of kids my age. There were fields and woods and a creek - it was a pretty ideal place to be a little kid.

I was always just blown away by David Bowie and how mannered the guy was willing to be. It was so far from what I imagined someone with my confidence to be capable of.

I always wished I had a more flamboyant streak, but it's just not what I'm made of.

I moved to New York in 1989 and went to study at NYU.

For most of my life, making music has cost me money. So I learned to live very, very cheaply.

I got a phone message from Janet Jackson saying, 'Hi, I love 'Losing My Edge', can you do me something funky and dirty like that?' I can't really do off-the-peg stuff, so I never called back.

I don't write off silly pop people at all, because you never know where they're coming from.

I like clever lyrics, funny lyrics, dumb lyrics. I can never put my finger on what I like about them.

I'm generally a very optimistic guy.

One of my favorite photographers is Ruvan Wijesooriya, who takes most of the LCD photos. His work is incredibly colloquial and raw.

I don't see myself as necessarily a very creative person. I'm a technical guy.

I have an interest in everything, but I don't have an interest in starting new careers.

You can buy $20,000 speakers, but put them in a room that's not right, and it sounds terrible. If you buy $20 speakers and put them in a room that's tuned right, it'll sound great.

I suppose what happened is that I spent my whole life wanting to be cool but eventually came to recognise the mechanism of how coolness works. So it's not really that I don't want to be cool anymore - it's more like I've come to realise that coolness doesn't exist the way I once assumed.

There are some people who are just plain great at making music. That's not who I am.

I actually want to write a treatise in defence of pretension. I think the word 'pretension' has become like the word 'ironic' - just this catch-all term to distance people from interesting experiences and cultural engagement and possible embarrassment.

You can't be afraid to embarrass yourself sometimes.

DJing is really, really pleasant. It's like having people over and making hors d'oeuvres.

I'm an underdog by nature, and I like to be fighting. I don't make music for myself. I make music to fight.

I was a singing guitar player as a kid, and I found it really embarrassing, so I stopped singing and became a drummer.

I was someone who grew up obsessed with bands, how they were and how they treated one another, and how they treated fans.

I have a very toxic combination of being completely determined, inflexible, controlling and being totally shy, guilty at hurting anyone's feelings, hypersensitive to other people's needs - and it's just paralysing.

Even in the band I was in when I was a kid, I'd be telling everyone what to do. I'd be leaning over the drums, telling them to tune their guitars, micromanaging.

As things mature - whether they be real estate, rock n' roll, politics, festivals, radio - there's an efficiency that develops, and with it, very often, comes some soul-crushing truths.

I love rock. I love the music that was born out of the latter part of the 20th century. It means a lot to me.

To do a band properly does kind of mean you don't really get to do anything else.

I'm not a big songwriter guy. People who are really good singer-songwriters usually left me kind of cold.

My high-techness is pretty low-tech. I'm not wildly computer savvy. I'm a record person.

I started playing in my first band when I was 12. I like to date myself by saying I was in a New Age band when it wasn't ironic; it was actually called new wave because it was new.

We didn't set out to be cool. We set out to be an extremely tight band. We wanted to defy expectations. The more negative your mindset on coming to one of our gigs, the better for us, frankly.

If being in a band was my job, then I would quit. This is not a good job. A good job is in financial management.

Restaurants remind me of bands: there's lots of camaraderie, people work very closely together, very hard, and it's a bad job to pick if you want to make lots of money. Whether music or food, the reward always has to be because you love it.

I don't drink beer, and I don't drink at home.

I never did albums fully at DFA; I always would go someplace else so I wasn't making a record in my office, basically.

What we are as a live band is different to what we are on recordings, but they're both equal versions: they're both LCD Soundsystem, but in very different ways.

Songs can click together really quickly, and other times, they're really laborious and heavy-lifting.

My gut instincts are strong, but they're not always accessible to me, which is why I like DJing, because you don't have time, and you have to go on instinct.

One of the big things that broke the band up for me, which I've become much clearer on over the years, was that I had no desire to be famous.

The vast majority of kids in my school went on to college. That's just what you did. And I remember feeling like, 'No, I'm not doing that.' The idea that college was next, that it was a given, meant it was of no interest to me. So I didn't go.

I don't want to be subsumed into popular culture and played on the radio next to some garbage music.

I was into punk rock my whole life. I never listened to the Eagles. I never listened to things that were getting Grammys. So getting a Grammy nomination wasn't bad, it just wasn't meaningful.

I'm always surprised by how optimistic and open sometimes people who are very successful are.

I don't prepare very well. I'm always sort of wrapped up in what I'm supposed to be doing in the moment, and then I suddenly appear someplace, and I'm really not prepared.

There's kind of a limitless amount of things I want to do, and when the path seems to open, that's when I try to do a thing.

If I opened a record store, it wouldn't be all punk rock and esoterica.

I'm a DJ, and I live in Williamsburg, and I run an independent record company.

The more you are like me, the less interested in my band you are.

I understand that if someone's going to make me his idea of cool, I can't control that.

LCD is a band about a band writing music about writing music.

LCD live was set up to be an argument about what's wrong with bands and why bands should be better. I always thought that we were so obviously not a great band, comically not a great band. I was not a great front man.

I'm basically a schlub.

I have a thing about inane lyrics - the world doesn't need them.

I had friends who were jocks or whatever... Then, around 12 or 13, kids get cliquish and cruel, and that disgusted me. It seemed a reprehensible use of one's arbitrary social status. So I got really aggressive about it and became more of a weird kid.

I've always been a good imitator. I love music. But I'm just not that original.

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