J G Ballard Quotes

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I would love to have been a painter in the tradition of the surrealist painters who I admire so much.

I was born in the city's general hospital on November 15, 1930, and we lived at 31 Amherst Avenue in the western suburbs. It was a magical place. There were receptions at the French Club, race meetings at the Shanghai...

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Looking back, it puzzles me that my parents decided to stay in Shanghai when they must have known that war was imminent. But the cotton works were my father's responsibility, and duty then counted for something.

In March 1943, my parents, four-year-old sister and I were interned with other foreign civilians at Lunghua camp, a former teacher training college outside Shanghai, where we remained until the end of August 1945.

Consumerism is so weird. It's a sort of conspiracy we collude in. You'd think shoppers spending their hard-earned cash would be highly critical. You know that the manufacturers are trying to have you on.

Most English writers are not interested in change but in the social novel. That demands a static backdrop. I'm intensely interested in change - probably as a matter of self-preservation. What the hell is going to happen next?

I've decided to recast myself as Utopian. I like this landscape of the M25 and Heathrow. I like airfreight offices and rent-a-car bureaus. I like dual carriageways. When I see a CCTV camera, I know I'm safe.

Boredom is a fearsome prospect. There's a limit to the number of cars and microwaves you can buy. What do you do then?

It is difficult to remember just how formal middle-class life was in the 1930's and '40s. I wore a suit and tie at home from the age of 18. One dressed for breakfast. One lived in a very formal way,...

Morality covers our conduct, not what goes on inside our heads.

There are some people, who place enormous value on their home and feel that it defines them, that a stain on the carpet is a personal defilement. There are others, and I think I am one of them, who are...

Burroughs called his greatest novel 'Naked Lunch,' by which he meant it's what you see on the end of a fork. Telling the truth. It's very difficult to do that in fiction because the whole process of writing fiction is...

The bourgeois novel is the greatest enemy of truth and honesty that was ever invented. It's a vast, sentimentalizing structure that reassures the reader, and at every point, offers the comfort of secure moral frameworks and recognizable characters.

Most writers flinch at the thought of being completely honest about themselves. So absolute honesty is what marks the true modern.

When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches...

I was terribly wounded by my wife's death.

I could sum up the future in one word, and that word is 'boring.' The future is going to be boring.

To my child's eyes, which had seen nothing else, Shanghai was a waking dream where everything I could imagine had already been taken to its extreme.

Novelists should be like scientists, dissecting the cadaver.

One of the things I took from my wartime experiences was that reality was a stage set... the comfortable day-to-day life, school, the home where one lives and all the rest of it... could be dismantled overnight.

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