Iain Banks Quotes

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I'm an only child so am happy with my own company and I don't really get lonely.

A lot of what the 'Culture' is about is a reaction to all the science fiction I was reading in my very early teens.

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Even in my side of the world, I've been in publishing for what, 25 or 26 years, and it's gone from being a gentlemen's club to being a few big players, and it's very corporatised.

I think a lot of people are frightened of technology and frightened of change, and the way to deal with something you're frightened of is to make fun of it. That's why science fiction fans are dismissed as geeks and...

Science fiction is trying to find alternative ways of looking at realities.

'Dead Air' is full of rants; it's a rant-based book. Yes, it's self-indulgence. I plead guilty; mea culpa.

Torture is such a slippery slope; as soon as you allow a society or any legal system to do that, almost instantly you get a situation where people are being tortured for very trivial reasons.

I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.

I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.

I just come up with the stories and write them as well as I can. There's not really a great deal of strokey-beard thinking going on.

There is a quite a lot of effort involved but I find action sequences some of the quickest to write and the most fun.

You get so caught up in what you're writing - action sequences tend to do that more than anything else because you're living it, and feeling for your characters.

Science fiction has its own history, its own legacy of what's been done, what's been superseded, what's so much part of the furniture it's practically part of the fabric now, what's become no more than a joke... and so on....

As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.

I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.

I think the future stopped looking American when you think back to Blade Runner and Neuromancer, when it started to look more Japanese.

I'm not a great believer in awards-of course the fact that I've never won one has nothing to do with it at all!

You have to have something worth saying and then the ability to say it- writing's a double skill, really.

As a writer, you get to play, you get alter time, you get to come up with the smart lines and the clever comebacks you wish you'd thought of.

I wouldn't like to be a character in one of my books!

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