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I just got a Filmstruck account so I can watch all of those Criterion movies streaming. I've been nerding out about that.

In a lot of comedy shows, there's a safety net where you don't assume anything of real consequence will happen.

As an Asian guy, I would love to see a big blockbuster with Asian lead characters.

I usually work in music videos, where we shoot, like, 10 to 12 setups and 60 shots or something.

Whether it's a TV show or a music video, the seed of the idea is what's driving my decisions, not the format or the outcome.

Regularly in music videos, I'll write the pitch and convince the artists that this is a good idea, and then I'm having to make concessions to meet in the middle.

I really enjoy blocking and staging. I think most of visual storytelling is camera placement and how to stage action around the camera.

I've loved music all my life.

I like stories where it feels like you're only seeing a small window of a bigger world.

It's something that I've always been attracted to, that idea of letting everything happen in a single frame.

I was fortunate to work on a few episodes of 'Barry' right before we shot 'Atlanta.' That was where I got my training wheels for action coverage.

Directing action scenes is really just pure visual storytelling that just makes sense to me pretty intuitively.

I used to be terrified of heights as a kid.

Most of the time, I can't listen to the song after the video's done. Sometimes I'll hear a song that I've worked on at a restaurant or on the radio, and I'll have this visceral physical reaction.

The weird thing about having an alligator on set is that you can't be in the direct line of sight, or they might start charging at you.

I've never been robbed in person, but I've gotten my car broken into a couple of times.

We always talk about how, obviously, there is still very in-your-face aggressive racism. But there's a lot of passive racism that, in the moment, you don't even realize is racist. You chalk it up as a strange interaction you had,...

I grew up listening to hip hop and embracing black culture, probably because it was 'outsider art.'

A TV show has to be a certain length and, you know, you have expectations from the viewers. You know, you want to see the characters again, or you want to see certain dynamics between the characters or certain kinds...

It might sound naive, but for me, you know, for me, the important part is kind of making process. So I'm not super result oriented, and I just, like, kind of getting lost in the process of making something.

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