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I live with one foot in the sand and one in the snow. There's European egocentricity, and the African opposite. I normally say that my African experience has made me a better European.

I do not understand how on earth you can become a writer without seeing the world.

It is obviously no secret that I earn a lot of money. But it is also no secret that I give most of it away. I don't live a luxurious life. I drive a small second-hand Fiat. I don't have to worry about money, which is itself a privilege. But I never had any anxiety that I would lose my identity.

I am not afraid of dying. I have lived longer than most people in the world. What scares me is to have a body that works but a brain that is waving goodbye. If that happens, I hope I die quickly.

Many people say I smile more in Africa than in Sweden.

My father thought, and now I think too, that the system of democracy is entirely based upon the system of justice. If we do not have a system of justice that people believe in, the system of democracy will fail.

Have I ever written anything that has really changed something? What I believe is that you can't change anything without using art. I believe that the drops wear away the stone. I try to be part of that army.

When you are around 60, there are certain things that are completely terrifying. One of them is that you have made the wrong choices in life, and now it's too late to do anything about them.

I'm quite sure Shakespeare enjoyed writing Iago much more than he did writing Othello. If you write about someone you love, what the hell are you supposed to say about that person? It's much better to have something between you and your main character that grates.

Sweden is still a very peaceful country to live in. I think that people in Britain have created this mythology about Sweden, that it's a perfect democratic society full of erotically charged girls.

Certainly, I know what it's like to be obsessed. I haven't always been there for my children. They could reach me, but I wasn't always there. But, you know, that's not necessarily anything to do with being a writer. I mean, a taxi driver could have the same problem... Maybe.

When I was a very young author, I knew I needed to build myself a tower outside of Europe. Like when you're a hunter, and build towers to watch the animals move. I knew I would never understand the world without that perspective. I came to Africa for that rational reason, although I love Mozambique now.

You can have more than one home. You can carry your roots with you, and decide where they grow.

I decided to become an author when my grandmother taught me to write, when I was six. I can still recall the sensation of being able to turn words into stories. It was a miracle.

I still have a photo on my wall of the greatest idol I will ever have in my life, and it's myself at eight. Because that's when the forces of imagination have the same value as the real world, when they're an instrument of survival: when my mother disappeared, and I imagined a mother. That was me at my best.

Although I never marched through the streets shouting for Mao, I do believe that the liberation of China at the end of the 1940s was a wonderful thing and to provide its people with a billion pairs of shoes and trousers was a fantastic achievement.

Too often we learn everything about how an African dies, but nothing about how he lives. But they learn and live and love and dream just like we do. That's not to say there are not a hell of a lot of problems in Africa. But there is also another side to that story.

Shakespeare is in many ways an African writer and 'Hamlet' would be seen as a very accurate historical saga about an African kingdom.

I love Sherlock Holmes. There's still an awful lot to steal from Conan Doyle. But within a tradition you can work in many different ways.

I work in an old tradition that goes back to the ancient Greeks. You hold a mirror to crime to see what's happening in society. I could never write a crime story just for the sake of it, because I always want to talk about certain things in society.

My mother did what many men do. She left.

Africa was the most exotic place I could conceive of - the end of the world - and I knew I would go there one day.

I came to Mozambique in 1986, when I first became involved with Teatro Avenida - a theatre company that stages plays concerned with political and social issues.

At the time of independence in 1975, Mozambique was extremely poor. Many Portuguese residents abandoned the country, leaving only a handful of well-educated Mozambicans to try to run the country.

The wonderful Mozambican people have endured tremendous misery without losing their dignity and their positive outlook on life. Moreover, they have not lost their will to progress and develop. Mozambique is a country where the people never surrendered.

Go to Mozambique! As long as you don't expect to find flawless infrastructure, just go. Because this is a country where people have not quite grown accustomed to tourists. You still feel a genuineness that no longer exists in countries where tourism has been industrially developed.

I am fascinated by all the new technology that creates places for us to meet in what is called cyberspace. I understand what it must have meant for the rebellions in the 19th century, especially in 1830 and 1848, when the mass circulated newspaper became so important for the spreading of information.

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