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I've never worked for a show or was on a show where I didn't have a lot of control creatively, but then again, I haven't worked on a lot of shows.

I've learned to wait 'til an idea is worth making. That's not really a lesson I've learned; I sort of always did it that way. But there's no reason or need to make videos prior to when you make a show, because then you need material for it.

I need to lose some weight. I'm getting really fat. But I'm getting older, and I just can't stop eating wonderful food. Rich, wonderful food.

It's physically hard for me to work. I start to break down, physically. My joints start. I get weepy eyes. I don't sleep well. I was never a hard worker, I guess. So the voiceover work ethic is really great for me - couple days a month, two hours a day.

I'm not opposed to putting myself in danger for meaningless comedy.

Cute girls and burgers. What more can you ask for? That's why we live in America.

I started doing comedy with no plan to do voice work. Voice work came as a function of doing comedy and meeting people who eventually develop shows like that. I didn't seek out from an early age to be on cartoons.

I never pursued acting with, like, auditions. If anything, I was given roles by people who knew me and liked what I did.

If you do nothing long enough, something's bound to happen.

I'm something of a foodie, I guess, and I'm a big Chinese food fan.

I think the personal stories that I tell in my life, I think, sort of do add up to say that you can fail and fail and fail again and continue to move forward.

I worked in restaurants, and I worked in the Cambridge Public Library.

My foray into comedy was to avoid getting a job.

I wasn't classically trained as an actor; I wasn't pursuing standup comedy. I really came into it through the back door. And there was a benefit to that, I think, because I wasn't pressing; I wasn't pushing.

Writing is the hardest for me. It doesn't come as naturally as the other forms, and I feel far more dread during the process. Acting and voice acting are more mercurial and maybe come a little easier to me.

David Wain's character on 'Bob's Burgers' is really funny and silly and makes me laugh.

It's mainly been the case where I do very few live action roles - not out of choice but more out of not getting asked.

I am recognized a lot for 'Master of None.' It seems like that show really touched a cultural nerve in a good way.

I don't consider myself a very good actor. I'm not bad, but there's not a lot of range in characterizations for me.

I remember on 'Dr. Katz,' there was no script really at all. There were just scene outlines.

I sweat a lot.

I worked a lot on 'Conan' as an actor, and when I moved to New York, a lot of my friends were on the first staff of that show. I started doing bit parts, which was the first thing I'd done on camera in front of a live audience.

I sing a little bit, yeah. But I sing very poorly.

I had no intention of ever doing voice-overs. I wasn't opposed to them; I just didn't have any particular knowledge of how or why people do that.

For me, performing isn't really particularly difficult.

It feels like animation has a little more independence than traditional sitcoms ever did.

Incompetent and relentless are the worst combination of qualities.

Voice actors I used to know who were starting out in comedy were guys who did a lot of voices. They were usually comedy actors who developed their comedy by doing tons of impressions and voices that were usually very funny. And I never did any of that, so that's, I guess, why I don't consider myself a voice actor.

I think, to a degree, I'm maybe more suited for voice work. And I don't just mean my face and body. Because maybe there's something about what I do that just, for some reason, is better to just hear me.

I actually walk through Washington Square Park a lot.

I don't recommend not working hard, but it's worked for me.

I was a teenager when 'Miami Vice' came out, and that was such a huge show.

'Bob's Burgers' is done with the cast all together - not necessarily all together: some are in L.A. and some are in New York, but we're hearing each other. So scenes are performed as a group. And 'Archer' is just me alone in a booth.

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