Greg Sestero Quotes

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I like the legend behind him. James Dean symbolizes the young actor's dream. He struggled to get into Hollywood. He shot to fame at the age of 24 but only got to star in three films. It's kind of a...

I think the best bad movies are not really genre movies like, let's say, 'Troll 2,' because those are easy to mess up.

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I think when you make a genre or horror movie, you need a budget. When you skimp on blood and special effects and all that, it automatically looks cheesy. But a movie like 'The Room' is psychologically bad, which goes...

When people show up to your work and enjoy it for years, like the way they have 'The Room,' what do you say to that? You accept it and think it's pretty cool.

I didn't know there was a thing for bad movies until 'The Room,' but there is. There's just a fascination.

'The Disaster Artist' isn't really about 'The Room.' It's about friendship and how dreams can come true.

'The Room' came out in 2003, really to crickets. Nobody showed up to see it. It made $1800 at the box office. Everyone assumed it was going to disappear.

I truly believe that the story behind 'The Room' is more fascinating and bizarre than 'The Room.'

'The Room' has never interested me as a film. The reaction interested me.

I feel that all of us believe that we're rock stars or actors deep down.

I saw an early cut of 'The Disaster Artist,' and I thought it was inspiring in a lot of ways, and it made me realize it had been so long since I had tried to make a film or to...

I still think that, uh, the original draft from 'The Room' was brilliant in its own way. It made me laugh, which is - which is a good thing. It got a reaction.

I can't take 'The Room' and show it to an agent and say, 'Hey man, cast me in something.' It's an alien film.

The only reason I came to L.A. in the first place was to tell stories and make movies. Whatever way you can do that - if you can do that - at whatever level, that's rewarding.

We all deal with change differently.

'The Disaster Artist' book is the peak of my career in many ways, but there's something so rewarding about creating something from scratch.

Making a film is a very difficult thing to do, but the experience of 'Best F(r)iends' is a great memory.

One of the things I've learned is you can't really control what an audience is going to feel.

You can't really ever recreate 'The Room.'

James Franco, Seth Rogen, and Evan Goldberg are the ideal guys to adapt 'The Disaster Artist.'

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