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A script can just be a blueprint, and you've got to go in and build it and color it in and paint it.
A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
I find it irresponsible to go, 'She's an actress, what does she know?' That means if you're a dentist, what do you know? If you're a lawyer, what do you know? It's our profession, it's what we do. It's not who we are.
I grew up on a ranch with my father, so he educated us really early on about guns. We used to go target shooting all the time.
When I go home to visit my parents, my mom is your typical Mexican loving mom. She wants to cook and feed everybody.
Wrestling is maybe 10 percent of our job. Everything else is what we do outside the ring and that's really rewarding. I got to go to Afghanistan to visit the troops, work with Special Olympics, it's just one of those jobs that's once in a lifetime and we're lucky to do it.
Actors used to carry films because people would have to actually go to the movies to see them. It was the only place. But now there's none of that mystique, and so there's less of a reason to buy a ticket.
I'm not an exhibitionist. But, honestly, for my art I'll do anything almost. I'll go there.
It is very challenging to have a kind of data-driven, performance-oriented culture and to do progressive pedagogy. These things don't naturally, or easily, go together.
What happens is, when I perform, I'm somewhere else. I go back in time and get in touch with who I really am. I forget my troubles, my worries.
It's the same thing now. When I go onstage the young people scream and holler as much as the older generation.
I don't care who's playing. Even if it's my favorite artist, I'm probably not gonna go and see him.
Most people are rowing against the current of life. Instead of turning the boat around, all they need to do is let go of the oars.
We used to watch the muscle movies on Saturday matinees, such as 'Hercules Unchained.' Then we'd go outside and do a remake of it.
You don't go around thinking about how characters in a movie, in the stories you make up, relate to people in general.
It was like there's got to be some way to stay working and stay productive in Los Angeles. TV is that kind of thing for an actor. Unless you get stuck in one of these shows where you have to go to Vancouver.
I suddenly felt the plane go down. I thought we were going to die. I was really scared. I was sitting with my head in my hands.
I wanted to build up a little nest egg and go back to L.A. and choose roles that I wanted to do instead of roles that I had to do to pay the bills.
I couldn't just hand in any old rubbish - I can't go on tour and sing something for three years if I don't believe in it.
All of the generations go to what is chic for them, and theater seems to be an older generation's art form.
Don't forget the prices are so high in theater; it isn't really where a young person can go on a date and buy two tickets and take someone out anymore.
I normally work like a vampire. Around 8 to 9 P.M., what I call 'the spirits' actually show up, and then I just go in the booth and scream on top of a track. I only sing on the mic. I don't sit down and write anything.
I'm universal. As much as I can get out a 'Firework' with Katy, I can get a 'Lil Freak' out with Usher. Or a 'Lay It Down' with Lloyd. I can get Caribbean as I did on 'Rio,' then go from there to working with No Doubt.
I don't go to the beach. There is no value in going to the beach. If I did go I would probably read economics books.
That's really why I want to go to space - I want to be weightless for so long that it gets boring.
When I finally decided that my only hope was to go to college, I took an acting class, and once I walked onstage, I just knew I was home.
In 1958, we decided to go to Australia. We were there for six months, and all the shows went well.
Emancipation from every kind of bondage is my principle. I go for recognition of human rights, without distinction of sect, party, sex, or color.
It seemed glamorous when I used to go into work and get to be on a trading floor or see how the business worked a little bit before I ever understood what it was.
At home, I don't like to be just sitting around; I like to go out and do things. It's when I'm the happiest.
I go back and forth between input phases where I'm reading a lot or trying to get out and explore the world a bit and soak up inspirations and then I'll get back into output mode and write and write and write.
I'm kind of big on performance in general. I like the sort of entertainment where you can go in and be fully immersed in it.
It was David McCullough's 'The Johnstown Flood' that lit my imagination as to how I might one day go about writing book-length nonfiction, though my favorite of his books is 'Mornings on Horseback,' about the young Teddy Roosevelt.
The bottom line is we need a tax code that is more simpler, that is more fairer, that gets rid of the special carve-outs, the special lobbyist loopholes. That's the direction we need to go.
Not all of our work is dark, but when we are working on a dark project, we really tend to go there.
On the steps is a machine-gun ready for action. The square is empty; only the streets that lead into it are jammed with people. It would be madness to go farther - the machine-gun is covering the square.
For years, America has helped protect against terrorist attacks by telling Americans, 'If you see something, say something.' The same should go for protecting our elections against foreign interference.
Being the first in my family to go to college, I believe, is my greatest accomplishment. It's not my accomplishment; it's my family's accomplishment.
I do not go down and sit in front of the computer and make myself write; that's not my style.
I've never had surgery. I don't drink. I don't go out. My shoulders, back, legs, hip, they're all fine. I think I bring a lot to a team.
But if you love animals for all the right reasons- and that's just love and affection- then you're going to go after animals who need you.
It's possible to go to the market, buy good ingredients, and make yourself a healthy meal for less than it costs to buy a value meal at McDonald's.
My actual statement during the campaign was I want to be the sheriff of Wall Street, Albany and Main Street. I'm going to go after crime and corruption, wherever it is.
It seems that whatever we do is somehow beyond reproach - murder, rape, drunk driving - as long as we go on a TV show and apologize.
If banks anticipate government will come to the rescue should the credit market go badly awry, they may make loans that would otherwise be imprudent, e.g. subprime loans with little prospect of repayment.
If I buy a car, I use the car, you don't, and the market for cars works pretty well. But there are many other sorts of goods, often very important goods, which are not provided well through the market. Often, these go under the heading of public goods.
I find that with every script I get, I go, 'Who knew this? This is so cool!'
I love being single. I can come and go as I please and stay out as late as I want to.
I won't read scripts because I have a limited amount of time. Why should I help other people do lame stuff when I can just go out and put on lame stuff of my own?
The challenge in daytime in particular, I think, is to go against all the traditional cliches of daytime and try to make it real.
But the guitar, when you think about it, is the most versatile, really. I mean you can pick it up and take it with you wherever you go.
But I did go to music really early on, even when I was 4 or 5, I was responding to music probably in ways other kids were not.
I was a wild kid in high school. I liked to get crazy and be rebellious and go to parties and do all that kind of stuff.
'The Simpsons' is like Charlie Parker or Marlon Brando or Richard Pryor: Comedy couldn't go back to the way it was after 'The Simpsons' came out.
I'm not a trained chef, so I end up making stuff up. It either turns out brilliant or an absolute disaster. I just go for it.
I want to see how far I can go and how good I can be, whether it's in the classroom or on the football field.
The thing about reading is that if you are hooked, you're not going to stop just because one series is over; you're going to go and find something else.
You have to be adaptable. I don't think you can go into a game with any fixed plan.
If I didn't have a scholarship to go to the University of Florida or any school, I probably would have considered the military because my family could not afford to send me to college.
If I can't find a project that I'm really interested in, I'll just go back to college where I've been studying art history and French. I'm also going to study English and philosophy - the whole curriculum!
I'm not a trained musician. When folks talk about 'Well, you go to this or that' - the tenor, or the third part - I don't really know what they're talking about.
I love to go to the playground and watch the children jumping up and down. They don't know I'm firing blanks.
I played a lot at Bayer Leverkusen. I played in the Champions League and in the Bundesliga. I have played a lot of games, and it was a very good decision to go to Leverkusen.
I try to keep myself young as possible. I vow to never let my hair go grey.
I can go in front of thousands of people on stage and not be afraid, but when there's just a few people, that scares me.
I have dreams where everything will disappear or go away, so I'm always working harder each year.
I'm like a cookie-making machine sometimes - they go so quickly and I have to make more.
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