Genndy Tartakovsky Quotes

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The computer tends to equalize everything, all the movies are slowly blending together, the way they look.

There's nothing like watching hand-drawn animation on the big screen.

I'm not sure comics sustain mortgage, and the house, and three kids.

I read comics because of the art.

Besides kind of like the Wes Anderson, or, of course, a lot of the European movies, most everybody in the States, the big studios, make pretty much the same film. And we're kind of held to Pixar standards, or Disney standards, as it's kind of always been in the animation industry.

The last thing you want to do is blend in. You want to stand out, and hopefully in a good way.

Humor is the hardest thing to do. Action is so much easier, because you're just trying to establish the mood, and a pacing, and a rhythm, and an energy. Where, in humor, comedy is so subjective.

And there is no finer moment, when I sit in a screening, and the parents and the kids are all laughing at the same gag.

The whole style of 'Hotel Transylvania' isn't really goofy. Their castle, it's not super tall; it's almost normal sized.

I've done a lot of dance sequences because I like them; I like to animate dancing because it's fun and visual.

Jim Gaffigan is someone I've always been a fan of.

I was really fortunate in my career where I always had executives who were very like-minded.

I always felt like as the director, I gotta be the best at everything.

Boarding for me, like in the days of 'Dexter,' was really hard, because I couldn't draw as well, and I had people around me who drew really well, so it was hard.

I used to work until two in the morning every night, then still get up at six. Now, I have to help my daughter with her homework, spend time with my wife.

Jack' came from... I had the same dream since I was 10, about the world being destroyed and run by mutants. I'd find a samurai sword, pick up the girl I had a crush on, and we'd go through the land, surviving. That was the initial spark to 'Samurai Jack.'

I don't like darkness in everything. I like my superheroes in primary colors, and fun.

I grew up in the 1970s and early 1980s, loving comic books, and they were much cartoonier. And then everything became super dark and muscular and airbrushed, and I stopped collecting comics.

I love 'Jack' as one of my creations and would never want to change it from what it was supposed to be. There was no reason to reinvent.

The magic of 'Jack' is that it's unique, there's not a lot of stuff like it.

With features, you're spending hundreds of millions of dollars on production and marketing, so everybody's panicked because you literally have an opening weekend to succeed.

I think the fate of 'Star Wars' is everlasting, which is great.

There was a show I loved as a kid: 'The Blue Falcon & Dynomutt.'

To me, the best of 'Jack' is when we have a very good, but small idea, executed to the nines.

I watching this Disney documentary, and I'm not Disney, but I was thinking about Mickey Mouse and he became an icon. Walt moved onto other things but he made him exist. I was thinking, 'Wow, is 'Samurai Jack' my 'Mickey Mouse?' Am I stupid to stop working on it?'

Everything that I've ever made in my life is from my instinct.

You can't have a beauty scene for beauty's sake.

Akira Kurosawa, David Lean and Alfred Hitchcock were the main inspirations for 'Samurai Jack,' along with a lot of '70s cinema.

I love the way the long scenes feel - one of the characteristics of '70s filmmaking is that you don't cut around a lot; you let things play out. I did that on 'Samurai Jack,' and it carried over into 'Clone Wars.'

There are so many sitcoms, especially in animation, that we've almost forgotten what animation was about - movement and visuals.

I've always felt that kids are a lot smarter than we've given them credit for, but we've never given them a chance to figure things out as they're watching television.

I love to have contrast.

I can't tell you how satisfying it is to have something that is your own idea get produced and then become successful.

I really loved that old UPA stuff, like 'Gerald McBoing-Boing' and 'Mr. Magoo.' They were simple yet effective 'toons that talked to everyone, not just kids.

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