Gene Luen Yang Quotes

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Superheroes were created in America, they're most popular in America, and at their best, they embody American ideals.

Every superhero has this superhero identity and a civilian identity. A lot of their lives are about code switching.

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I noticed that when my daughter was born, my son really, really liked her. But then as she started getting older, and as she started crawling around our house and touching different things that were his, sibling rivalry issues started...

In academia in general, there's this push toward using comics as an educational tool.

I would hope that maybe math teachers could use 'Prime Baby' as a way of establishing an emotional connection between students and numbers.

There's bleeding between age groups in terms of reading material, and there's bleeding between media. So there are books that are clearly comics and books that are prose, and then there are these books that are kind of in-between.

I was really worried that sitting at home by myself in front of a computer was going to make me crazy.

Eventually, I just couldn't imagine myself being in a cubicle for my entire career.

I grew up with an Apple 2E - I had a deep, emotional attachment to that machine - and I loved doodling.

I took a Logo programming class in fifth grade. Logo is a language specifically designed for the classroom environment. It was basically doodling through words.

Superman is such an old character. He's an old character with this huge legacy behind him. And one of the awesome things about the fact that he's been around for these decades is that he's gone through these different phases.

It's a big deal to reveal your friend's deepest truth, your friend's deepest secret. And for all of us, when we do these big things, there's a complexity of motivation that comes behind that decision.

When I work on my own stuff - and I think this is true for anybody - but when you work on something that you just completely own, you are trying to stay as true to your own storytelling voice...

When you work on a pre-existing character, when you end up getting invited to be part of a legacy character like Superman, I don't feel like it would be true to the character if all I did was go in...

Going from idea to production is a huge hurdle. It took me a while to overcome it. It's basically all about self discipline, right?

When I first started making comics, I was living with a bunch of guys, old college friends. We had this deal. At the end of each day, they would ask me how far I'd gotten on my comic. And if...

At any comic book convention in America, you'll find aspiring cartoonists with dozens of complex plot ideas and armloads of character sketches. Only a small percentage ever move from those ideas and sketches to a finished book.

Writing, for me, is very inspiration-dependent. And inspiration can be a jerk.

There's something about the intimacy of comics that gives you a false bravado; you don't always consider the consequences.

When you work with somebody else, you automatically get a mixed voice. You hope it will benefit the story. But you don't know what the result will be.

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