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I think one of the primary themes in my work is the paradox of memory, at once fundamental to our sense of who we are and yet elusive, ever-changing, fragmentary. One way to look at this is to say that,...

I've forgotten what it's like to remember. I've lost the mindless confidence that a moment, an idea, a thought will be there for me later, the bravado of breezing through experience in the certainty that it will become part of...

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I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost...

In question-and-answer sessions after a reading or during an interview, I forget the question if I'm giving too long an answer. And at the end, I can't remember any of the questions. The more anxious I am about remembering, the...

If I don't write down a thought - or an image or a line of poetry - the instant it comes to mind, it vanishes, which explains why I have pens and notebooks in my pants and coat pockets, the...

In 'A Poetics of Optics,' Equi writes that 'all images bank on alchemy.' This idea captures her fundamental sense of poetry as turning common material into something rare and valuable.

Elaine Equi has been publishing her observant, often playful poetry for some 30 years, extending and deepening the range of her intrinsically wry voice.

One of the strangest aspects of living with certain kinds of memory loss is knowing that the forgetting is happening.

A risk for a poet-novelist is imbalance: The poems can flatten into prose or lose their intensity of focus; the novels can stall amid lofty writing or literary preciousness and ignore the engine of plot and character.

'The Art Student's War' is, at its core, a traditional American wartime love story. As such, it is timely and engrossing. By the end, all its principal characters 'have been to Hell and back.'

Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.

Fiction about mining has a long tradition - Emile Zola's 'Germinal' and Upton Sinclair's 'King Coal' come to mind - and most readers will be aware of the industry's harsh conditions.

Science trumps magical thinking: there was a reason the Incas called their mercury mine 'la mina de los muertos,' the mine of the dead. Building a life and a community upon principles that ignore such realities is doomed to fail.

At 93, so deep in dementia that she didn't remember any details of her life, my mother somehow still knew songs.

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