Film Quotes
Most Famous Film Quotes of All Time!
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My criteria for choosing a film are first the story and the team that I'm working with.
I liked the original 'Dabangg.' I've always felt 'Dabangg' was like a South Indian film.
Eventually, the outcome of a film is not in my hands. What I do while making the film is in my hands, and that is what translates onto the screen.
I was influenced by American movies of the '60s and '70s, especially Don Siegel's 'Dirty Harry' and the films of Sam Peckinpah. And, of course, a lot of the film noir movies of the '40s.
Besides having lived and worked in Maharashtra for several years, working in a Marathi film was quite a challenge.
Society is patriarchal, so film industry by definition is certainly patriarchal. The male gaze dominated.
Women remain dramatically under-represented as characters in film when compared to their representation in the U.S. population.
My partners are Gourov Dasgupta and Roshan Balu. Together, we're 'Superbia'. I've already signed some film and non-film assignments.
The amount of time you invest in a film is not directly proportional to its success.
Independent film is film that has thought in it. There's no independent thought in studio films. It's collective thought.
I produced and starred in 'Wake the Riderless Horse,' a short film that my buddy wrote and directed.
Karzzz is my way' of paying homage to the mesmerising cinema of '80s, to Subhash Ghai's revered cult film 'Karz.'
Unlike 'The Nutty Professor,' the hero of my film is romantic. 'Badhaai Ho Badhaai' is a family film, while 'The Nutty Professor' had a lot of double-meaning dialogues.
I've learnt that there's acting for film, acting for theatre, and acting for an audition.
The truth is, unlike TV and film cameras, the theater stage doesn't add 10 pounds.
The film industry functions on fraternal feelings. If there is a problem, we solve it in-house.
Once a film is selected at Cannes, the crossover becomes very easy, thanks to the prestige and dignity it gains at Cannes.
Of course, an Oscar nomination would have added considerably to the film's business abroad. But it has already made nearly Rs 150 crore. It has done stupendous business overseas. We did a business of Rs 80 crore when we took 'Devdas' to Cannes.
I like all kinds of films; 'Bommarillu' is a favourite film. But I can't make that kind of film.
In 2009, I went to Cannes with a short film in the Kodak emerging program at the American Pavilion.
Music is a very integral part of the film, but it will not be as full of music as a Bollywood film.
Class is often invisible in America in the movies, and usually not the subject of the film.
I think a lot of writers are unrealistic about having their books translated into film.
The intelligent use of contemporary music in film has an enormous audience.
The beauty of a Tarantino film is that the visuals match the rhythm of the words. That's his goal. And that's my goal.
Ben Wheatley continues to be one of the most original voices in contemporary film.
I made experimental commercials in the experimental division of a production house, Film X, that made commercials for ad agencies.
I don't think violence on film breeds violence in life. Violence in life breeds violence in films.
There are a lot of similarities with film and TV, but also a lot of differences, especially in the way they film stuff.
I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
My favorite film score is the one Thomas Bangalter created for 'Irreversible.' The soundtrack absolutely defines the daymare-into-nightmare feeling you get from the film.
What's odd is that I've never been asked to do any comedy in film. That's something I could certainly do.
No I didn't audition, I didn't even know David Lynch till the week before I started the film.
The whole film genre is one of deceit. It is the suspension of disbelief. That's what all theater and all film is based on.
It's very different working on stage to film; the immediacy is there on stage.
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