Film And Tv Quotes
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When you're doing the work, film and TV are exactly the same. TV is just film in reduced pieces.
Notwithstanding the likes of 'All the President's Men' in the 1970s or HBO's recent 'The Newsroom,' film and TV have always loved to hate the press.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
I think my mom is the inspiration of me wanting to do film and TV and be an actor because she loved film so much. She loved, like, horror films and action films, so growing up, she loved watching all the Charles Bronson films and all the westerns.
I've never seen a theater community to rival that of Chicago. Neither New York nor L.A. has the raw talent or integrity that Chicago theater has, and I think it's because Chicago doesn't have Broadway or the film and TV business to distract it.
In the summer of 2010, I had decided to get into film and TV writing, so I wrote scripts for six different ideas I had developed, and the pilot for 'True Detective' was one of them.
If I get an offer, and I think there is something I can do, then I will think about it... I am ready to consider any film and TV acting offers, provided it is great.
Starting in the mid-1990s, the end-to-end ubiquity of the Internet, combined with its cheapness, spontaneously combusted to give us Napster - a site that revolutionized the music industry overnight. We got P2P file swapping in the film and TV industry as well.
If I was discovered by anyone, it would be Stephen O'Neil, who saw me in a play at Williamstown and introduced me to my team who I'm still with today. He was the first person to introduce me to the film and TV world. Other than that, I just assumed I would be a theater actor my whole life.
I just hope to keep doing film and TV and eventually Broadway. It's definitely what I want to do for the rest of my life.
I'm interested not just in projects that I'll be starring in, but producing film and TV that's really quality and great for adults; and when I say 'great for adults,' it doesn't mean without humor, because I'm also interested in doing comedy.
I'll need every ounce that I have to drive it through. Film and TV require that energy. Sometimes fight scenes can be pretty intense. When I was shooting 'Heaven' it was truly guerrilla film-making.
No one forces me, or any other writer, to sell a film option on the books. If you don't want to run the risk that the filmmakers may adapt your work in a way you don't like, then you don't sell the option. You know when you sell it that they will have to make some changes, just because film and TV are different media than books.
The U.K. needs more first class studio space to encourage the growth of the film and TV sector.
I think everything within film and TV helps inform every other role, so it's definitely helped my acting, being on the other side of the camera, and it's just given me a whole new appreciation for how hard everybody in the crew works.
On so many levels, acting in film and TV is so much the sum of its parts, and somewhere in there, there's an alchemical thing that makes something happen or not - that makes something connect or not. Now, of course you want to make work that people see, but the enjoyment I get out of acting is playing characters.
I began auditioning for acting jobs at the ripe old age of 12. Thirty years later, including a 15-year run on television, I sometimes just get offers for work. Often, however, I am still required to run pell-mell around Los Angeles or New York, interviewing for film and TV jobs.
I just totally do not believe in this sort of Bart Simpson character who infects so much of our literature and film and TV stuff nowadays, these know-it-all kids who seem to understand the hypocrisy of the adult world so thoroughly and can talk about it with such articulateness. That's bunk.
We get the impression through film and TV that Americans are violent gangsters with guns or upper-middle-class people in romcoms. I really liked the people. They were really warm. They could have been Brits. I mean that in the nicest possible way.
We have a generation of black actors playing leading roles on film and TV - Idris Elba, Chiwetel Ejiofor - which is great and is breaking the mould.
I've been on the board of UCLA Film and TV School, and I went to UCLA. I realized that the same movie theater that was there when I went to school, 30 years later is the same movie theater in the same condition. There was an opportunity to refurbish an existing room, and I jumped at the opportunity.
On film and TV sets, they let you sit down. Theater is like pushing a boulder up a hill each night. It's a fun boulder, but it's a boulder.
The things that I gravitate toward in film and TV are things that make me laugh but then break my heart.
Every so often, we - women in film and TV - get annoyed and frustrated. We kick up a fuss and make some gains. But then we become complacent, and things slide backwards again until the next generation comes up and gets frustrated again.
As much as I'm enjoying stuff out here in Hollywood, I will always think of myself as a comic-book writer who does film and television, not a film and TV writer who occasionally does comics.
I was always a writer - working on campaigns was never a profession for me. It was something I did on the side, really, so the trajectory hasn't been a political operative who likes to dabble in writing and finds himself into stumbling on film and TV - that was always my goal.
The difference between film and TV is the pace. You don't have the leisure of time in television.
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