Feature Film Quotes
Most Famous Feature Film Quotes of All Time!
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The writer is just so much more intimately involved in the television process than the feature film process.
I don't feel the obligation to have a big explosion in the first 20 seconds so the audience doesn't turn on another channel. We are trying to make something that looks like a feature film that was bought for television and I think we are succeeding.
I'm used to adapting my novels for feature film - it can be challenging to cut and compress three or four hundred pages into two hours of dramatic action.
My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.
I would love to be nominated for an award at some point or do something that at least engenders the type of cultural conversation that a role like Giancarlo Esposito on 'Breaking Bad,' or actually any of the people on 'Breaking Bad.' I would love to have a role in a feature film that was a cultural talking point.
Lord of the Rings was something I always wanted to do. I read the book when I was about 25, and I was always hoping if it was ever made into a feature film that I would be involved in some way. And then I finally got it, and I was over the moon. It was fantastic news.
It proved to be pretty impossible to get funds for a feature film in Finland. It's still small, but the film industry was miniscule at that point in the early '80s.
When you're writing for a game - even if you're using very well known characters like Batman and his villains who lend themselves to many different interpretations - you have to keep in mind that you're writing for a different medium. Things are a bit more straightforward than it is for a feature film or a TV show.
I feel like something I've wanted to do for a really long time, in a feature film or anything, is playing a rocker. Somewhere where I can be on a stage and have a guitar or a microphone and just kind of jam out.
Directly after Rock Hudson's death came the fears that gay writers and actors and directors would be denied jobs; who knew if they would live long enough to finish a feature film or television series? And would the unions force directors to give blood tests and ban actors who tested positive?
The first feature film I did, when I did 'Night Shift,' I improvised quite a bit because I would improvise at the audition, so sometimes I would return to the original lines, and then when I was on set, I would improvise even more.
Right now I just finished writing the music for a Rugrats feature film and the third week of September I go to London, and the Orchestra is going to perform the score.
I mean, journalism is very detailed... you try to get down in the weeds and sort out exactly what happened. And I don't think that a feature film is really a place where that happens.
I have always wanted to do a feature film that brings the world of Lisa Frank to life. We have so much backstory on our characters, and they have been alive in my imagination since the beginning.
Ever since I made the short film 'Black And White,' which had almost no dialogues, the idea of making a silent feature film fascinated me.
After a couple of attempts at making shorts, I decided to make a feature film with a friend, Tom Hall, whom I've worked with ever since.
What I did was I completed the half-hour film, but before really showing it, I wrote two more sections for a potential feature film which I didn't think would really happen, but at least I had it in case.
By the time 'Dumbo's Circus' wrapped production of its 120 episodes, I had an agent, and I had scored my first feature film gig.
I dropped out of college and ended up making this feature film I wrote when I was 19 with some friends. It was terrible.
I think feature film can be quite conservative, because you have to now get audiences to come out, and it's quite a hard thing to do. Of course, television can be conservative too.
It's considered a coup to become a lead on a kind of cutting-edge television series. I mean, that's a plus for your feature film career and for your career in general. There are no walls anymore between the two.
Although there were only about 24 episodes made it seems to run forever. They take a couple of episodes and put them together, making a feature film once in a while. I had good fun making the series.
I think what's so great about making your first feature film is that you're so naive in some ways; you don't know what to expect, and you don't question things as much because you're just trying to figure it out as you go.
When I was going for my graduate degree, I decided I was going to make a feature film as my thesis. That's what I was famous for-that I had my thesis film be a feature film, which was 'You're a Big Boy Now.'
I was writing short films and I was going through this really, really, really terrible end of a relationship that I didn't want to be going through. It was too much for me to process and all of a sudden I had this idea for my first feature film and I knew right away I had to start writing it.
When I worked on 2001 - which was my first feature film - I was deeply and permanently affected by the notion that a movie could be like a first-person experience.
To make a documentary is one thing, to make a feature film is quite another.
As a major feature film with Asian Americans in leading roles, 'Crazy Rich Asians' is important. We hope that this movie will be our 'Black Panther,' announcing to Hollywood that we are here, we belong, and we are ready for more.
We've always had a roadmap to feature filmmaking, and making a feature film could have been three or four years away for us. But crowdfunding helped us get there in a year, and it allowed us to take a much bigger step.
I'd love to win an Oscar; that would be great. I hope to get a feature film that I've made get a wide release. I'm not sure that's ever going to happen.
I'm probably going to go more the feature film route for a while, just so I have more time on my hands. If I did go back to television, I'd do a comedy, a half hour. Or I'd go back on an hour long if it was ensemble, if I had a smaller role, if I could work less days.
I did manage to secure a feature film for 2005, though, which I'm really chuffed about.
Working on 'Westworld' has been an incredible experience in learning to make something with the scope of a feature on a TV timeline with a budget nowhere near what you would expect for a feature film equivalent.
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